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Related Music Theory Alchemy

The chord progression in the chorus of Radiohead’s “Knives Out” is an interesting and unconventional one, making use of some borrowed chords and a mix of major and minor tonalities. The overall style of the song can be described as alternative rock with some influences of jazz harmony and chromaticism, creating a unique and moody atmosphere. The progression is mostly diatonic, but it also incorporates some borrowed chords from parallel modes to add color and tension.

The chord progression in Verse 2 of Radiohead’s “Nude” showcases a unique blend of minor and major chords within the key of E major, highlighting the band’s signature non-traditional approach to harmony. It features borrowed chords, as well as chromatic and diatonic motion between some chords.

The chord progression in “Ramona” by Beck is a blend of diatonic and chromatic harmony with some borrowed chords from outside the key. The piece is in the key of G major, and it features several instances of voice leading, smooth transitions between chords, and the occasional unexpected chord that adds interest and depth to the progression.

The chord progression for the verse of “Kids” by MGMT is a simple and diatonic progression in the key of A major, following the vi-IV-I-V pattern. It is common in pop music and creates a sense of tension and release throughout the progression. The chords are played using predominantly major and minor triads, with an inversion in the V chord (E/G#).

“Heartbreaker” by The Rolling Stones is a classic rock song that utilizes a chord progression that is stereotypical of the genre. The verse and chorus unfold in the key of E minor, with the verse using primarily a cycle of Em7 and Am7. In terms of musical mood and expressivity, the progression conveys a melancholic yet energetic feeling, which is characteristic of the rock genre.

Radiohead – Knives Out – Verse

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Chord Progression

Cm, Bb, Ab, Gm, Dm, F, Em6, Em7, Cm, Bb, Ab, Gm, Dm, F, Em6, Em7

Chord Progression Analysis

“`
Cm (i)
Bb (VI)
Ab (V/III)
Gm (v)
Dm (ii)
F (IV)
Em6 (iv6)
Em7 (ivø7)
Cm (i)
Bb (VI)
Ab (V/III)
Gm (v)
Dm (ii)
F (IV)
Em6 (iv6)
Em7 (ivø7)
“`

`Borrowed chords:
“`Gm (v), Dm (ii), F (IV), Em6 (iv6), Em7 (ivø7)“`

Similar Chord Progressions

1. “Paranoid Android” by Radiohead:
“`
Gm (iv)
F#ø7 (viiø)
Bm (i)
E (IV)
G (VI)
A (VII)
“`
2. “Creep” by Radiohead:
“`
G (I)
B (III)
C (IV)
Cm (iv)
“`
3. “Blackbird” by The Beatles:
“`
G (I)
Em (vi)
C (IV)
Cm (iv)
G (I)
“`
4. “While My Guitar Gently Weeps” by The Beatles:
“`
Am (i)
C#m (iii♯)
Am (i)
C (III)
G (VII)
Am (i)
F#m (vi♯)
G (VII)
“`

These examples feature similar uses of borrowed chords from parallel major or minor keys and a mix of major and minor tonalities, creating a harmonically rich and intriguing sound.

Musical Analysis

This chord progression in “Knives Out” comprises a series of chords borrowed from the key of C major, creating a blend of bright and dark moods. The mixture of chords from parallel minor and major keys contributes to the dissonant quality of the song, which is characteristic of Radiohead’s style.

The progression begins with the tonic chord, Cm, and proceeds to the VI chord, Bb. The Ab chord acts as a secondary dominant, leading briefly to the Gm chord, which is borrowed from the parallel major along with the Dm and F chords. These chords add a touch of brightness to the otherwise somber progression.

The Em6 and Em7 chords introduce a bit of chromaticism and tension, which builds up further interest in the progression. The repetition of the progression helps establish the overall mood and atmosphere of the piece.

Overall Analysis

“Knives Out” by Radiohead features a chord progression that combines elements of rock and jazz with a touch of chromaticism. The harmony is based in the key of C minor, but it also borrows chords from the parallel major key, creating an interesting mix of major and minor tonalities. The overall feel of the piece is melancholic and introspective, with various chord relationships contributing to this mood.

Style Analysis

“Knives Out” demonstrates Radiohead’s penchant for combining rock and jazz elements within their music. The harmonic structure of the song, with its blend of major and minor chords, contributes to its eeriness and complexity. This chord progression is influenced by various genres, particularly progressive rock and jazz, wherein borrowing chords from parallel keys and using chromaticism are common. The level of harmonic sophistication reflects Radiohead’s innovative and experimental approach to songwriting.

Chords in the Verse section of Knives Out by Radiohead are:

Cm, Bb, Ab, Gm, Dm, F, Em6, Em7, Cm, Bb, Ab, Gm, Dm, F, Em6, Em7