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Related Music Theory Alchemy

“Love of My Life” by Queen exhibits a very romantic and classical style, resonant of popular ballads primarily from the classical and romantic periods. The song beautifully plays with complex harmonies, frequent key changes and borrowings from parallel keys (modal mixture), which together yield a dramatic and emotional expression. Many of the chords used, including diminished chords, fully diminished seventh, major-minor seventh chords, and usage of secondary dominants are reminiscent of 19th-century Romantic music.

“Bohemian Rhapsody” is a multi-genre masterpiece that incorporates elements of ballad, opera, and hard rock, showcasing Queen’s versatility and musical potential. The song is mainly in the key of Bb major, but it aggressively utilizes modulations, chromaticism, borrowed chords, and modally mixed chords. The given chord progression is from the verse that follows the opera section, here Queen offers an unusual, nuanced chord progression that complements the surrounding sections.

“Maxwell’s Silver Hammer” is a song by the English rock band the Beatles from their 1969 album Abbey Road. It was written by Paul McCartney. The song is primarily in the key of D Major and exhibits a mix of major, minor, and dominant seventh chords. This verse progression manifests the distinctive Beatles’ sound which often includes chromaticism and prevalence of secondary dominants that link the chords together, giving a smooth flow and color to the harmonic progression.

“Brown Sugar” by The Rolling Stones is a rock song in the key of C major. The chord progression is simple and effective, reflecting the band’s blues and rock ‘n’ roll influences. The overall structure includes three verses with the same chord progression.

“Castles Made of Sand” by Jimi Hendrix is a psychedelic rock song that features a unique and colorful chord progression, blending major and minor tonalities in a way that creates tension and a sense of longing. The verse consists of a 12-chord progression that builds upon the foundation of the major key of C, even though it starts with the IV chord (F), which contributes to the song’s unusual character. The progression includes borrowed chords from the parallel minor and elements specific to Hendrix’s own style, making it a remarkable piece in terms of its harmonic complexity and eclecticism.

Queen – Love Of My Life – Verse 2

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Chord Progression

[‘A’, ‘F#m’, ‘Bm’, ‘E’, ‘E7’, ‘A’, ‘A7’, ‘D’, ‘Bm’, ‘F#m’, ‘G’, ‘D’, ‘G’, ‘D’, ‘Bm’, ‘Em’, ‘A’, ‘D’]

Chord Progression Analysis

Below are the full chord names and their corresponding Roman numerals.

“`
A [I]
F#m [vi]
Bm [ii]
E [V]
E7 [V7]
A [I]
A7 [I7]
D [IV]
Bm [ii]
F#m [vi]
G [bVII] (Borrowed Chord)
D [IV]
G [bVII] (Borrowed Chord)
D [IV]
Bm [ii]
Em [v]
A [I]
D [IV]
“`

Similar Chord Progressions

The Beatles’ “Let It Be” has a similar progression in its verse:

“`
C [I]
G [V]
Amin [vi]
F [IV]
“`

John Lennon’s “Imagine” uses a similar kind of complex chord progression:

“`
Cmaj7 [I]
Cmaj [I]
Fmaj [IV]
Cmaj/E [I]
Fmaj [IV]
Fmaj/E [IV]
Dm [ii]
Dm/C [ii]
Fmaj [IV]
G11 [V11]
G7 [V7]
“`

Once again, like Queen, the Beatles and John Lennon were known to mix common and uncommon chord progressions quite creatively. As a result, their songs create a unique emotional landscape within the listener’s mind.

Musical Analysis

The second verse of “Love of My Life” starts with an ascending sequence of fifth relationship from A (I) chord to D (IV) chord. E7, which is the V7 of A, acts as the dominant chord to return to A maj. The F#m (vi) chord then modulates to Bm (ii), followed by a resolution back to A (I).

The G chord is the interesting chord in this sequence as it’s a borrowed chord from A Mixolydian mode, and is a common technique for creating contrast within the progression. The song also uses plenty of seventh chords, indicative of Queen’s operatic style.

Overall Analysis

“Love of My Life” is a stunning ballad written by Freddie Mercury of Queen. The song is written in the key of A major and is primarily played on piano. It features a sophisticated and somewhat unconventional chord progression that serves as the foundation for Mercury’s versatile vocal performance. It’s arguably one of Queen’s more classical-influenced pieces and makes use of borrowed chord techniques frequently, which are commonly associated with the band’s flirtation with different musical styles, including rock, classical, and opera.

Style Analysis

The chord progression clearly illustrates Queen’s unique blending of rock, opera, and classical music, capturing the theatrical grandiosity that the band is known for. These chords give each verse a cycle of significant emotional shifts, apt to the song’s theme of love and loss.

Chords in the Verse 2 section of Love Of My Life by Queen are:

[‘A’, ‘F#m’, ‘Bm’, ‘E’, ‘E7’, ‘A’, ‘A7’, ‘D’, ‘Bm’, ‘F#m’, ‘G’, ‘D’, ‘G’, ‘D’, ‘Bm’, ‘Em’, ‘A’, ‘D’]