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The Beatles’ “Rocky Raccoon” incorporates a repeating sequence of predominantly seventh chords, displaying a mix of minor, dominant, and sustained chords within the and C Major/A minor keys. This diversity contributes to the song’s unique harmony, and given its context in a folk rock style, the progression exudes a rustic, storytelling personality.

“A Day In The Life” is a progressive rock song from the “Sgt Pepper’s Lonely Hearts Club Band” album, released in 1967. The progression includes some well-known chords, along with more unusual chords and alterations that contribute to the unique sound of the song.

“All My Loving” by The Beatles is a mid-tempo pop song written in the key of E minor for the verse and D Major for the bridge and outro, featuring a distinct, upbeat walking bassline. The grey, almost mournful verses, along with the brighter, major-toned bridges and chorus, create a juxtaposition of feelings within the piece. The bridge also highlights The Beatles’ use of secondary dominants and chromaticism. Concluding in the tonic key of D Major, the song has an interesting interplay between Em and D Major throughout, which could be perceived as a Em: i, VI, III, II and D: vi, V7, I, vi, IV, ii, I progression.

“Maxwell’s Silver Hammer” is a song by the English rock band the Beatles from their 1969 album Abbey Road. It was written by Paul McCartney. The song is primarily in the key of D Major and exhibits a mix of major, minor, and dominant seventh chords. This verse progression manifests the distinctive Beatles’ sound which often includes chromaticism and prevalence of secondary dominants that link the chords together, giving a smooth flow and color to the harmonic progression.

“Comfortably Numb” is a song by Pink Floyd from their 1979 album, The Wall. It is written in the key of D major and has a slow, dreamy tempo. The second verse of the song features a chord progression that is a blend of major and minor chords, giving the song a sense of melancholy mixed with a calming atmosphere. It also deviates from the typical pop/rock chord progressions, signifying Pink Floyd’s distinct sound and innovative use of harmony.

The Beatles – Rocky Raccoon – Verse 2

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Chord Progression

[‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’, ‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’, ‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’]

Chord Progression Analysis

“`
Am7 (ii7)
D7sus4 (V7sus4)
D7 (V7)
G7 (VII7)
C (I)
C/B (I/7)
“`
The ii7-V7-I progression is a classic in jazz music and its usage in “Rocky Raccoon” provides a slight jazzy feel. The addition of sus4 in the V7 chord adds tension before resolving it back to a normal V7. The G7 is a borrowed chord from the parallel minor key of C minor providing a brief modal mixture.

Similar Chord Progressions

“Babe I’m Gonna Leave You” by Led Zeppelin has similar progression:
“`
Am (ii)
C/G (IV/6)
D (V)
F (bVII)
Am/C (ii/7)
Am (ii)
“`
This song uses similar chords and features the use of sevenths and suspensions. The D to F transition can be seen as a parallel to the D7 to G7 transition in “Rocky Raccoon” – both progressions feature a mix of major and minor tonalities and engage with the folk-blues palette.

Musical Analysis

The melody mostly follows the harmony provided by the chord progression, providing a pleasant, catchy, and easily singable line. The rhythm combined with the harmonic rhythm gives the song an interesting and driving feel.

Overall Analysis

“Rocky Raccoon” by The Beatles incorporates chords commonly associated with the genre of folk or country music. It is primarily built on a repetitive chord progression which consists of Am7, D7sus4, D7, G7, C, and C/B. There’s also a use of plenty of sevenths and suspensions to create a slightly jazzy feel. It’s also worth noting The Beatles’ penchant for chords that provide a mix of major and minor tonalities.

Style Analysis

“Rocky Raccoon” has a country and folky feel, especially emphasized by the guitar plucking style and the piano accompaniment. Inspired by Appalachia, the use of minor and seventh chords lends a bluesy-jazz feel which is a style that The Beatles often experimented with.

Chords in the Verse 2 section of Rocky Raccoon by The Beatles are:

[‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’, ‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’, ‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’]