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Related Music Theory Alchemy

“I Sat By The Ocean” by Queens of the Stone Age is in the key of E major and utilizes a mix of diatonic chords (i.e., chords native to the key of E major) and borrowed chords (i.e., chords borrowed from parallel or related keys).

Pre-Chorus

“I Sat By The Ocean” by Queens of the Stone Age employs multiple chords which creates a complex and engaging harmony in the verse. The song is in the key G# major and it uses multiple borrowed chords from other keys. It’s worth noting that Queens of the Stone Age has a distinct sound that incorporates elements of stoner rock, heavy metal, and alternative rock into their material. Sizeable use of power chords that gives the song its heavy rock feel.

“Don’t Look Back in Anger” by Oasis is written in the key of C major. Although it largely conforms to the traditional progressions expected within this key, the song does feature some interesting variations in the form of borrowed chords coming from the parallel minor key (C minor) – a common technique used in pop and rock music.

“Get You” by Daniel Caesar is a soulful R&B ballad featuring a smooth and emotive chord progression that is both melancholic and uplifting. The progression is derived from the key of D major, but features a borrowed chord from its parallel minor key, D minor, which adds a unique flair to the song. Daniel Caesar’s vocal performance, accompanied by soulful instrumentation, creates a sense of nostalgia and emotional evocation that is characteristic of the R&B genre.

The chord progression in Kali Uchis’ “Loner” features a mix of major, minor, and augmented chords, which contributes to the song’s unique sound and emotional depth. The progression has an unconventional and intriguing quality, while still maintaining a sense of harmonic coherence.

Queens of the Stone Age – I Sat By The Ocean – Chorus

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Chord Progression

[‘C#m’, ‘F#’, ‘G#7’, ‘E’]

Chord Progression Analysis

The chords in the given progression are: C# minor (vi), F# Major (II), G#7 Dominant Seventh (III7), E Major (I)

“`
C# minor (vi)
F# Major (II)
G#7 Dominant Seventh (III7)
E Major (I)
“`

Similar Chord Progressions

A similar chord progression, albeit in a different key, can be seen in Nirvana’s “In Bloom”. The chord progression is [‘Bm’, ‘E’, ‘F#7’, ‘A’] translates to B minor (ii), E Major (V), F#7 Dominant Seventh (VI7), and A Major (I) in the key of A Major:

“`
B minor (ii)
E Major (V)
F#7 Dominant Seventh (VI7)
A Major (I)
“`

Musical Analysis

This progression begins with the relative minor (vi) which helps to set a melancholic mood at the onset. However, it soon resolves to a major chord, the dominant major (II), which provides a level of tension. The tension climbs further as it escalates to the III7 chord, a luminous major dominant seventh chord that is not typically found in the E Major scale.
This unexpected movement introduces a foreign note (F natural) into the mix, thus creating an instance of borrowed harmony. Finally, the progression resolves on the tonic (I), the E Major chord, which brings an uplifting release of the tension built up from the preceding chords.

Overall Analysis

“I Sat By The Ocean” by Queens of The Stone Age is written in E Major key.

Style Analysis

The chord progression is a classic example of the band’s stylistic influences from hard rock, alternative rock, and stoner rock genres. While the use of borrowed chords isn’t uncommon in popular music and rock, it is a classic Queens of the Stone Age move to use a borrowed VII chord, which is more common in jazz, and subtly adds a touch of dissonance and surprise to their harmonies.

Chords in the Chorus section of I Sat By The Ocean by Queens of the Stone Age are:

[‘C#m’, ‘F#’, ‘G#7’, ‘E’]