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“In My Head” is a good example of the band’s signature style, combining elements of rock, punk, and alternative music. The usage of primary chords is fairly standard for rock music, but the inclusion of unexpected chords like G5 and D# adds a complex flavor to the progression making it notably unique amongst other songs within the genre.

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Looking at the entire song and isolating the verse, the chord progression provided shows a rock style often seen in Queens of the Stone Age compositions. The harmonic language of this song and its progression style fall within the realm of Pop / Rock music, with frequent use of minor chords suggesting a somber or introspective mood. On first glance, it appears to contain chords primarily from the key of F# minor, with no obvious borrowings from other keys. However, a closer inspection will allow us to delve deeper into their harmonic function.

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The chord progression from the bridge of Weezer’s “Buddy Holly” is in the key of A major. The progression presents a strong sense of tonality and features common rock/pop techniques, such as diatonic chord progressions, inversions, and the use of the minor subdominant.

“Good Vibrations” by The Beach Boys is highly complex and represents an exceptional use of harmonic structuring. The richness of the piece lies in Brian Wilson’s innovative and unpredictable songwriting, who was making significant use of modulation at the time, constantly shifting keys, in this case especially during the transition bridge.

“Maxwell’s Silver Hammer” is a Beatles song composed in the key of D Major. It’s a classic example of Paul McCartney’s knack for catchy pop songwriting. This song showcases McCartney’s affinity for borrowing chords to make his progressions more interesting.

Queens of the Stone Age – In My Head – Bridge

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Chord Progression

[‘E’, ‘G’, ‘D’, ‘D#’]

Chord Progression Analysis

The bridge progression in ‘In My Head’ is as follows:

“`
E Major (‘I’)
G Major (‘bIII’) (Borrowed from E minor)
D Major (‘VII’) (Borrowed from E minor)
D# (‘#vii’, Diminished, not typically found in the key of E Major)
“`
This progression employs borrowed chords from the parallel minor key (E minor in this case), which is a technique often used in rock music to integrate tonal ambiguity, tension, and release.

Similar Chord Progressions

A similar chord progression can be heard in Radiohead’s “Karma Police”, specifically in the chorus. However, it is in the key of G and uses different borrowed chords:

“`
G Major (‘I’)
Bb Major (‘bIII’) (Borrowed from G minor)
F Major (‘VII’) (Borrowed from G minor)
F# Diminished (‘#vii’ – not typically found in the key of G Major)
“`
The use of borrowed chords from the parallel minor and the use of an unconventional diminished chord in a similar manner creates a comparable sense of tonal ambiguity and tension/release in “Karma Police”. This shows that the chord progression in “In My Head” and “Karma Police” share a similar alternative rock ethos and musical sensibility.

Musical Analysis

The E Major chord as a home base chord provides a bright and open sound, while the G Major and D Major are the borrowed chords from E minor, creating a tonal balance between the comfortable key home key and the unsettling borrowed chords. The D# diminished chord acts as a leading tone to guide the progression back to the root chord, E Major. It creates an unexpected tension before resolving back to the E major, giving a surprising and edgy touch to the overall progression.

Overall Analysis

“In My Head” by Queens of the Stone Age shows a variety of complex chord progressions that are often seen in alternative rock and other sub-genres of rock music. The chord progressions seem to use a combination of modal and chromatic harmony which gives it an edgy and intriguing sound quality.

Style Analysis

The bridge’s chord progression of ‘In My Head’ is typical of the alternative rock and hard rock genres in which Queens of the Stone Age work, with its usage of borrowed chords, thereby creating a unique, edgy, and unpredictable sound.

Chords in the Bridge section of In My Head by Queens of the Stone Age are:

[‘E’, ‘G’, ‘D’, ‘D#’]