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Related Music Theory Alchemy

“Little Sister” by Queens of the Stone Age is in C# minor and features an interesting blend of simple cycle of power chords, articulating a I – V/v – III – V progression during verses. The track is heavy but also melodic, built from a four-chord pattern that creates a mesmerizing tonality within the rock genre.

The piece “3’s and 7’s” by Queens of The Stone Age illustrates a fascinating blend of minor and major tonality, accented dissonances, and unexpected harmonic turns, which is characteristic of the band’s stoner rock and alternative metal style. The verse 2 chord progression is in A# minor and it sticks to a fairly repetitive three-chord progression of A#m – G# – F.

The chord progression in the chorus of Radiohead’s “Knives Out” is an interesting and unconventional one, making use of some borrowed chords and a mix of major and minor tonalities. The overall style of the song can be described as alternative rock with some influences of jazz harmony and chromaticism, creating a unique and moody atmosphere. The progression is mostly diatonic, but it also incorporates some borrowed chords from parallel modes to add color and tension.

“Creep” by Radiohead is an alternative rock song in the key of G major, with a somewhat melancholic tone. The chord progression used is iconic, and it heavily relies on borrowed chords to create tension and resolution in the harmony. This use of chords creates a distinct sound that has become synonymous with the song.

“Knights of Cydonia” by Muse features a harmonically straightforward chord progression within the rock style. This progression is primarily based in the key of E minor and centers around the Em, Bm, and A chords. Throughout the song, the driving rhythm, vocal melodies, and transitions between different sections contribute to its energetic and dramatic qualities.

Queens of the Stone Age – Little Sister – Chorus

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Chord Progression

[‘F#sus4’, ‘E’, ‘G#sus4’, ‘F#sus4’, ‘F#sus4’, ‘E’, ‘G#sus4’, ‘F#sus4’, ‘F#sus4’, ‘E’, ‘G#sus4’, ‘F#sus4’, ‘F#sus4’, ‘E’, ‘G#sus4’]

Chord Progression Analysis

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The progression for the chorus in question can be translated to the following full chord names and Roman numerals (assuming an overall key of F# minor):

– F#sus4 (‘IVsus4)
– E (‘III)
– G#sus4 (‘VIsus4)
– F#sus4 (‘IVsus4)
– F#sus4 (‘IVsus4)
– E (‘III)
– G#sus4 (‘VIsus4)
– F#sus4 (‘IVsus4)
– F#sus4 (‘IVsus4)
– E (‘III)
– G#sus4 (‘VIsus4)
– F#sus4 (‘IVsus4)
– F#sus4 (‘IVsus4)
– E (‘III)
– G#sus4 (‘VIsus4)

Please note, F# minor and F# Major use the same roman numerals due to their relative relationship.

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Similar Chord Progressions

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One artist that comes to mind is Foo Fighters, whose song “Times Like These” features similar chord usage, particularly with sus4 chords:

– Dsus4 (‘Isus4)
– Cadd9 (‘bVIIadd9)
– Gsus4 (‘IVsus4)
– Em7 (‘IIm7)

Also, Pearl Jam’s “Alive” uses a similar pattern of suspended, major, and power chords:

– A (‘V)
– Asus4 (‘Vsus4)
– G (‘bVII)
– D (‘IV)

Keep in mind, these are not the exact chords, but the progression and usage of chords bear some similarities.

Musical Analysis

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The chord progression primarily uses suspended fourth chords (sus4), which add a suspended fourth above the root note of the chord. This provides a sense of tension or suspension which is then typically resolved by the following chord.

The progression also uses the E Major chord, which is unusual in the key of F# minor, indicating a borrowed chord from the parallel major key. This is a common technique to add color and contrast in a chord progression.

Also noteworthy is the lack of use of the dominant (C#), which contributes to the open-ended, floating feel of the song, a characteristic feature of many rock and pop songs.

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Overall Analysis

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“Little Sister” by Queens of the Stone Age is based in the rock genre, featuring a simple melody with strong rhythmic components, built on a mix of power, suspended and major chords. The use of the C#5 and G#5/D# chords in the verses and the F#sus4-E-G#sus4 repetition in the chorus indicate an overall key signature of F# minor.

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Style Analysis

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The band’s use of power chords (like C#5 and G#5/D#), and sus4 chords (like F#sus4) adheres to their general style as rock musicians and the genre’s overall tendencies. These types of chords offer a “heavier” and more ambiguous sound, often preferred in rock music.

The repetitive sequence of the three chords, F#sus4, E, and G#sus4, also are characteristic of pop and rock music, in which simplicity and repetition aid in creating a catchy, memorable tune.

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Chords in the Chorus section of Little Sister by Queens of the Stone Age are:

[‘F#sus4’, ‘E’, ‘G#sus4’, ‘F#sus4’, ‘F#sus4’, ‘E’, ‘G#sus4’, ‘F#sus4’, ‘F#sus4’, ‘E’, ‘G#sus4’, ‘F#sus4’, ‘F#sus4’, ‘E’, ‘G#sus4’]