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Related Music Theory Alchemy

The chord progression featured in Radiohead’s “Motion Picture Soundtrack” Verse 2 is a four-chord loop that moves from G major to C major (acting as a suspension) and B minor (with an added 9th), creating an interesting mix of tonalities and suspensions. The progression establishes G major as the tonal center but continually moves away from it, creating a sense of ambiguity.

“Creep” by Radiohead is an alternative rock song in the key of G major, with a somewhat melancholic tone. The chord progression used is iconic, and it heavily relies on borrowed chords to create tension and resolution in the harmony. This use of chords creates a distinct sound that has become synonymous with the song.

“Wild Horses” is a song by the rock band Rolling Stones from their 1971 album “Sticky Fingers”. It is a great example of the band’s adeptness not only at writing catchy rock songs but also at creating complex and interesting chord progressions. The song is in the key of G major. The verse progression is interesting with the use of the B minor chord (Bm), which is the iii chord in the key of G major – a chord that isn’t commonly used in popular music.

“Sorry Seems to Be the Hardest Word” by Elton John employs interesting chord progressions and borrows chords from other modes and keys, contributing to its melancholy, yet dynamically expressive mood. The song is set in E minor and uses basic chord progressions, some more sophisticated ones, and many borrowed chords.

“Let It Be” by The Beatles is a song in the key of C Major. The chord progression featured in Verse 3 of the song, C – G – Am – Am/G – Fmaj7 – F6 – C – G – F – C/E – Dm7 – C, is a common progression in pop music. It has a repetitive structure and revolves around the I-V-vi-VI progression.

Radiohead – Motion Picture Soundtrack – Verse 3

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Chord Progression

G, Csus2, Bmadd9, Csus2, G, Csus2, Bmadd9, Csus2

Chord Progression Analysis

1. G major (I)
2. Csus2 (IVsus2 / borrowed from G Mixolydian)
3. Bmadd9 (iii(add9))
4. Csus2 (IVsus2 / borrowed from G Mixolydian)
5. G major (I)
6. Csus2 (IVsus2 / borrowed from G Mixolydian)
7. Bmadd9 (iii(add9))
8. Csus2 (IVsus2 / borrowed from G Mixolydian)

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Borrowed Chord: Csus2 (IVsus2 / borrowed from G Mixolydian)
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Similar Chord Progressions

1. Coldplay – “Clocks”
Chord Progression: [‘Dmaj9’, ‘Aadd9’, ‘Eadd9’]

2. U2 – “With or Without You”
Chord Progression: [‘D’, ‘Asus4’, ‘Bsus4’, ‘Gsus2’]

3. Oasis – “Wonderwall”
Chord Progression: [‘Em7’, ‘G’, ‘Dsus4’, ‘Asus4’, ‘Cadd9’]

These chord progressions feature similar use of suspended and extended chords, creating a distinctive sound that is found in many alternative rock songs. While not exactly the same as Radiohead’s Motion Picture Soundtrack, these chord progressions demonstrate similar non-functional and expressive harmonic techniques.

Musical Analysis

The G major (I) chords serve as a melodic anchor in this progression, giving a sense of resolution amidst the surrounding harmonic tension. The Csus2 is a borrowed chord from the G Mixolydian mode, and it adds some harmonic ambiguity to the progression, since it features the 2nd scale degree suspended above the major 3rd. The Bmadd9 chord accentuates the minor modality and adds tension, which resolves back to the Csus2 chord before returning to the G major (I) chord.

Overall Analysis

Verse 3 of Radiohead’s Motion Picture Soundtrack features a melancholic and non-functional chord progression that showcases the band’s use of interesting chord voicings as well as the mixture of major and minor modalities. The progression revolves around the G major, and shifts between borrowed chords and non-conventional chord extensions such as the sus2 chord. This approach is typical of alternative rock bands like Radiohead, which often stray away from traditional norms in favor of innovative and evocative harmonies.

Style Analysis

Motion Picture Soundtrack’s chord progression can be interpreted as a fusion of modal and alternative rock styles. Radiohead’s frequent use of unconventional chord voicings can be seen here, with the incorporation of sus2 and add9 chord extensions. The melancholic yet emotional progression is characteristic of alternative rock’s tendency to evoke introspection and strong emotional responses.

Chords in the Verse 3 section of Motion Picture Soundtrack by Radiohead are:

G, Csus2, Bmadd9, Csus2, G, Csus2, Bmadd9, Csus2