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Related Music Theory Alchemy

The post-chorus chord progression for “Gone Gone” by Tyler, The Creator is a diverse and intriguing progression that blends elements of pop, hip-hop, and jazz. The progression shows Tyler’s innovative approach to harmony and demonstrates his love for unique chord progressions that evoke strong emotions.

The chord progression in the bridge of “Gone, Gone” by Tyler, The Creator can be described as a combination of diatonic and borrowed chords from the parallel minor key. The key of the song is F major, and the progression combines elements of pop, R&B, and jazz, creating a distinctive harmonic sound.

“Exit Music (For a Film)” by Radiohead features a unique and somewhat complex chord progression, particularly in the second verse. The song can be viewed as being in A minor, with various borrowed chords and non-diatonic chords. The chord progression reflects Radiohead’s experimental and innovative approach to harmony and songwriting.

The chord progression in Muse’s “Endlessly” from Verse 2 is a mix of diatonic chords and a borrowed chord from the parallel major key. The progression has a melancholic feel, utilizing suspended chords to create tension and release. The use of both minor and major chords provides a balanced sound, giving the piece its unique character.

The verse 2 chord progression from Muse’s “New Born” reflects their signature harmonic daring and interesting relationships, which provides this piece with a fresh and captivating sound. The progression features a blend of diatonic and non-diatonic chords, as well as key shifts and chromaticism. It utilizes major-minor modal interchange and emphasizes the Em – B relationship throughout.

Tyler, The Creator – Gone Gone – Verse 2

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Chord Progression

Bb, Dm, Gm, F#m7, Eb, Dm, Eb, Dm, Eb, Dm, Eb, Dm

Chord Progression Analysis

1. Bb Major (I)
2. D minor (iii)
3. G minor (vi)
4. F#m7 (ii°7, borrowed from Bb Lydian)
5. Eb Major (IV)
6. D minor (iii)
7. Eb Major (IV)
8. D minor (iii)
9. Eb Major (IV)
10. D minor (iii)
11. Eb Major (IV)
12. D minor (iii)

Similar Chord Progressions

1. Radiohead – “Paranoid Android”:
Gm (i), Eb (VI), Bb (III), Dm (v), Gm (i), Ab (♭II), Gm (i), F (VII), Eb (VI), Bb (III)

2. Daniel Caesar – “Japanese Denim”:
Bb (I), Gm (vi), EbMaj7 (IVΔ7), F (V)

Both of these examples share similarities with Tyler, The Creator’s chord progression by using mixture and borrowed chords to create a harmonically rich and innovative sound.

Musical Analysis

The progression starts with a I-iii-vi progression, which has a strong tonal center in Bb major. The F#m7 chord that follows is borrowed from the Bb Lydian mode, introducing a brief tension before resolving back to the diatonic Eb Major (IV) chord. The rest of the progression alternates between D minor (iii) and Eb Major (IV) chords, maintaining the tonality in Bb major but injecting an interesting motion and feel.

Overall Analysis

The given chord progression for Tyler, The Creator’s “Gone Gone” verse 2 is primarily in the key of Bb major with a mixture of chords from other modes. The progression displays a combination of diatonic and borrowed chords, exhibiting the stylistic blending commonly found in modern music such as jazz, R&B, and hip-hop.

Style Analysis

Tyler, The Creator’s style is heavily influenced by jazz harmony and R&B chord progressions. This chord progression, with its mix of diatonic and borrowed chords, exhibits a characteristic blending of styles and genres, creating a unique and harmonically rich sound. The use of the F#m7 borrowed chord adds to the emotional quality of the piece and gives it a modern and innovative feel.

Chords in the Verse 2 section of Gone Gone by Tyler, The Creator are:

Bb, Dm, Gm, F#m7, Eb, Dm, Eb, Dm, Eb, Dm, Eb, Dm