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Related Music Theory Alchemy

The chord progression in the chorus of Radiohead’s “Knives Out” is an interesting and unconventional one, making use of some borrowed chords and a mix of major and minor tonalities. The overall style of the song can be described as alternative rock with some influences of jazz harmony and chromaticism, creating a unique and moody atmosphere. The progression is mostly diatonic, but it also incorporates some borrowed chords from parallel modes to add color and tension.

The chord progression in the chorus of “Nude” by Radiohead features a mix of diatonic and borrowed chords, with some added tensions for additional color. It reflects the band’s signature style of blending unexpected harmonic elements to create a unique and evocative sound. In particular, the mix of major and minor chords with added tensions lends a sense of both familiarity and unconventionality to the progression.

“Yesterday” by The Beatles showcases the innovative use of chord progressions that the group is known for. This song, unlike their other songs, includes borrowed chords and numerous secondary dominant chords. It also uses their favored approach of mixing chords from parallel major and minor scales, hence creating a ‘blended’ modal effect.

Moreover, it uses a mixolydian ♭7 in the main chord sequence, which is quite a popular trick among songwriters for shifting the tonic of a song.

The chord progression from Muse’s “Hate This And I’ll Love You” displays a mix of diatonic and borrowed chords from the parallel minor. The progression is in the key of A major and shows an unconventional use of chords that gives the song its unique sound. It also showcases certain characteristics of Muse’s music style that includes complex chord progressions and frequent changes between major and minor harmonies.

Chord Progression Analysis and Roman Numerals:

A ('I'), Gm ('bVII'), D/F# ('IV/V'), A ('I'),
Gm ('bVII'), D ('IV'), A ('I'), Gm ('bVII'),
D/F# ('IV/V'), A ('I'), Gm ('bVII'), D/F# ('IV/V')

The borrowed chord in this progression is Gm, taken from the parallel minor, A minor:
`Gm (‘bVII’)`

“A Hard Day’s Night” by The Beatles, despite seeming to have a simple structure, is quite unique in its musical composition. The progression varies from standard rock, pop, and folk structure by integrating unique transitions and slightly unconventional chord choices.

Verse

Radiohead – Knives Out – Verse

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Chord Progression

Cm, Bb, Ab, Gm, Dm, F, Em6, Em7, Cm, Bb, Ab, Gm, Dm, F, Em6, Em7

Chord Progression Analysis

“`
Cm (i)
Bb (VI)
Ab (V/III)
Gm (v)
Dm (ii)
F (IV)
Em6 (iv6)
Em7 (ivø7)
Cm (i)
Bb (VI)
Ab (V/III)
Gm (v)
Dm (ii)
F (IV)
Em6 (iv6)
Em7 (ivø7)
“`

`Borrowed chords:
“`Gm (v), Dm (ii), F (IV), Em6 (iv6), Em7 (ivø7)“`

Similar Chord Progressions

1. “Paranoid Android” by Radiohead:
“`
Gm (iv)
F#ø7 (viiø)
Bm (i)
E (IV)
G (VI)
A (VII)
“`
2. “Creep” by Radiohead:
“`
G (I)
B (III)
C (IV)
Cm (iv)
“`
3. “Blackbird” by The Beatles:
“`
G (I)
Em (vi)
C (IV)
Cm (iv)
G (I)
“`
4. “While My Guitar Gently Weeps” by The Beatles:
“`
Am (i)
C#m (iii♯)
Am (i)
C (III)
G (VII)
Am (i)
F#m (vi♯)
G (VII)
“`

These examples feature similar uses of borrowed chords from parallel major or minor keys and a mix of major and minor tonalities, creating a harmonically rich and intriguing sound.

Musical Analysis

This chord progression in “Knives Out” comprises a series of chords borrowed from the key of C major, creating a blend of bright and dark moods. The mixture of chords from parallel minor and major keys contributes to the dissonant quality of the song, which is characteristic of Radiohead’s style.

The progression begins with the tonic chord, Cm, and proceeds to the VI chord, Bb. The Ab chord acts as a secondary dominant, leading briefly to the Gm chord, which is borrowed from the parallel major along with the Dm and F chords. These chords add a touch of brightness to the otherwise somber progression.

The Em6 and Em7 chords introduce a bit of chromaticism and tension, which builds up further interest in the progression. The repetition of the progression helps establish the overall mood and atmosphere of the piece.

Overall Analysis

“Knives Out” by Radiohead features a chord progression that combines elements of rock and jazz with a touch of chromaticism. The harmony is based in the key of C minor, but it also borrows chords from the parallel major key, creating an interesting mix of major and minor tonalities. The overall feel of the piece is melancholic and introspective, with various chord relationships contributing to this mood.

Style Analysis

“Knives Out” demonstrates Radiohead’s penchant for combining rock and jazz elements within their music. The harmonic structure of the song, with its blend of major and minor chords, contributes to its eeriness and complexity. This chord progression is influenced by various genres, particularly progressive rock and jazz, wherein borrowing chords from parallel keys and using chromaticism are common. The level of harmonic sophistication reflects Radiohead’s innovative and experimental approach to songwriting.

Chords in the Verse section of Knives Out by Radiohead are:

Cm, Bb, Ab, Gm, Dm, F, Em6, Em7, Cm, Bb, Ab, Gm, Dm, F, Em6, Em7