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Related Music Theory Alchemy

“Creep” by Radiohead is a song in the key of G major that features a four-chord progression in its verse 2, which is distinctive for its use of a borrowed chord from the parallel minor (G minor). Although the song’s simple harmonic structure is quite common in pop music, its use of a borrowed chord adds an element of surprise and emotional depth, establishing Radiohead’s unique sound.

This chord progression from Radiohead’s “You And Whose Army” is in the key of C# minor, and the chords are predominantly composed of diatonic chords from the C# natural minor scale with some borrowed chords from the parallel major scale. The progression follows a looped pattern, creating a hypnotic and catchy quality which is characteristic of Radiohead’s music.

The song ‘Today’ by The Smashing Pumpkins is a classic example of mixing major and minor modes in rock music. The majority of the song is modal, centered around D major and B minor. However, the bridge section changes gears and revolves around E minor.

The song “Take Me Home, Country Roads” by John Denver is written in the key of G Major. The chord progression in the bridge made use of the four main chords in this key, which are G, Em, C, and D along with an interesting use of the F chord, which is a borrowed chord from the parallel minor key of G minor.

With a Little Help from My Friends’ exists in a rich harmonic landscape typical of the Beatles. Here, we can see signature moves like mixing major/minor tonalities, borrowed chords, and unconventional harmonic progressions.

Radiohead – Creep – Bridge

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Chord Progression

G, B, C, Cm, G, B, C, Cm

Chord Progression Analysis

The chords in the bridge of “Creep” are as follows:

G major (I)
B major (III)
C major (IV)
C minor (iv)
G major (I)
B major (III)
C major (IV)
C minor (iv)

“`
Borrowed Chord: C minor (iv)
“`

Similar Chord Progressions

1. The Beatles – “While My Guitar Gently Weeps”
– [Am (vi), G (IV), C#m (iii), C#m (iii), Am (vi), G (IV), C#m (iii), C#m (iii)]
2. Led Zeppelin – “Stairway to Heaven”
– [Am (vi), G# diminished (vii°), C (III), D (IV), F (bVI), Am (vi), G# diminished (vii°), C (III), D (IV), F (bVI)]

These examples feature chord progressions that are similar to Radiohead’s “Creep,” though not identical. They both involve the use of chromatic mediants and borrowed chords from adjacent keys, which creates a rich and emotionally charged atmosphere.

Musical Analysis

The bridge’s chord progression is based on two distinct parts, each repeated twice. The initial G, B, C sequence (I – III – IV) features a major key chromatic mediant progression, which involves a major third relationship between G and B. This creates a smooth, elegant sound.

The introduction of the borrowed C minor (iv) chord, which replaces the diatonic C major (IV) in the second half of each phrase, adds an element of tension and drama. This is mainly because C minor naturally belongs to the parallel minor key (G minor). The use of both C major (IV) and C minor (iv) seamlessly incorporates the mixture of diatonic and borrowed chords, contributing to the sense of melancholy and emotional depth in Radiohead’s work.

Overall Analysis

“Creep” by Radiohead is a well-known song that features a fairly simple chord progression in its bridge. The progression is memorable for its fusion of diatonic and chromatic elements, creating a sense of tension and interest.

Style Analysis

This chord progression’s beauty lies in its simplicity and effectiveness in conveying a strong emotional impact. The use of a chromatic mediant progression and a borrowed chord from the parallel minor key is typical of alternative rock, which often explores darker themes and tends to have more complex harmonies than traditional pop and rock music.

Chords in the Bridge section of Creep by Radiohead are:

G, B, C, Cm, G, B, C, Cm