Music Theory Alchemy

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The chord progression in the chorus of Radiohead’s “Knives Out” is an interesting and unconventional one, making use of some borrowed chords and a mix of major and minor tonalities. The overall style of the song can be described as alternative rock with some influences of jazz harmony and chromaticism, creating a unique and moody atmosphere. The progression is mostly diatonic, but it also incorporates some borrowed chords from parallel modes to add color and tension.

The chord progression featured in Radiohead’s “Motion Picture Soundtrack” Verse 2 is a four-chord loop that moves from G major to C major (acting as a suspension) and B minor (with an added 9th), creating an interesting mix of tonalities and suspensions. The progression establishes G major as the tonal center but continually moves away from it, creating a sense of ambiguity.

“Two Weeks” by Grizzly Bear exhibits a common pop chord progression and harmonic rhythm. The chords are primarily in root position, which contributes to the song’s straightforward and accessible sound. Stylistically, the track shows the band’s indie-rock influences and features a prominent piano part that drives the harmony.

The progression starts on the suspended II chord of the key, which anticipates resolution either to the tonic (E major) or the supertonic (F# minor). However, it instead moves to the dominant minor (C# minor), suggesting a borrowed chord from the parallel minor (E minor). The D major chord which concludes the progression is a borrowed II from E minor as well.

“Anti-Hero,” a standout track from Taylor Swift, exemplifies her mature songwriting style that merges introspective lyrics with intricate harmonies. This song’s verse utilizes a chord progression that creates a rich emotional landscape, perfectly complementing the themes of self-reflection and personal imperfection. The progression, while rooted in the traditional pop structure, employs extended chords to enhance its lyrical narrative, adding layers of complexity that resonate with listeners.

Radiohead – Knives Out – Verse

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Chord Progression

Cm, Bb, Ab, Gm, Dm, F, Em6, Em7, Cm, Bb, Ab, Gm, Dm, F, Em6, Em7

Chord Progression Analysis

“`
Cm (i)
Bb (VI)
Ab (V/III)
Gm (v)
Dm (ii)
F (IV)
Em6 (iv6)
Em7 (ivø7)
Cm (i)
Bb (VI)
Ab (V/III)
Gm (v)
Dm (ii)
F (IV)
Em6 (iv6)
Em7 (ivø7)
“`

`Borrowed chords:
“`Gm (v), Dm (ii), F (IV), Em6 (iv6), Em7 (ivø7)“`

Similar Chord Progressions

1. “Paranoid Android” by Radiohead:
“`
Gm (iv)
F#ø7 (viiø)
Bm (i)
E (IV)
G (VI)
A (VII)
“`
2. “Creep” by Radiohead:
“`
G (I)
B (III)
C (IV)
Cm (iv)
“`
3. “Blackbird” by The Beatles:
“`
G (I)
Em (vi)
C (IV)
Cm (iv)
G (I)
“`
4. “While My Guitar Gently Weeps” by The Beatles:
“`
Am (i)
C#m (iii♯)
Am (i)
C (III)
G (VII)
Am (i)
F#m (vi♯)
G (VII)
“`

These examples feature similar uses of borrowed chords from parallel major or minor keys and a mix of major and minor tonalities, creating a harmonically rich and intriguing sound.

Musical Analysis

This chord progression in “Knives Out” comprises a series of chords borrowed from the key of C major, creating a blend of bright and dark moods. The mixture of chords from parallel minor and major keys contributes to the dissonant quality of the song, which is characteristic of Radiohead’s style.

The progression begins with the tonic chord, Cm, and proceeds to the VI chord, Bb. The Ab chord acts as a secondary dominant, leading briefly to the Gm chord, which is borrowed from the parallel major along with the Dm and F chords. These chords add a touch of brightness to the otherwise somber progression.

The Em6 and Em7 chords introduce a bit of chromaticism and tension, which builds up further interest in the progression. The repetition of the progression helps establish the overall mood and atmosphere of the piece.

Overall Analysis

“Knives Out” by Radiohead features a chord progression that combines elements of rock and jazz with a touch of chromaticism. The harmony is based in the key of C minor, but it also borrows chords from the parallel major key, creating an interesting mix of major and minor tonalities. The overall feel of the piece is melancholic and introspective, with various chord relationships contributing to this mood.

Style Analysis

“Knives Out” demonstrates Radiohead’s penchant for combining rock and jazz elements within their music. The harmonic structure of the song, with its blend of major and minor chords, contributes to its eeriness and complexity. This chord progression is influenced by various genres, particularly progressive rock and jazz, wherein borrowing chords from parallel keys and using chromaticism are common. The level of harmonic sophistication reflects Radiohead’s innovative and experimental approach to songwriting.

Chords in the Verse section of Knives Out by Radiohead are:

Cm, Bb, Ab, Gm, Dm, F, Em6, Em7, Cm, Bb, Ab, Gm, Dm, F, Em6, Em7