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Related Music Theory Alchemy

“I Sat By The Ocean” by Queens of the Stone Age employs multiple chords which creates a complex and engaging harmony in the verse. The song is in the key G# major and it uses multiple borrowed chords from other keys. It’s worth noting that Queens of the Stone Age has a distinct sound that incorporates elements of stoner rock, heavy metal, and alternative rock into their material. Sizeable use of power chords that gives the song its heavy rock feel.

“In My Head” by Queens of the Stone Age shows a variety of complex chord progressions that are often seen in alternative rock and other sub-genres of rock music. The chord progressions seem to use a combination of modal and chromatic harmony which gives it an edgy and intriguing sound quality.

The chord progression in the chorus of “Ramona” by Beck is an interesting mix of diatonic and borrowed chords that creates a unique and somewhat unexpected harmonic landscape. It combines major and minor chords, borrowed chords from the parallel minor key, and chromatic chords, making a rich harmonic texture.

The progression for the chorus of “Sometimes It Snows In April” by Prince exhibits a rich mixture of non- diatonic chords and borrowed chords. The tonal center of the song is A, but it doesn’t strictly follow a specific major or minor scale, creating an interesting blend of light and dark tonalities. This characteristic is a common feature in Prince’s works, showing his notable talent for blending the traditional with the unconventional.

This is a beautiful chorus from “Rocket Man,” a song by Elton John. The overall vibe of the song is nostalgic and melancholy, largely due to the combination of key changes, chord progression, and Elton John’s vocal melody. The song appears to be in the key of G major.

Queens of the Stone Age – I Sat By The Ocean – Chorus

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Chord Progression

[‘C#m’, ‘F#’, ‘G#7’, ‘E’]

Chord Progression Analysis

The chords in the given progression are: C# minor (vi), F# Major (II), G#7 Dominant Seventh (III7), E Major (I)

“`
C# minor (vi)
F# Major (II)
G#7 Dominant Seventh (III7)
E Major (I)
“`

Similar Chord Progressions

A similar chord progression, albeit in a different key, can be seen in Nirvana’s “In Bloom”. The chord progression is [‘Bm’, ‘E’, ‘F#7’, ‘A’] translates to B minor (ii), E Major (V), F#7 Dominant Seventh (VI7), and A Major (I) in the key of A Major:

“`
B minor (ii)
E Major (V)
F#7 Dominant Seventh (VI7)
A Major (I)
“`

Musical Analysis

This progression begins with the relative minor (vi) which helps to set a melancholic mood at the onset. However, it soon resolves to a major chord, the dominant major (II), which provides a level of tension. The tension climbs further as it escalates to the III7 chord, a luminous major dominant seventh chord that is not typically found in the E Major scale.
This unexpected movement introduces a foreign note (F natural) into the mix, thus creating an instance of borrowed harmony. Finally, the progression resolves on the tonic (I), the E Major chord, which brings an uplifting release of the tension built up from the preceding chords.

Overall Analysis

“I Sat By The Ocean” by Queens of The Stone Age is written in E Major key.

Style Analysis

The chord progression is a classic example of the band’s stylistic influences from hard rock, alternative rock, and stoner rock genres. While the use of borrowed chords isn’t uncommon in popular music and rock, it is a classic Queens of the Stone Age move to use a borrowed VII chord, which is more common in jazz, and subtly adds a touch of dissonance and surprise to their harmonies.

Chords in the Chorus section of I Sat By The Ocean by Queens of the Stone Age are:

[‘C#m’, ‘F#’, ‘G#7’, ‘E’]