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The chord progression in the chorus of Radiohead’s “Knives Out” is an interesting and unconventional one, making use of some borrowed chords and a mix of major and minor tonalities. The overall style of the song can be described as alternative rock with some influences of jazz harmony and chromaticism, creating a unique and moody atmosphere. The progression is mostly diatonic, but it also incorporates some borrowed chords from parallel modes to add color and tension.

Radiohead’s “Fake Plastic Trees” is an alternative rock ballad from their 1995 album, “The Bends.” The moody and atmospheric track is characterized by its emotive vocal delivery, contrasting dynamics, rich arrangement, and engaging chord progression. This progression, in particular, features an interesting mixture of diatonic and borrowed chords that create a sense of tension and resolution throughout the piece.

“I Sat By The Ocean” by Queens of the Stone Age employs multiple chords which creates a complex and engaging harmony in the verse. The song is in the key G# major and it uses multiple borrowed chords from other keys. It’s worth noting that Queens of the Stone Age has a distinct sound that incorporates elements of stoner rock, heavy metal, and alternative rock into their material. Sizeable use of power chords that gives the song its heavy rock feel.

“Yesterday” by The Beatles showcases the innovative use of chord progressions that the group is known for. This song, unlike their other songs, includes borrowed chords and numerous secondary dominant chords. It also uses their favored approach of mixing chords from parallel major and minor scales, hence creating a ‘blended’ modal effect.

Moreover, it uses a mixolydian ♭7 in the main chord sequence, which is quite a popular trick among songwriters for shifting the tonic of a song.

“Have You Ever Seen The Rain” by Creedence Clearwater Revival is a classic rock song written in the key of C Major. It’s a brilliant representation of 60s and 70s folk-rock music with a chord sequence that is very recognizable, even to this day.

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Radiohead – Knives Out – Verse

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Chord Progression

Cm, Bb, Ab, Gm, Dm, F, Em6, Em7, Cm, Bb, Ab, Gm, Dm, F, Em6, Em7

Chord Progression Analysis

“`
Cm (i)
Bb (VI)
Ab (V/III)
Gm (v)
Dm (ii)
F (IV)
Em6 (iv6)
Em7 (ivø7)
Cm (i)
Bb (VI)
Ab (V/III)
Gm (v)
Dm (ii)
F (IV)
Em6 (iv6)
Em7 (ivø7)
“`

`Borrowed chords:
“`Gm (v), Dm (ii), F (IV), Em6 (iv6), Em7 (ivø7)“`

Similar Chord Progressions

1. “Paranoid Android” by Radiohead:
“`
Gm (iv)
F#ø7 (viiø)
Bm (i)
E (IV)
G (VI)
A (VII)
“`
2. “Creep” by Radiohead:
“`
G (I)
B (III)
C (IV)
Cm (iv)
“`
3. “Blackbird” by The Beatles:
“`
G (I)
Em (vi)
C (IV)
Cm (iv)
G (I)
“`
4. “While My Guitar Gently Weeps” by The Beatles:
“`
Am (i)
C#m (iii♯)
Am (i)
C (III)
G (VII)
Am (i)
F#m (vi♯)
G (VII)
“`

These examples feature similar uses of borrowed chords from parallel major or minor keys and a mix of major and minor tonalities, creating a harmonically rich and intriguing sound.

Musical Analysis

This chord progression in “Knives Out” comprises a series of chords borrowed from the key of C major, creating a blend of bright and dark moods. The mixture of chords from parallel minor and major keys contributes to the dissonant quality of the song, which is characteristic of Radiohead’s style.

The progression begins with the tonic chord, Cm, and proceeds to the VI chord, Bb. The Ab chord acts as a secondary dominant, leading briefly to the Gm chord, which is borrowed from the parallel major along with the Dm and F chords. These chords add a touch of brightness to the otherwise somber progression.

The Em6 and Em7 chords introduce a bit of chromaticism and tension, which builds up further interest in the progression. The repetition of the progression helps establish the overall mood and atmosphere of the piece.

Overall Analysis

“Knives Out” by Radiohead features a chord progression that combines elements of rock and jazz with a touch of chromaticism. The harmony is based in the key of C minor, but it also borrows chords from the parallel major key, creating an interesting mix of major and minor tonalities. The overall feel of the piece is melancholic and introspective, with various chord relationships contributing to this mood.

Style Analysis

“Knives Out” demonstrates Radiohead’s penchant for combining rock and jazz elements within their music. The harmonic structure of the song, with its blend of major and minor chords, contributes to its eeriness and complexity. This chord progression is influenced by various genres, particularly progressive rock and jazz, wherein borrowing chords from parallel keys and using chromaticism are common. The level of harmonic sophistication reflects Radiohead’s innovative and experimental approach to songwriting.

Chords in the Verse section of Knives Out by Radiohead are:

Cm, Bb, Ab, Gm, Dm, F, Em6, Em7, Cm, Bb, Ab, Gm, Dm, F, Em6, Em7