Tyler, The Creator – Gone Gone – Post-Chorus
Gone Gone < All Analyses
Chord Progression
Bb, Dm, Gm, F#m7
Chord Progression Analysis
The full chord names with their Roman numerals for the progression (in the key of G Minor) are:
B♭ Major (“IV”),
D Minor (“vi”),
G Minor (“i”),
F♯ Minor 7 (“♯viiø7”)
Borrowed chord: The F♯ Minor 7 (♯viiø7) can be considered a borrowed chord from the G Harmonic minor scale.
Similar Chord Progressions
1. Radiohead – “Paranoid Android”
Progression: Cm7 (“i7”), Bb (“III”), Eb (“VI”), Gm (“i”), F#o (“vii°7”)
2. Frank Ocean – “Provider”
Progression: Bb (“IV”), Gm (“v”), Eb (“III”), F#o (“vii°7”)
These examples of similar chord progressions showcase Tyler, The Creator’s place among other artists known for pushing the envelope when it comes to harmony and progression choices. They also demonstrate the importance of jazz and unconventional harmony in contemporary popular music.
Musical Analysis
The progression starts with a standard IV (subdominant) chord, which has a somewhat a stable feeling. This is followed by the vi, a relative minor of the subdominant, creating a mild tension. The next chord, i, is the tonic, which typically provides a sense of resolution, but the progression takes an unexpected turn – the F#m7 (♯viiø7) adds more tension before the progression loops back to the beginning. This borrowed chord creates an interesting impression of a blend of emotions, ranging from stability to unresolved tension.
Overall Analysis
The post-chorus chord progression for “Gone Gone” by Tyler, The Creator is a diverse and intriguing progression that blends elements of pop, hip-hop, and jazz. The progression shows Tyler’s innovative approach to harmony and demonstrates his love for unique chord progressions that evoke strong emotions.
Style Analysis
Tyler, The Creator’s style incorporates several genres, and this chord progression is no exception. The use of a borrowed chord and mild tension between the chords show his love for unconventional progressions, which can be seen as an influence from jazz and alternative music. His choice to use the ♯viiø7 chord gives the progression a slightly darker and more complex feel, a quality often found in his works.
What are the chords in: Tyler, The Creator – Gone Gone – Post-Chorus?
Bb, Dm, Gm, F#m7
