Radiohead – Everything In Its Right Place – Chorus
Everything In Its Right Place < All Analyses
Chord Progression
F, C, Db, Eb, F, C, Db, Eb, F, C, Db, Eb, C, Db, Eb, C, Db, Eb, C, Db, Eb, C, Db, Eb
Chord Progression Analysis
Fmaj (‘I’), Cmaj (‘V’), Dbmaj (‘bVI’), Ebmaj (‘bVII’), Fmaj (‘I’), Cmaj (‘V’), Dbmaj (‘bVI’), Ebmaj (‘bVII’), Fmaj (‘I’), Cmaj (‘V’), Dbmaj (‘bVI’), Ebmaj (‘bVII’), Cmaj (‘V’), Dbmaj (‘bVI’), Ebmaj (‘bVII’), Cmaj (‘V’), Dbmaj (‘bVI’), Ebmaj (‘bVII’), Cmaj (‘V’), Dbmaj (‘bVI’), Ebmaj (‘bVII’), Cmaj (‘V’), Dbmaj (‘bVI’), Ebmaj (‘bVII’)
Borrowed Chords:
`Dbmaj (‘bVI’), Ebmaj (‘bVII’)`
Similar Chord Progressions
1. “Space Oddity” by David Bowie:
Cmaj (‘I’), E7 (‘V7/IV’), Fmaj (‘IV’), Fm (‘iv’), Cmaj (‘I’), Fmaj (‘IV’), Gmaj (‘V’), Amaj (‘VI’), Am (‘vi’), Cmaj (‘I’)
2. “Paranoid Android” by Radiohead:
Bm (‘i’), E (‘V/vi’), G (‘VI’), B7 (‘vii°’), Emaj7 (‘ii°’), F#m (‘iii’), G (‘VI’), Ab7 (‘bVII+7’), A (‘vii°/iii’), E (‘V/vi’), Bm (‘i’)
3. “Strawberry Fields Forever” by The Beatles:
Dbmaj (‘I’), Bbm9 (‘ii9’), Fm7 (‘iv7’), Gbmaj7 (‘V7’), Gb6 (‘V6’), Fm7-5 (‘iv7-5’), Ab7 (‘VI7’)
These examples, while showcasing different styles and artists, showcase a similar approach to chord progressions as “Everything In Its Right Place” by using diatonic and borrowed chords, exploring different tonal centers, and creating rich harmonic results.
Musical Analysis
The shifting tonal centers in “Everything In Its Right Place” create a sense of suspense and resolution throughout the chorus. Starting with the Fmaj chord, the listener may initially assume the key center is F. However, the introduction of Dbmaj and Ebmaj – borrowed chords from the parallel minor – adds new harmonic elements and richness to the progression. It is also interesting to note the alternating pattern of diatonic and borrowed chords, which further emphasizes the tension and release throughout the progression.
Overall Analysis
The chord progression of Radiohead’s “Everything In Its Right Place” is unique and complex, which contributes to the dreamy, atmospheric, and rich harmonic content prevalent in the song. Its ambiguous key center and shifting tonal centers create a sense of fluidity and unpredictability, commonly observed in Radiohead’s style. The chorus features a blend of diatonic and borrowed chords from parallel keys, which creates a colorful, almost impressionist quality to the progression.
Style Analysis
Radiohead is known for their experimentation with harmony, melody, rhythm, and texture. In “Everything In Its Right Place,” the suspended tonality, rich harmonic language, and atmospheric sound create an emotional and ambiguous quality, which is characteristic of their work. The mix of diatonic and borrowed chords contributes to the expressive nature of the song and expands the harmonic palette from a typical pop song. These elements are consistently found in Radiohead’s music, revealing their complex and distinct compositional style.
What are the chords in: Radiohead – Everything In Its Right Place – Chorus?
F, C, Db, Eb, F, C, Db, Eb, F, C, Db, Eb, C, Db, Eb, C, Db, Eb, C, Db, Eb, C, Db, Eb
