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Related Music Theory Alchemy

“Hey Joe” is a famous song by Jimi Hendrix, which features a simple yet very effective chord progression throughout its verses. It has a five-chord progression, which is C, G, D, A, and E. This progression creates a strong and recognizable flow, thus contributing to the song’s iconic status.

“The Wind Cries Mary” by Jimi Hendrix is a classic example of the blending of blues, rock, and pop elements that characterizes Hendrix’s unique style. The chord progression in Verse 3 demonstrates Hendrix’s use of non-diatonic chords and chromatic harmony, while maintaining a strong sense of tonality and harmonic progression. The unconventional chord progression and the expressive guitar work contribute to the song’s lasting appeal.

“Sometimes It Snows In April” is a song by Prince in the pop style. It’s characterized by its use of extended and added note chords, as seen in the chord progression for Verse 3. This advanced harmonic content gives the song a distinct, rich, and complex musical texture, typical of Prince’s style.

Muse’s “New Born” is a rock composition with progressive and alternative elements. The harmonic structure is simple, making use of common chords and progressions. In the given chord progression from Verse 3, there is a sense of tension and release between the major and minor chords, creating a sense of dynamics and urgency. The chord progression itself is repetitive, with subtle variations added to keep interest.

The song constantly oscillates around C#m, which is the presumed root key. Harmonically, the 8-bar verse progression involves the frequent use of borrowed chords, as well as secondary dominants, which are frequently used in the Beatles’ compositions, to provide a colorful and subtle tension.

Jimi Hendrix – Hey Joe – Verse 3

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Chord Progression

C, G, D, A, E, E, C, G, D, A, E, E, C, G, D, A, E, E, C, G, D, A, E, E

Chord Progression Analysis

The full chord names and their respective Roman numerals are as follows:

C Major (I)
G Major (V)
D Major (II)
A Major (VI)
E Major (III)

Borrowed Chord:
No borrowed chord appears within this chord progression.

Similar Chord Progressions

1. “While My Guitar Gently Weeps” by The Beatles
The chord progression in the verses is as follows:
Am (i), G (VII), Am (i), Am/G (i/VII), Am/F# (i/VI), Am/F (i/V), Am/E (i/IV), G (VII), C (III), E (V)

2. “All Along The Watchtower” by Bob Dylan (made famous by Jimi Hendrix)
The chord progression for the entire song is:
C# minor (i), B major (VII), A major (VI), B major (VII)

These chord progressions exhibit some similarity to “Hey Joe,” as they also feature unconventional progressions and are significant within the context of blues-rock music.

Musical Analysis

The chord progression in verse 3 of “Hey Joe” is atypical in that it doesn’t conform to the conventional circle of fifths entirely. Instead, it loosely follows the circle of fifths but with some discrepancies. The progression starts in the key of C Major (I) and moves sequentially through successive fifth intervals: G Major (V), D Major (II), A Major (VI), before finally ending on E Major (III). The ending on E Major breaks the standard circle of fifth pattern.

This nonconformity along with the consistent movement in ascending fifths imbues the progression with a refreshing and unpredictable quality.

Overall Analysis

The chord progression for Verse 3 of “Hey Joe” by Jimi Hendrix is a repeating pattern of C, G, D, A, E. The progression employs one borrowed chord and is loosely structured around the circle of fifths. The song features a blues-rock style, with a heavy emphasis on guitar playing and expressive solos.

Style Analysis

“Hey Joe” is a staple of the blues-rock genre, thanks in part to the innovative playing of Jimi Hendrix. The song features various elaborate guitar techniques, which have become emblematic of Hendrix’s groundbreaking style. These techniques include the use of extensive bending, overdriven guitar tones, and intricate soloing.

Chords in the Verse 3 section of Hey Joe by Jimi Hendrix are:

C, G, D, A, E, E, C, G, D, A, E, E, C, G, D, A, E, E, C, G, D, A, E, E