Music Theory Alchemy

Search

Related Music Theory Alchemy

“Love of My Life” is a stunning ballad written by Freddie Mercury of Queen. The song is written in the key of A major and is primarily played on piano. It features a sophisticated and somewhat unconventional chord progression that serves as the foundation for Mercury’s versatile vocal performance. It’s arguably one of Queen’s more classical-influenced pieces and makes use of borrowed chord techniques frequently, which are commonly associated with the band’s flirtation with different musical styles, including rock, classical, and opera.

“Dont Stop Me Now” by Queen has a key of F major. The song takes you on a journey of a unique blend of chords and progression. Freddie Mercury and the entire band are known for their diverse songwriting abilities, apparent in ‘Don’t Stop Me Now’. The chord progression in Verse 2 hints a story-telling stalwart of pop music production – the major-to-relative-minor movement (I to vi), with some interesting additions of minor seven, major seven and diminished seventh chords, giving it a more sophisticated feel.

“Paint It Black” by The Rolling Stones is a famous Rock song heavily influenced by the Indian classical form of music called Raga rock. The song is written in E minor and it has a very distinctively descending minor key tonality. The chords progression in the verse sequence doesn’t follow the conventional rules of western tonal harmony as it navigates through various key centers, showcasing the bands exploration of exotic and unconventional songwriting.

“Something” written by George Harrison from The Beatles majorly follows the key of C major and includes a few borrowed chords. There is a usage of secondary dominants and seventh chords which lend a harmonic complexity to the song. During the course of the song, the chords shift from the major scale to the parallel minor scale.

The song “Penny Lane” written by the Beatles is in the key of A major. The structure of Verse 4, specifically, has a very effective use of both diatonic (belonging naturally to the key) and borrowed chords (taken from a different key or mode). They have incorporated secondary dominants, pivot modulation, and modal interchange which reflect their knowledge of musical theory and compositional skills.

Queen – Love Of My Life – Verse 4

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

[‘Bm’, ‘F#m’, ‘G’, ‘D’, ‘G’, ‘D’, ‘Bm’, ‘Em’, ‘A’, ‘D’]

Chord Progression Analysis

– B minor (i)
– F# minor (v)
– G Major (VI)
– D Major (III)
– G Major (VI)
– D Major (III)
– B minor (i)
– E minor (iv)
– A Major (VII)
– D Major (III)

The chord progression `G` to `D Major` can be seen as a borrowed chord from the parallel Major key of `B Minor`.

Here is the progression with borrowed chords indicated in code block:
“`B minor – F# minor – G Major (bVI) – D Major (bIII) – G Major (bVI) – D Major (bIII) – B minor – E minor – A Major (VII) – D Major (bIII)“`

Similar Chord Progressions

The Beatles’ song “While My Guitar Gently Weeps” has a similar progression in its verses B minor – A Major – G Major – D Major – G Major – D Major – E Minor (i – VII – VI – III – VI – III – iv). The progression from Bm to Am (i – VII) isn’t present in “Love of My Life”, but the following progression of G Major to D Major and back, resolving to a minor chord is a common thread between both pieces.

Musical Analysis

This song demonstrates Queen’s extensive harmonic and melodic usage, with its chord progression influencing a feeling of romanticism and sophistication. Freddie Mercury (the songwriter) delights in key changes and the use of secondary dominants and borrowed chords, which adds depth and complexity to the music. The usage of the VI – III progression can be seen as a deceptive cadence, where G Major (VI) resolves unexpectedly to D Major (III) rather than the expected minor tonic (i).

Overall Analysis

“Love of My Life” by Queen exhibits a very romantic and classical style, resonant of popular ballads primarily from the classical and romantic periods. The song beautifully plays with complex harmonies, frequent key changes and borrowings from parallel keys (modal mixture), which together yield a dramatic and emotional expression. Many of the chords used, including diminished chords, fully diminished seventh, major-minor seventh chords, and usage of secondary dominants are reminiscent of 19th-century Romantic music.

Style Analysis

The style exhibited in this song is a fusion of 19th-century romantic music and popular music, particularly ballad style. This can be seen with the incorporation of chromatic harmonies, complex chord progressions, and key changes which exude romantic compositional techniques.

Chords in the Verse 4 section of Love Of My Life by Queen are:

[‘Bm’, ‘F#m’, ‘G’, ‘D’, ‘G’, ‘D’, ‘Bm’, ‘Em’, ‘A’, ‘D’]