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The given chord progression is in the key of C Major and follows a simple, yet effective structure. It features a blend of consonance and dissonance, which creates a sense of resolution and tension simultaneously. This progression is characteristic of Radiohead’s unique sound and their ability to create emotive landscapes through their music.

The chord progression featured in Radiohead’s “Motion Picture Soundtrack” Verse 2 is a four-chord loop that moves from G major to C major (acting as a suspension) and B minor (with an added 9th), creating an interesting mix of tonalities and suspensions. The progression establishes G major as the tonal center but continually moves away from it, creating a sense of ambiguity.

“Right Where It Belongs” by Nine Inch Nails features a melancholic and somewhat unconventional chord progression that moves between different tonal centers. The base key can be identified as F major from the frequency of F major chords in the progression.

The given chord progression for Tyler, The Creator’s “Gone Gone” verse 2 is primarily in the key of Bb major with a mixture of chords from other modes. The progression displays a combination of diatonic and borrowed chords, exhibiting the stylistic blending commonly found in modern music such as jazz, R&B, and hip-hop.

The given chord progression is from Beck’s song “Sexx Laws” and runs as follows: B, G#, B, G#, B, G#, A, F#. This progression features chords mainly from the B Major key, but includes borrowed chords from the parallel minor key as well. The harmonic movement showcases Beck’s interesting approach to songwriting and shows some influence from the soul and funk genres.

Radiohead – All I Need – Verse 2

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Chord Progression

C, Em, G, C, Em, G, C, C, Em, G, C, Em, G, C, C, Em, G, C, Em, G, C

Chord Progression Analysis

C (I) – Em (iii) – G (V) – C (I) – Em (iii) – G (V) – C (I) – C (I) – Em (iii) – G (V) – C (I) – Em (iii) – G (V) – C (I) – C (I) – Em (iii) – G (V) – C (I) – Em (iii) – G (V) – C (I)

There are no borrowed chords in this progression.

Similar Chord Progressions

1. Coldplay – “Yellow”: C (I) – G (V) – F (IV) – G (V) – F (IV) – Am (vi) – G (V)
2. Oasis – “Wonderwall”: C (I) – Em7 (ii7) – G (V) – D (IV) -7 Em7 (ii7) -7 Dsus4/f# (IVsus47) – A (II)
3. U2 – “With or Without You”: D (I) – A (V) – Bm (vi) – G (IV)

These progressions also feature simple and straightforward chord sequences, often focused on the I, IV, and V chords with occasional use of vi or iii chords. This provides a similar sense of stability and allows for strong emotional connection with the audience.

Musical Analysis

The progression’s simplicity and the repetition of the chords give the song a hypnotic quality. The use of the I (C), iii (Em), and V (G) chords contributes to a sense of stability and familiarity, making it an ideal backdrop for the tender and emotional vocal melody. The choice of chords also adds a level of transparency to the harmonies, preventing any sense of clutter or harmonic busyness.

Overall Analysis

The chord progression in Verse 2 of Radiohead’s “All I Need” is a relatively simple and straightforward progression featuring chords from the key of C major. The progression revolves around the I, iii, and V chords (C, Em, and G), providing a tonal base that’s consistent and easy to follow. Radiohead’s use of repetition and minimalism in this progression contributes to an emotional atmosphere and allows listeners to focus on the lyrics and other musical elements.

Style Analysis

In the broader context of Radiohead’s work, this progression showcases their willingness to embrace simplicity and let the other elements of their music shine. It’s an example of their minimalist tendencies, providing room for Thom Yorke’s vocals and the song’s atmospheric and textural elements to take center stage. The consistency of the progression and the emotional impact it generates are characteristics of Radiohead’s unique style and sound.

Chords in the Verse 2 section of All I Need by Radiohead are:

C, Em, G, C, Em, G, C, C, Em, G, C, Em, G, C, C, Em, G, C, Em, G, C