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Related Music Theory Alchemy

“I Sat By The Ocean” by Queens of the Stone Age is in the key of E major and utilizes a mix of diatonic chords (i.e., chords native to the key of E major) and borrowed chords (i.e., chords borrowed from parallel or related keys).

Pre-Chorus

“In My Head” by Queens of the Stone Age shows a variety of complex chord progressions that are often seen in alternative rock and other sub-genres of rock music. The chord progressions seem to use a combination of modal and chromatic harmony which gives it an edgy and intriguing sound quality.

“Hurt” by Nine Inch Nails features a melancholic and introspective chord progression. The song is predominantly in the key of B minor. The verse and outro sections revolve around the Bm, D, and E chords, while the chorus uses a progression of Bm, G, D, A. The use of borrowed chords enriches the harmonic landscape, adding depth to the composition.

“Sour Times” by Portishead is characterized by dark, brooding sounds and melancholic melodies that gives the song its distinct feel, largely due to the specific chord progression that is used throughout the song. Written in the key of E major, the song makes use of a diverse selection of chords that offers a wider blend of harmonic options to navigate through different moods and tonal landscapes.

The chord progression for Radiohead’s “All I Need” chorus features a simple and repetitive structure, with a strong emphasis on the tonic (C major) and its relative minor (E minor). The progression then ends with a brief move to the dominant (G major), before returning to the tonic. This accessible sequence reflects the song’s emotional vulnerability and simplicity, while also showcasing the band’s ability to create emotional depth in their music.

Queens of the Stone Age – I Sat By The Ocean – Chorus

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Chord Progression

[‘C#m’, ‘F#’, ‘G#7’, ‘E’]

Chord Progression Analysis

The chords in the given progression are: C# minor (vi), F# Major (II), G#7 Dominant Seventh (III7), E Major (I)

“`
C# minor (vi)
F# Major (II)
G#7 Dominant Seventh (III7)
E Major (I)
“`

Similar Chord Progressions

A similar chord progression, albeit in a different key, can be seen in Nirvana’s “In Bloom”. The chord progression is [‘Bm’, ‘E’, ‘F#7’, ‘A’] translates to B minor (ii), E Major (V), F#7 Dominant Seventh (VI7), and A Major (I) in the key of A Major:

“`
B minor (ii)
E Major (V)
F#7 Dominant Seventh (VI7)
A Major (I)
“`

Musical Analysis

This progression begins with the relative minor (vi) which helps to set a melancholic mood at the onset. However, it soon resolves to a major chord, the dominant major (II), which provides a level of tension. The tension climbs further as it escalates to the III7 chord, a luminous major dominant seventh chord that is not typically found in the E Major scale.
This unexpected movement introduces a foreign note (F natural) into the mix, thus creating an instance of borrowed harmony. Finally, the progression resolves on the tonic (I), the E Major chord, which brings an uplifting release of the tension built up from the preceding chords.

Overall Analysis

“I Sat By The Ocean” by Queens of The Stone Age is written in E Major key.

Style Analysis

The chord progression is a classic example of the band’s stylistic influences from hard rock, alternative rock, and stoner rock genres. While the use of borrowed chords isn’t uncommon in popular music and rock, it is a classic Queens of the Stone Age move to use a borrowed VII chord, which is more common in jazz, and subtly adds a touch of dissonance and surprise to their harmonies.

Chords in the Chorus section of I Sat By The Ocean by Queens of the Stone Age are:

[‘C#m’, ‘F#’, ‘G#7’, ‘E’]