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Related Music Theory Alchemy

The chord progression in the outro of “Earfquake” by Tyler, The Creator is relatively simple and repetitive, featuring a constant alternation between Bbmaj7 and Am7 chords. This back-and-forth between the two chords creates a sense of tension and release that contributes to the dreamy and emotional atmosphere characteristic of the song.

The given chord progression for the interlude of “Gone Gone” by Tyler, The Creator appears to deviate from common patterns found in popular music. The progression consists of eight unique chords, which could create an interesting and complex sound.

“When Doves Cry” by Prince shows the artist’s flair for the unusual. While the song is primarily in A minor, Prince takes liberties with creating unexpected shifts in harmony, which gives the song its unique character. The song revolves around five chords: Am, G, Em, F, and G, repeated throughout the verse. This circular progression offers a sense of continuity, yet Prince’s interpretation and arrangement create a sense of unpredictability.

“Undone – The Sweater Song” by Weezer is a grunge rock song from their debut album, “Weezer (The Blue Album)” released in 1994. The chord progression in Verse 2 seems to blend elements from both pop and rock genres, with some diatonic chords and a borrowed chord that adds an unexpected twist.

The piece “When I Was Your Man” by Bruno Mars showcases a common pop ballad structure that follows a typical 4-chord progression with common tone substitution as well as some chords borrowed from the relative minor. Its simplicity is one of its strengths as it allows the focus to fall on Bruno’s vocals and the lyrics, which matches the direct, emotional content of the song effectively.

Tyler, The Creator – Earfquake – Verse 2

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Chord Progression

Bbmaj7, Am7, Gm7, Am7, D7, Bbmaj7, Am7, Gm7, Am7

Chord Progression Analysis

Bb major 7 (I), A minor 7 (ii/bIII), G minor 7 (vi), A minor 7 (ii/bIII), D7 (V7/III), Bb major 7 (I), A minor 7 (ii/bIII), G minor 7 (vi), A minor 7 (ii/bIII)

Borrowed Chord: `A minor 7 (ii/bIII)`

Similar Chord Progressions

1. Logic – “Man I Is”
Chord Progression: Ebmaj7 (I), Dm7 (VIm7), Gm7 (ii), C7 (V), Fm7 (vi), Bb7 (V/IV), Am7 (ii/bIII), Abmaj7 (IV)
`Borrowed Chord: Am7 (ii/bIII)`

2. D’Angelo – “Really Love”
Chord Progression: Bbmaj7 (I), Em7 (ii/bV), Am7 (ii/bIII), Gm7 (vi), Em7 (ii/bV), A7 (V/bIII), Dm7 (iii)
`Borrowed Chords: Em7 (ii/bV) and A7 (V/bIII)`

These songs, like “Earfquake,” feature a mix of diatonic and borrowed chords in their progressions, resulting in a similar fusion of styles and nuanced musicality.

Musical Analysis

Tyler, The Creator employs a dynamic chord progression that starts with the tonic, Bbmaj7, before moving to the borrowed Am7. This moves the progression momentarily to the G minor mode. The switch between the relative major and minor keys creates a unique melodic tension. The chords also progress through the circle of fifths with Gm7, Am7, and D7, which adds to the jazz-like style of the piece. This progression resolves back to the tonic, Bbmaj7, before repeating.

Overall Analysis

The verse 2 chord progression in Tyler, The Creator’s “Earfquake” is a mixture of diatonic and non-diatonic chords. The progression mainly features chords from the Bb Major key, with the D7 acting as a secondary dominant chord (V7/III). The progression has a smooth, jazzy feel that is typical of Tyler’s signature style.

Style Analysis

“Earfquake” showcases Tyler, The Creator’s distinct sonic signature which blends elements of hip-hop, R&B, jazz, and pop. The chord progression’s use of borrowed chords and smooth seventh chords adds a touch of sophistication, reminiscent of jazz and neo-soul music. This further emphasizes the emotional depth and complexity in Tyler’s music.

Chords in the Verse 2 section of Earfquake by Tyler, The Creator are:

Bbmaj7, Am7, Gm7, Am7, D7, Bbmaj7, Am7, Gm7, Am7