Search

Related Music Theory Alchemy

The given chord progression is the Pre-Chorus section of “After The Storm” by Kali Uchis. The chords in this progression are predominantly built on the 1st and 2nd degrees of the minor scale. The recurring use of the Eaug chord injects an interesting and stylish twist into the music.

The chord progression in the bridge of Kali Uchis’ “After The Storm” consists of two alternating chords, Amaj7 and Dmaj7, played repeatedly. This progression is simple yet effective, creating a smooth and mellow atmosphere that matches well with the song’s overall neo-soul and R&B vibe. The arrangement is in the key of A Major and has a diatonic structure without any borrowed chords.

The chorus of Weezer’s song “Say It Ain’t So” can be analyzed as a simple and memorable chord progression in the key of C major. The progression features a repeating pattern of four chords: Am, E, F, and C.

The chorus of “The Good Life” by Weezer features a mixture of diatonic and non-diatonic chords, with a primary focus on the key of G major. The chord progression stands out as somewhat unconventional due to the inclusion of chromatic chords, which gives it an interesting character and emotion. Additionally, the repetition of certain chords emphasizes the harmonic structure and creates a sense of familiarity.

The given chord progression is from the chorus of “Earfquake” by Tyler, The Creator, a contemporary hip-hop and neo-soul artist. The progression features a smooth and mellow tonality, characterized by the use of 7th chords. The chord progression is in the key of Bb Major and showcases the use of mostly diatonic chords with a repetition that contributes to the song’s catchy nature.

Kali Uchis – After The Storm – Chorus

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

Am7, Bm7, Eaug, Am7, Bm7, Eaug, Am7, Bm7, Eaug, Am7, Bm7, Eaug

Chord Progression Analysis

“`
– Am7 (i7)
– Bm7 (ii7)
– Eaug (V+)
– Am7 (i7)
– Bm7 (ii7)
– Eaug (V+)
– Am7 (i7)
– Bm7 (ii7)
– Eaug (V+)
– Am7 (i7)
– Bm7 (ii7)
– Eaug (V+)
“`

Similar Chord Progressions

1. Erykah Badu – “On & On”
“`
Am7 (i7)
Bm7 (ii7)
Gmaj7 (VII)
Dmaj7 (IVmaj7)
“`

2. D’Angelo – “Brown Sugar”
“`
Am7 (i7)
E7 (V7)
Dm7 (iv7)
Am7 (i7)
E7 (V7)
Dm7 (iv7)
D7 (IV7)
“`

3. Robert Glasper – “Afro Blue”
“`
Am7 (i7)
E7(#9) (V7#9)
Bmin7(b5) (IIø7)
E7(b13) (V7b13)
“`

While the exact chord progression in “After The Storm” may not be mirrored in these examples, all of the songs mentioned above make use of minor seventh chords and interesting harmonic choices. Each progression showcases the influence of jazz, R&B, and soul in their respective styles.

Musical Analysis

The progression begins with a series of minor seventh chords (Am7 and Bm7) which give the music a jazzy, R&B sound. The Eaug chord, which serves as a dominant V+ chord, creates tension before resolving back to the Am7 chord, giving the progression a sense of forward momentum and instability. The repetition of this progression helps to establish a hypnotic and dreamy quality to the music.

Overall Analysis

The chord progression in the chorus of Kali Uchis’ “After The Storm” features a repeating progression of Am7, Bm7, and Eaug that occurs three times, with slight variations in harmony and tonality. It is a unique and interesting progression that creates tension through the use of both minor 7th and augmented chords. The overall style evokes a dreamy, jazzy atmosphere with elements of R&B and soul.

Style Analysis

Kali Uchis’ “After The Storm” is rooted in the contemporary R&B and neo-soul genres, while also incorporating elements of jazz harmony and Latin music. The use of minor seventh chords in the progression is a characteristic of these styles, and the inclusion of the Eaug chord adds an unexpected twist to the harmony, giving the song its unique sound.

Chords in the Chorus section of After The Storm by Kali Uchis are:

Am7, Bm7, Eaug, Am7, Bm7, Eaug, Am7, Bm7, Eaug, Am7, Bm7, Eaug