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Related Music Theory Alchemy

The Beatles’ “Rocky Raccoon” incorporates a repeating sequence of predominantly seventh chords, displaying a mix of minor, dominant, and sustained chords within the and C Major/A minor keys. This diversity contributes to the song’s unique harmony, and given its context in a folk rock style, the progression exudes a rustic, storytelling personality.

“In My Life” by The Beatles is in A Major key, and it makes use of both diatonic and non-diatonic chords. The song is notable for its use of various chord trickery such as modal borrowing, secondary dominant, and chromatic bass movement. Additionally, the song is filled with the Beatles’ signatures: a mix of major and minor chords and the use of the VI-IV progression.

The chord progression in Verse 2 of Kali Uchis’s “After The Storm” is a mix of diatonic and chromatic chords that create an interesting neo-soul groove. The harmony is primarily based on G# minor, featuring the G#m7 and A#m7 as primary chords, and the D#aug chord adds tension and release within the progression. Additionally, the use of the D#aug chord acts as a chromatic mediant between G#m7 and A#m7.

“Maxwell’s Silver Hammer” is a song by the English rock band the Beatles from their 1969 album Abbey Road. It was written by Paul McCartney. The song is primarily in the key of D Major and exhibits a mix of major, minor, and dominant seventh chords. This verse progression manifests the distinctive Beatles’ sound which often includes chromaticism and prevalence of secondary dominants that link the chords together, giving a smooth flow and color to the harmonic progression.

“The Long and Winding Road” by The Beatles is written in the key of D major and utilizes various chord progressions that contribute to its melancholic and nostalgic atmosphere.

The Beatles – Rocky Raccoon – Verse 2

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Chord Progression

[‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’, ‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’, ‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’]

Chord Progression Analysis

“`
Am7 (ii7)
D7sus4 (V7sus4)
D7 (V7)
G7 (VII7)
C (I)
C/B (I/7)
“`
The ii7-V7-I progression is a classic in jazz music and its usage in “Rocky Raccoon” provides a slight jazzy feel. The addition of sus4 in the V7 chord adds tension before resolving it back to a normal V7. The G7 is a borrowed chord from the parallel minor key of C minor providing a brief modal mixture.

Similar Chord Progressions

“Babe I’m Gonna Leave You” by Led Zeppelin has similar progression:
“`
Am (ii)
C/G (IV/6)
D (V)
F (bVII)
Am/C (ii/7)
Am (ii)
“`
This song uses similar chords and features the use of sevenths and suspensions. The D to F transition can be seen as a parallel to the D7 to G7 transition in “Rocky Raccoon” – both progressions feature a mix of major and minor tonalities and engage with the folk-blues palette.

Musical Analysis

The melody mostly follows the harmony provided by the chord progression, providing a pleasant, catchy, and easily singable line. The rhythm combined with the harmonic rhythm gives the song an interesting and driving feel.

Overall Analysis

“Rocky Raccoon” by The Beatles incorporates chords commonly associated with the genre of folk or country music. It is primarily built on a repetitive chord progression which consists of Am7, D7sus4, D7, G7, C, and C/B. There’s also a use of plenty of sevenths and suspensions to create a slightly jazzy feel. It’s also worth noting The Beatles’ penchant for chords that provide a mix of major and minor tonalities.

Style Analysis

“Rocky Raccoon” has a country and folky feel, especially emphasized by the guitar plucking style and the piano accompaniment. Inspired by Appalachia, the use of minor and seventh chords lends a bluesy-jazz feel which is a style that The Beatles often experimented with.

Chords in the Verse 2 section of Rocky Raccoon by The Beatles are:

[‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’, ‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’, ‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’]