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Related Music Theory Alchemy

“Rocky Raccoon” by The Beatles is noted for its eclectic blend of folk, country, and popular music styles. The song is written in G major and follows a fairly straightforward progression but with a couple of important twists.

The

“The Long and Winding Road” by The Beatles is an iconic pop ballad renowned for its rich harmonic content. It employs both modal interchange and secondary dominants, thus securing its place as an exemplary piece in pop music harmony. Its dominant tonality is D Major, however, it makes use of many borrowed chords.

“Paint It, Black” is in E minor key, with verse 3 having an exciting harmonic progression: Em – B – Em – B – Em – D – G – D – Em – Em – D – G – D – A – B. The chord progression suggests that the Rolling Stones utilise borrowed chords to impose an air of ambiguity that reflects the song’s lyrical themes. Additionally, this song is a blend of rock and raga rock style and exemplifies the Stones’ 1960s exploration into psychedelia and Eastern musical styles.

“`plaintext
D Major (I)
E Minor (ii)
G Major (IV)
B Minor (vi)
A Major (V)
G Major (IV)
D Major (I)
E Minor (ii)
G Major (IV)
B Minor (vi)
A Major (V)
G Major (IV)
“`

The chord progression from verse 3 of Pink Floyd’s “Wish You Were Here” is in the key of C major and shows a mix of diatonic chords and borrowed chords. The progression creates a sense of smooth journey and has a certain melancholic yet uplifting character.

The Beatles – Rocky Raccoon – Verse 3

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Chord Progression

[‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’, ‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’, ‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’, ‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’]

Chord Progression Analysis

Here are the full chord names and their Roman numerals:

“`
Am7 (‘vi7’)
D7sus4 (‘IV7sus4’ – Borrowed Chord)
D7 (‘IV7’ – Borrowed Chord)
G7 (‘VII7’)
C (‘I’)
C/B (‘I’/VII)
Am7 (‘vi7’)
D7sus4 (‘IV7sus4’ – Borrowed Chord)
D7 (‘IV7’ – Borrowed Chord)
G7 (‘VII7’)
C (‘I’)
C/B (‘I’/VII)
Am7 (‘vi7’)
D7sus4 (‘IV7sus4’ – Borrowed Chord)
D7 (‘IV7’ – Borrowed Chord)
G7 (‘VII7’)
C (‘I’)
C/B (‘I’/VII)
Am7 (‘vi7’)
D7sus4 (‘IV7sus4’ – Borrowed Chord)
D7 (‘IV7’ – Borrowed Chord)
G7 (‘VII7’)
C (‘I’)
C/B (‘I’/VII)
“`

Similar Chord Progressions

One can observe a somewhat similar chord progression in the Rolling Stones’ “Wild Horses”, employing a sequence of G, Am7, Bm, and G. “Tangled Up in Blue” by Bob Dylan also utilizes a mix of dominant and sustained chords, demonstrating a progression of A, G, D, Dsus4.

Musical Analysis

In this progression, the Beatles alternate between the vi7 and IV7 for tension before concluding on the I chord. The use of the IV7 chord (represented here as both a D7sus4 and a D7) is actually borrowed from the Dorian mode, which promotes a somewhat bluesy, soulful texture amidst the primarily diatonic context.

Overall Analysis

The Beatles’ “Rocky Raccoon” incorporates a repeating sequence of predominantly seventh chords, displaying a mix of minor, dominant, and sustained chords within the and C Major/A minor keys. This diversity contributes to the song’s unique harmony, and given its context in a folk rock style, the progression exudes a rustic, storytelling personality.

Style Analysis

“Rocky Raccoon” embodies the folk rock fusion that the Beatles were known for in their later years, with the progression’s rustic lyricism corresponding beautifully with the song’s narrative. Additionally, the progressive seventh chords and borrowed Dorian notes contribute to a nostalgic, western saloon style evocative of classic American folk music.

Chords in the Verse 3 section of Rocky Raccoon by The Beatles are:

[‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’, ‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’, ‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’, ‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’]