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Related Music Theory Alchemy

“In My Life” by The Beatles is in A Major key, and it makes use of both diatonic and non-diatonic chords. The song is notable for its use of various chord trickery such as modal borrowing, secondary dominant, and chromatic bass movement. Additionally, the song is filled with the Beatles’ signatures: a mix of major and minor chords and the use of the VI-IV progression.

The overall analysis of “With A Little Help From My Friends” indicates usage of the classic Pop/Rock chord style that The Beatles were known for. This style often features I-IV-V (1-4-5) progressions and the usage of minor chords to create emotive contrasts. “With A Little Help From My Friends” uses this to great effect, even incorporating borrowed chords from parallel scales for enhanced emotion and “singability.”

“Glory Box” by Portishead from the album Dummy (1994) presents a haunting and somewhat melancholy ambience commonly found in their trademark trip-hop style. This song, in particular, draws from a palette of jazz-influenced harmony. The chords used, their extensions, and inversions, conjure complexity beyond basic triadic harmony. The chord progression listed appears to be in the key of D minor and employs common jazz techniques like ii-V-I progressions and usage of the half-diminished chord.

“Feels Like We Only Go Backwards” by Tame Impala is a psychedelic pop song notable for its dreamy, lo-fi sound and use of unconventional chord progressions. Musically, the song is written in the key of F major, but creatively uses chromatic mediants, borrowed chords, and modal interchange to establish a unique harmony. The song also uses dynamic contrast to create a dreamlike atmosphere, increasing the song’s overall psychedelic effect.

“Your Song” is characterized by a varied and complex chord progression that helps to emphasize the emotional complexity of the lyrics. This is apparent in the progression used in Verse 2, which employs several techniques used frequently by Elton John. These include the use of secondary dominants, borrowed chords, modal mixture, and chromatic bass movements to add emotional color and reinforce the feeling of tension and resolution in the song’s narrative.

The Beatles – In My Life – Verse 2

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Chord Progression

[‘A’, ‘E’, ‘F#m’, ‘A7/G’, ‘D’, ‘Dm’, ‘A’, ‘A’, ‘E’, ‘F#m’, ‘A7/G’, ‘D’, ‘Dm’, ‘A’]

Chord Progression Analysis

Here are the full chord names and their analysis in Roman numerals:

“`python
“A Major (‘I’)”, “E Major (‘V’)”, “F# Minor (‘vi’)”, “A7/G (V7/IV with a 3rd inversion)”, “D Major (‘IV’)”, “D Minor (‘iv’)”, “A Major (‘I’)”,
“A Major (‘I’)”, “E Major (‘V’)”, “F# Minor (‘vi’)”, “A7/G (V7/IV with a 3rd inversion)”, “D Major (‘IV’)”, “D Minor (‘iv’)”, “A Major (‘I’)”
“`

In this progression, “D Minor (‘iv’)” is a borrowed chord from the parallel minor key (A minor).

Similar Chord Progressions

Similar chord progressions can be found in many other popular songs, especially those from the same era. Some examples include “California Dreamin’” by The Mamas & the Papas, “God Only Knows” by The Beach Boys, and “Everybody’s Changing” by Keane. Here are the progressions:

“California Dreamin’”:

“`python
“C Major (‘I’)”, “Bb Major (borrowed ‘♭VII’)”, “F Major (‘IV’)”, “C Major (‘I’)”
“`

“God Only Knows”:

“`python
“E Major (‘I’)”, “B/F# (‘V/vi with 1st inversion’)”, “F# Minor (‘vi’)”, “D#m7/F# (ii7/vi with 1st inversion)”, “F# Major (‘V’)”, “B Major (‘V/vi’)”, “E Major (‘I’)”
“`

“Everybody’s Changing”:

“`python
“D Major (‘I’)”, “Bm (‘vi’)”, “G Major (‘IV’)”, “A Major (‘V’)”
“`
In each of these cases, the artist uses a slightly different technique to achieve a similar sense of depth and complexity in their progression.

Musical Analysis

The progression starts in A Major, which gives the song a bright and joyful feeling. The progression then moves to E Major, the V chord, which is a very common movement that sets up a feeling of tension and anticipation.

The progression then delves into some more complex harmonic territory by moving to the vi chord, F# Minor, followed by an unusual A7/G, which is the dominant 7th chord of the IV (D Major) with a third inversion incorporated.

The song then moves to the IV chord, D Major, and then quickly switches to D minor, a borrowed chord from the parallel minor key, which creates an unexpected and poignant shift in tonality. Finally, the progression moves back to the I chord, A Major, rounding off the phrase and bringing a sense of resolution.

Overall Analysis

“In My Life” is a song written by The Beatles which stands as a hallmarks of their inventive songwriting and command of complex musical structures. The song is primarily in the key of A Major, but it employs a number of borrowed chords and modal interchange to create a more interesting and richer harmonic landscape. The melody, rhythm, and lyrics of this song are poignant and memorable, making “In My Life” an enduring classic in the Beatles’ catalog.

Style Analysis

The Beatles were known for their adventurous and experimental approach to songwriting, and “In My Life” is no exception. The use of the borrowed chord (D minor) from the parallel minor key is a typical Beatles’ touch, as well as the third inversion in A7/G chord, evidencing their comfort with more complex harmonic structures.

Chords in the Verse 2 section of In My Life by The Beatles are:

[‘A’, ‘E’, ‘F#m’, ‘A7/G’, ‘D’, ‘Dm’, ‘A’, ‘A’, ‘E’, ‘F#m’, ‘A7/G’, ‘D’, ‘Dm’, ‘A’]