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The chorus of Taylor Swift’s “Anti-Hero” utilizes a chord progression that elevates the song’s emotional resonance, serving as a climactic counterpart to the reflective verses. This section combines lush harmonies with straightforward pop sensibilities, creating a poignant and memorable musical moment that aligns with the song’s thematic exploration of self-awareness and complexity.

Taylor Swift’s “Black Dog” features a chorus that uses a sophisticated and intricate chord progression to drive the emotional depth and thematic elements of the song. This progression combines inversions and extensions to create a layered and textured musical atmosphere, reflecting the complexity of the song’s lyrics and enhancing its reflective nature.

“Tiny Dancer” by Elton John, written in the key of C Major, is a classic example of elaborate pop song writing. The chord progression features common primary and secondary chords in the key of C Major, along with some borrowed chords to add color. This combination makes for a memorable and melodic song.

The most unique feature of the song is how it slowly changes to the key of C minor in the second half of the verse, making use of two borrowed chords. This is a powerful tool in songwriting, as it can dramatically affect the emotional tone of the song. Lastly, this song demonstrates Elton John’s use of Coloristic harmony, through chromatically altered chords.

The song, “As Tears Go By” by The Rolling Stones, is primarily in the key of G major. Its chord progression contains elements of classic pop songwriting, particularly from the 1960s, featuring major and minor chords, functional harmony, and a few borrowed chords. The verse has a repeating chord sequence that eventually concludes with a resolution to the tonic chord.

The chord progression from Muse’s “Hate This And I’ll Love You” displays a mix of diatonic and borrowed chords from the parallel minor. The progression is in the key of A major and shows an unconventional use of chords that gives the song its unique sound. It also showcases certain characteristics of Muse’s music style that includes complex chord progressions and frequent changes between major and minor harmonies.

Chord Progression Analysis and Roman Numerals:

A ('I'), Gm ('bVII'), D/F# ('IV/V'), A ('I'),
Gm ('bVII'), D ('IV'), A ('I'), Gm ('bVII'),
D/F# ('IV/V'), A ('I'), Gm ('bVII'), D/F# ('IV/V')

The borrowed chord in this progression is Gm, taken from the parallel minor, A minor:
`Gm (‘bVII’)`

Taylor Swift – Anti-Hero – Verse

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Chord Progression

Amaj7, E, B, c#m7

Chord Progression Analysis

The verse of “Anti-Hero” is structured around the key of E major, featuring a blend of major and minor chords that maintain a sophisticated, yet accessible harmonic framework:

“`
A Major 7 (IVmaj7)
E Major (Imaj)
B Major (V)
C# Minor 7 (vim7)
“`

This progression utilizes chords strictly within the diatonic scale of E major, without any borrowed chords. The sequence revolves around a cycle that shifts smoothly from the subdominant (IV) to the tonic (I), dominant (V), and finally to the submediant (vi), which is common in pop music but rendered with more depth through the use of seventh chords.

Similar Chord Progressions

Similar chord progressions can be found across various genres, demonstrating the universal appeal of the IV-I-V-vi pattern. Here are a few examples that illustrate this similarity but also highlight different musical expressions:

Coldplay – “Fix You”
“`
E♭ Major (IV)
B♭ Major (I)
F Major (V)
G Minor (vi)
“`

Adele – “Someone Like You”
“`
A Major (IV)
E Major (I)
F# Minor (vi)
D Major (V)
“`

Sam Smith – “Stay With Me”
“`
F Major (IV)
C Major (I)
G Major (V)
A Minor (vi)
“`

These songs use the same chord cycle with different tonal centers and stylistic adaptations, showcasing the versatility and emotional range that such progressions can offer across different contexts and genres. Taylor Swift’s “Anti-Hero” fits into this landscape with its own unique interpretation, marked by her signature blend of narrative depth and musical sophistication.

Musical Analysis

The use of seventh chords in “Anti-Hero” brings a depth of emotional expression, with the major seventh (Amaj7) adding a dreamy, almost wistful quality, while the minor seventh (C#m7) injects a touch of melancholy. This combination of chords enriches the song’s texture, making the harmony feel more expansive and reflective. The progression is cyclical, which lends a sense of inevitability and contemplation, mirroring the cyclical nature of the song’s lyrical themes of recurring self-doubt and introspection.

The rhythmic structure of the progression also supports Swift’s vocal delivery and phrasing, allowing her lyrics to flow seamlessly with the underlying harmony, thus strengthening the emotional impact of her storytelling.

Overall Analysis

“Anti-Hero,” a standout track from Taylor Swift, exemplifies her mature songwriting style that merges introspective lyrics with intricate harmonies. This song’s verse utilizes a chord progression that creates a rich emotional landscape, perfectly complementing the themes of self-reflection and personal imperfection. The progression, while rooted in the traditional pop structure, employs extended chords to enhance its lyrical narrative, adding layers of complexity that resonate with listeners.

Style Analysis

Taylor Swift’s approach in “Anti-Hero” reflects a blend of contemporary pop with elements of indie and soft rock, a hallmark of her evolution as an artist. This song, like much of her recent work, moves away from the more formulaic pop patterns of her earlier albums towards more thoughtful, complex arrangements. The use of extended chords is a stylistic choice that aligns with this shift, offering a more nuanced and layered musical experience that complements the personal and often introspective nature of her lyrics.

Chords in the Verse section of Anti-Hero by Taylor Swift are:

Amaj7, E, B, c#m7