Search

Related Music Theory Alchemy

“Maxwell’s Silver Hammer” by The Beatles is a track that showcases the band’s fondness for creating complex and textured compositions by combining multiple melody lines with innovative chord sequences in a pop rock context. It features numerous musical styles, including pop, rock, and music hall, which reflects the band’s eclectic musical influences. The Coda of the song takes place in the key of D major.

“Here Comes The Sun” by The Beatles, composed by George Harrison, features a complex and stylistically unique chord progression. The song is primarily in the key of D major, with elements of modal interchange (also known as borrowed chords) from both the parallel minor key (D minor) and other modes, including the Mixolydian mode.

The chord progression in the chorus of Weezer’s “Buddy Holly” is in the key of A major and has a mix of diatonic and borrowed chords. Overall, it has a distinct and memorable pop-rock feel, with a strong hook and melodic quality. Through its use of secondary dominants, the progression creates tension and release, pushing the harmony forward in a compelling manner.

The song “Ceilings” by Lizzy McAlpine is in the key of G Major, employing a mixture of major, minor, and additive chords to create a progression that lends itself to a pop/folk atmosphere. The song is largely composed of diatonic chords in the key of G Major, with an occasional use of a B7, which can be seen as a secondary dominant to Em.

**

‘Set Fire to the Rain’ is written in the key of D minor. The main course of progression uses the chords of Dm, B-flat Major, F Major and C Major. This is a 6-4-1-5 progression, which is very popular and is used in a lot of pop music.

What makes this progression interesting is that Adele uses the 2nd inversion of the A minor chord, Am/B, and G/A, which gives it a unique timbre. `Am/B` is the 2nd inversion of the `Am` chord and `G/A` is the 2nd inversion of the `G` chord.

**

The Beatles – Maxwells Silver Hammer – Chorus

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

[‘D’, ‘E7’, ‘A7’, ‘Em’, ‘A7’]

Chord Progression Analysis

The chorus involves a repeated sequence of ‘D’, ‘E7’, ‘A7’, ‘Em’, ‘A7’. In terms of Roman numeral analysis in the key of D major, the progression goes as follows:

– ‘D Major’ (‘I’)
– ‘E7’ (‘II7’)
– ‘A7’ (‘V7’)
– ‘E Minor’ (‘ii’)
– ‘A7’ (‘V7’)

“` Borrowed Chords: ‘E Minor’ (‘ii’) is a borrowed chord from the parallel minor key (D minor).“`

Similar Chord Progressions

A song with a similar progression is “Just the Way You Are” by Bruno Mars. The chorus uses the progression ‘D’, ‘Em’, ‘Bm’, ‘G’, ‘D’, ‘Em’, ‘A’. In terms of Roman numeral analysis:

– ‘D Major’ (‘I’)
– ‘E minor’ (‘ii’)
– ‘Bm’ (‘iii’)
– ‘G Major’ (‘IV’)
– ‘D Major’ (‘I’)
– ‘E minor’ (‘ii’)
– ‘A Major’ (‘V’)

Here, there is also a movement from the tonic ‘I’ to the minor ‘ii’, similar to the structure in “Maxwell’s Silver Hammer.” Both songs use this device to add a touch of emotion and tension in an otherwise upbeat and major progression.

Musical Analysis

The melody over this progression is catchy and simple, showcasing The Beatles’ knack for unforgettable hooks. The use of the borrowed ‘E minor’ chord adds a touch of unexpected surprise, deviating from the key of D major momentarily to create a hint of tension before resolving beautifully back to ‘A7’, the dominant chord.

Overall Analysis

“Maxwell’s Silver Hammer,” composed by Paul McCartney, is a pop song that sits in the key of D Major throughout. However, it does borrow chords from the parallel minor. This technique, known as modal interchange or borrowed chords, is common in popular music and especially in classical compositions by iconic bands like The Beatles.

Style Analysis

This progression embodies The Beatles’ innovative approach. While it begins in a rather conventional manner, using ‘I’, ‘II7’, and ‘V7’ chords, the sudden switch to the ‘ii’ chord borrowed from the parallel minor gives the chorus an unexpected twist. This Beatles’ use of modal interchange is a prominent part of their style.

Chords in the Chorus section of Maxwells Silver Hammer by The Beatles are:

[‘D’, ‘E7’, ‘A7’, ‘Em’, ‘A7’]