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Related Music Theory Alchemy

The song “3s and 7s” by Queens of the Stone Age is in the key of A# minor. The chord progression predominantly features three chords: A#m, G#, and F. The progression utilizes elements of rock and metal music, characteristic of the band’s style. The composition has a darker feel brought by the use of minor chords and dropped tuning, which is frequently employed in harder styles of rock music.

“In My Head” is a good example of the band’s signature style, combining elements of rock, punk, and alternative music. The usage of primary chords is fairly standard for rock music, but the inclusion of unexpected chords like G5 and D# adds a complex flavor to the progression making it notably unique amongst other songs within the genre.

“Save Me” by Queen is in the key of G Major and it features a number of modulations to closely related keys. It resonates a distinct rock ballad style incorporating unique variations of common chord progressions from rock and pop genres. The progression’s utilization of inverted chords also brings depth and character to the melody.

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“Fake Plastic Trees” by Radiohead is a haunting and introspective ballad that features an evocative chord progression. The progression appears to have been influenced by alternative rock and combines elements of both major and minor tonalities, as well as non-diatonic and diatonic chords. This blend of harmonic flavors creates an unforgettable sound that is melancholic, yet beautiful.

“California Kids” by Weezer is a pop rock song with influences from alternative and power pop. The chord progression in Verse 2 shows a blend of diatonic and borrowed chords, which contributes to a slight sense of tension and resolution throughout the progression. The chords in the verse also exhibit movement by step (C to C/B) and a mixture of major and minor tonalities.

Queens of the Stone Age – 3S And 7S – Verse 2

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Chord Progression

[‘A#m’, ‘G#’, ‘F’, ‘A#m’, ‘G#’, ‘F’, ‘A#m’, ‘G#’, ‘F’, ‘A#m’, ‘G#’, ‘F’, ‘A#m’, ‘G#’, ‘F’, ‘A#m’, ‘G#’, ‘F’, ‘A#m’, ‘G#’, ‘F’, ‘A#m’, ‘G#’, ‘F’, ‘A#m’, ‘G#’, ‘F’, ‘A#m’, ‘G#’, ‘F’, ‘A#m’, ‘G#’, ‘F’, ‘A#m’, ‘G#’, ‘F’]

Chord Progression Analysis

– A#m (i)
– G# (VII)
– F (VI)

then it repeats. This is a very popular chord progression used in many rock, pop, and alternative songs.

“`{A#m: ‘i’, G#: ‘VII’, F: ‘VI’}“`

Similar Chord Progressions

The same chord progression can be found in various rock and pop music, one of them is ‘Love the Way You Lie’ by Eminem feat. Rihanna, the progression goes:

1) Bb minor (i)
2) Ab major (VII)
3) Gb major (VI)

Another example is ‘Attention’ by Charlie Puth with the progression:

1) Eb minor (i)
2) D flat major (VII)
3) B major (VI)

Musical Analysis

The progression backbone is a question-and-answer sequence that has a tension-building and resolving structure: the i chord, being the tonic of the scale, establishes the key’s mood, the VII chord adds tension to the music as it’s comprised of two notes that are discordant in the A# minor key, and the VI chord brings a sense of resolution to the tension.

Overall Analysis

The piece “3’s and 7’s” by Queens of The Stone Age illustrates a fascinating blend of minor and major tonality, accented dissonances, and unexpected harmonic turns, which is characteristic of the band’s stoner rock and alternative metal style. The verse 2 chord progression is in A# minor and it sticks to a fairly repetitive three-chord progression of A#m – G# – F.

Style Analysis

This chord progression is characteristic of Queens of the Stone Age’s style which often utilizes tense harmonic structures to create a darker, moodier sound. The blending of minor and major tonality along with the use of borrowed chords creates variety and contributes to their unique sound.

Chords in the Verse 2 section of 3S And 7S by Queens of the Stone Age are:

[‘A#m’, ‘G#’, ‘F’, ‘A#m’, ‘G#’, ‘F’, ‘A#m’, ‘G#’, ‘F’, ‘A#m’, ‘G#’, ‘F’, ‘A#m’, ‘G#’, ‘F’, ‘A#m’, ‘G#’, ‘F’, ‘A#m’, ‘G#’, ‘F’, ‘A#m’, ‘G#’, ‘F’, ‘A#m’, ‘G#’, ‘F’, ‘A#m’, ‘G#’, ‘F’, ‘A#m’, ‘G#’, ‘F’, ‘A#m’, ‘G#’, ‘F’]