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The outro of Jeff Buckley’s “Hallelujah” features a chord progression in the key of C Major. It includes common chords from the key, as well as some borrowed chords from the parallel minor key (C minor), which adds a level of tension and emotion to the progression. The outro has a cyclical nature, with the chords leading smoothly back into the beginning and building a sense of conclusion.

“Hallelujah” is a song by singer-songwriter Jeff Buckley and is a cover of a song originally written by Leonard Cohen. The song is in the key of C major and features a moderate tempo with a 6/8 time signature. This particular chord progression, taken from the second verse, consists mainly of diatonic chords found within the key, but also includes a few borrowed chords and a secondary dominant, giving the song a sense of tension and release.

The chord progression in the chorus of Beck’s “Think I’m In Love” is a fairly simple one that revolves around two key centers, Ab major and Eb major. The main chords used are based on the I-IV-V structure which is common in rock and pop music. It features a major I-IV relationship and an unexpected chord, F major, which adds some harmonic interest.

“Eight Days A Week” by The Beatles is in the key of D major. The song features a handful of basic major and minor chords with a sprinkling of interesting harmonic developments such as the E7 transition chord and the use of the B minor chord which provide a rich palette of colors for the progression.

“Undone – The Sweater Song” by Weezer features a chorus with a simple, yet effective chord progression that combines the use of power chords with major chords. This combination gives the song its distinctive indie rock sound and contributes to its overall catchiness. The chorus is based on a four-chord progression with three different chords, where G5 power chord is followed by two major chords, C and D.

Jeff Buckley – Hallelujah – Chorus

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Chord Progression

F, Am, F, C, G, C, Am, C, Am

Chord Progression Analysis

F Major (IV) – A minor (vi) – F Major (IV) – C Major (I) – G Major (V) – C Major (I) – A minor (vi) – C Major (I) – A minor (vi)

Similar Chord Progressions

“Hallelujah” has influenced many artists, and its chord progression can be found in several popular songs, albeit with slight variations.

1. “Let It Be” by The Beatles:
C Major (I) – G Major (V) – A minor (vi) – F Major (IV) – C Major (I) – G Major (V) – F Major (IV) – C Major (I)

2. “Someone Like You” by Adele:
A Major (IV) – E Major (I) – F# minor (vi) – D Major (II) – A Major (IV) – E Major (I) – F# minor (vi) – D Major (II)

While neither of these progressions is identical to that of “Hallelujah,” they both contain elements of the original, such as a strong emphasis on the IV and vi chords, and the alternation between I and V or I and II chords. This underscores the enduring impact of “Hallelujah” on contemporary popular music.

Musical Analysis

The chorus begins with an F Major chord (IV), which has a strong pull back to the tonic (C Major, I). The subsequent A minor (vi) then acts as a substitute for F Major and effectively prolongs the subdominant, creating a sense of suspension. The progression then returns to F Major (IV) and resolves to the tonic (C Major, I). This is followed by a standard V-I cadence (G Major to C Major), reinforcing the tonal center.

The progression concludes with a series of alternating A minor (vi) and C Major (I) chords. This strikes a balance between stability and instability, providing a satisfying conclusion. It is important to note that the entire progression is composed of diatonic chords that belong to the key of C Major; no borrowed chords are present.

Overall Analysis

The chorus from Jeff Buckley’s rendition of “Hallelujah” in the key of C major beautifully demonstrates a diverse range of chords and harmonic techniques. The chord progression incorporates diatonic chords, borrowed chords, and some unexpected harmonic twists, all of which work together to create a sense of emotional depth and tension throughout the chorus.

Style Analysis

The chord progression is rooted in the pop/rock idiom, and the simplicity of the chords themselves is reminiscent of various traditions within popular music, including folk and gospel. Though “Hallelujah” is a deeply emotional song, the chorus’ straightforward progression allows the listener to focus on the poignant lyrics and Jeff Buckley’s expressive performance.

Chords in the Chorus section of Hallelujah by Jeff Buckley are:

F, Am, F, C, G, C, Am, C, Am