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The verse 2 chord progression in Tyler, The Creator’s “Earfquake” is a mixture of diatonic and non-diatonic chords. The progression mainly features chords from the Bb Major key, with the D7 acting as a secondary dominant chord (V7/III). The progression has a smooth, jazzy feel that is typical of Tyler’s signature style.

The chord progression in the outro of “Earfquake” by Tyler, The Creator is relatively simple and repetitive, featuring a constant alternation between Bbmaj7 and Am7 chords. This back-and-forth between the two chords creates a sense of tension and release that contributes to the dreamy and emotional atmosphere characteristic of the song.

The bridge of George Benson’s “Give Me The Night” features a blend of jazz, R&B, and pop elements. The harmonic progression showcases a series of descending chords, interspersed with borrowed chords that provide an interesting twist to the overall tonality of the piece.

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“Somebody To Love” by Queen is a classic rock ballad in the key of G major, drawing heavily from influences of gospel music and blues progressions. Its bridge, aside from the characteristic gospel and rock elements, includes a modulating progression that is particularly interesting due to its use of borrowed chords, which adds contrast and emphasizes the emotive quality of the song.

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“Miss You” by The Rolling Stones is in the key of A minor. The main chord progression in the song is quite consistent — Am, Dm, Am, Am, Dm, Am, Am, Dm — with some variations in the bridge. The song’s chord progression is bluesy in nature, given the usage of minor chords and the parallel movement. In particular, the usage of E, the V chord in A Minor, gives a resolution back to the root chord (Am), which gives the song a sense of tension and release.

Tyler, The Creator – Earfquake – Bridge

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Chord Progression

Bbmaj7, Am7, Gm7, Asus2, B7, Bbmaj7, Am7, B7, Bbmaj7, Gm7

Chord Progression Analysis

Bb Major 7 (IΔ7) – A minor 7 (vii7) – G minor 7 (vi7) – A sus2 (VII) – B7 (♯II7) – Bb Major 7 (IΔ7) – A minor 7 (vii7) – B7 (♯II7) – Bb Major 7 (IΔ7) – G minor 7 (vi7)

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Borrowed Chords: B7 (♯II7)
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Similar Chord Progressions

1. Stevie Wonder – “Overjoyed”
Chord Progression:
C Major 7 (IΔ7) – B minor 7 (vii7) – A minor 7 (vi7) – G Major 7 (VMaj7) – Ab7 (♭VI7) – F Major 7 (IVΔ7) – G sus2 (V) – A minor 7 (vi7)

2. Andy Shauf – “The Worst in You”
Chord Progression:
F Major 7 (IΔ7) – E minor 7 (vii7) – D minor 7 (iv7) – E sus2 (V) – Db7 (♭IV7) – F Major 7 (IΔ7) – E minor 7 (vii7) – Db7 (♭IV7) – Eb Major 7 (♭VΔ7)

Musical Analysis

The ‘Earfquake’ bridge starts with the tonic Bb Major 7 chords, then moves to A minor 7 chord as a borrowed chord from Bb Aeolian (natural minor) mode to create a smooth transition from the tonic towards the submediant (G minor 7) chord. Then, the bridge proceeds to the A sus2 chord which acts as a brief and gentle resolution, creating a relaxed and open feel in the progression.

The B7 chord, a borrowed chord in this context, adds tension and chromatic interest in this predominantly diatonic chord progression while providing an unexpected shift away from the Bb tonic. The B7 chord returns twice more, further reinforcing the sense of unease before resolving back to the tonic Bb Major 7 chord.

Overall Analysis

The chord progression appears to be in the key of Bb Major, and showcases various diatonic chords along with a few borrowed chords. This progression is characterized by a blend of smooth and rich harmony, primarily due to the use of 7th chords and suspensions. The introduction of the dominant B7 chord adds interest, making the progression more unpredictable and complex.

Style Analysis

Tyler, The Creator’s style is known for incorporating Neo-Soul, Jazz, Fusion, and RnB which are evident in this particular chord progression. The use of 7th chords and borrowed chords provide the harmonic richness associated with these genres, while the smooth transitions and unexpected shifts keep the listener engaged and surprised.

Chords in the Bridge section of Earfquake by Tyler, The Creator are:

Bbmaj7, Am7, Gm7, Asus2, B7, Bbmaj7, Am7, B7, Bbmaj7, Gm7