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“Hallelujah” is a song by singer-songwriter Jeff Buckley and is a cover of a song originally written by Leonard Cohen. The song is in the key of C major and features a moderate tempo with a 6/8 time signature. This particular chord progression, taken from the second verse, consists mainly of diatonic chords found within the key, but also includes a few borrowed chords and a secondary dominant, giving the song a sense of tension and release.

The song “Hallelujah” written by Leonard Cohen and popularly covered by Jeff Buckley is a solemn ballad consisting of poetic lyrics set to a haunting melody. This particular chord progression in Verse 4 highlights the song’s delicate balance between tension and resolution. The tonality revolves around C major, with deviations into other tonal areas, which adds complexity and emotional impact.

The chord progression from verse 3 of Pink Floyd’s “Wish You Were Here” is in the key of C major and shows a mix of diatonic chords and borrowed chords. The progression creates a sense of smooth journey and has a certain melancholic yet uplifting character.

Verse 3 of Radiohead’s Motion Picture Soundtrack features a melancholic and non-functional chord progression that showcases the band’s use of interesting chord voicings as well as the mixture of major and minor modalities. The progression revolves around the G major, and shifts between borrowed chords and non-conventional chord extensions such as the sus2 chord. This approach is typical of alternative rock bands like Radiohead, which often stray away from traditional norms in favor of innovative and evocative harmonies.

“Start Me Up” by The Rolling Stones is structured in a key of D Major, and the song largely follows a I-IV-V chord progression, which is a staple in many genres, especially in blues and rock music. The progression is known for its simple, catchy, and resolved sounds.

Jeff Buckley – Hallelujah – Verse 3

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Chord Progression

C, Am, C, Am, F, G, C, G, C, F, G, Am, F, G, E7, Am

Chord Progression Analysis

C (I) – Am (vi) – C (I) – Am (vi) – F (IV) – G (V) – C (I) – G (V) – C (I) – F (IV) – G (V) – Am (vi) – F (IV) – G (V) – E7 (III7) – Am (vi)

Borrowed Chord:
“`
E7 (III7)
“`

Similar Chord Progressions

1. Leonard Cohen – “Suzanne”
Chord progression: G (I) – Bm (iii) – G (I) – Bm (iii) – A (IV) – D (V) – G (I) – D (V) – G (I)

2. Sam Smith – “Stay with Me”
Chord progression: Am7 (vi7) – F (IV) – C (I) – Gsus4 (V) – G (V)

3. Oasis – “Wonderwall”
Chord progression: Em7 (iii7) – G (V) – Dsus4 (IV) – A7sus4 (II7)

Musical Analysis

The chord progression in the third verse of “Hallelujah” can be described as a variation of the classic vi-IV-I-V progression, which is commonly heard in pop music and has its roots in classical harmony. The use of the III7 chord (E7) is a noteworthy departure from the standard progression, as it is borrowed from the parallel minor key. This borrowed chord adds an unexpected twist and creates a sense of tension, contributing to the emotional depth of the song.

The use of the I-vi-I-vi progression in the beginning of the verse sets an alternating pattern that emphasizes the relative minor key, giving the piece a bittersweet quality. The perfect cadential motion (IV-V-I) present in the song adds to its sense of forward momentum, assuring a satisfying resolution for listeners.

Overall Analysis

“Hallelujah” by Jeff Buckley is a popular and iconic song that showcases Jeff Buckley’s unique vocal talent and emotional delivery. The song is in the key of C major and features a simple yet effective chord progression. The song’s memorable melody is accompanied by guitar, which uses arpeggiated fingerpicking. This adds to its musical depth and also creates dynamic rhythmic interest. The song builds in intensity as it progresses, and this, along with the powerful lyrics, contributes to the overall emotional impact of the piece.

Style Analysis

“Hallelujah” draws from various influences, including folk, rock, and gospel music. The simple, repetitive chord progression is reminiscent of traditional folk songs, which often feature uncomplicated harmonic structures. The incorporation of the III7 borrowed chord is a nod to the blues tradition, as it adds an element of harmonic surprise and tension that is commonly found in blues and jazz.

Jeff Buckley’s unique vocal style combines elements of rock and gospel, as he is able to move between soaring falsetto and expressively soulful delivery. This blend of influences and styles creates a truly one-of-a-kind piece.

Chords in the Verse 3 section of Hallelujah by Jeff Buckley are:

C, Am, C, Am, F, G, C, G, C, F, G, Am, F, G, E7, Am