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The chord progression of “I Want To Hold Your Hand” by The Beatles is particularly interesting for its use of key changes and borrowed chords. It reflects both the catchy driving pop rock melody signature of early Beatles and the sophistication of harmonic innovation, which defines their later work.

“Eleanor Rigby” is known for its unusual and innovative use of the Aeolian mode, otherwise known as the natural minor scale, which is reflected in the chord progression Em – C. The song incorporates string arrangements and has a narrative, storytelling style. Unlike most pop and rock songs of the time, it does not contain drums or guitars. The chord utilization is simple with only two chords used throughout, Em and C, but it nevertheless creates a unique and haunting soundscape.

The chord progression in the bridge of “Gone, Gone” by Tyler, The Creator can be described as a combination of diatonic and borrowed chords from the parallel minor key. The key of the song is F major, and the progression combines elements of pop, R&B, and jazz, creating a distinctive harmonic sound.

“Perfect Situation” by Weezer is a rock song with a combination of major and minor chords, giving it a feeling of both tension and resolution. The chord progression in the bridge features a i-iv-VII-VIII pattern in the key of E minor, which is common in rock and pop music. The bridge consists mainly of triads with some possible extensions or added notes depending on how they are voiced.

“Riptide” by Vance Joy is in the key of C major. The chord progression is a repeated sequence of Am, G, C and Fmaj7, with the Fmaj7 being a borrowed chord from the parallel minor, C minor. Given that the majority of the song follows this pattern, it’s simple yet effective, providing a catchy and persistent structure to the song.

The Beatles – I Want To Hold Your Hand – Bridge

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Chord Progression

[‘Dm7’, ‘G’, ‘C’, ‘Am’, ‘Dm7’, ‘G’, ‘C’, ‘C’, ‘C’, ‘D’, ‘C’, ‘C’, ‘D’, ‘C’, ‘C’, ‘D’]

Chord Progression Analysis

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Here is a chord progression analysis of the bridge. We’ll assume that the song is in the key of G Major:

Dm7 (‘ii7’), G (‘V’), C (‘IV’), Am (‘ii’), Dm7 (‘ii7’), G (‘V’), C (‘IV’), C (‘IV’), C (‘IV’), D (‘V’), C (‘IV’), C (‘IV’), D (‘V’), C (‘IV’), C (‘IV’), D (‘V’)

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Similar Chord Progressions

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1. Bob Dylan’s “Like A Rolling Stone” is similar to the bridge of “I Want To Hold Your Hand” in that it uses a IV – V progression.

Chord progression: C – D – Em (‘IV – V – vi’ in G Major)

2. In Billy Joel’s “Vienna” the IV chord is held twice just like in the bridge of “I Want To Hold Your Hand”.

Chord progression: D – G – C – C (‘V – I – IV – IV’ in G Major)

These musicians, like The Beatles, often played with harmonic expectations to create fresh and engaging music.

Musical Analysis

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The bridge starts off with a ii7 – V – IV in G major, which moves to a ii in the key of C major. This represents a harmonic surprise as one might expect a V – I cadence in G major. This pattern is then repeated, but instead of returning to ii in C, it stays on the IV chord, C, with alternating V (D) and IV (C) chords. This creates tension, as the expectation of a V – I resolution in G major is thwarted twice, keeping the listener engaged before returning to song’s main key.

Borrowed chords:

“`
Dm7 (‘ii7’) from C major
Am (‘ii’) from C major
“`

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Overall Analysis

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The Beatles were known for their innovative use of musical elements, and this can be seen in “I Want To Hold Your Hand”. The song is largely in the key of G major, but it also has some borrowed chords from other keys. This variety creates a unique listening experience that keeps the song fresh.

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Style Analysis

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The Beatles were recognised for their tendency to use unexpected chord progressions that kept their music so engaging. The use of borrowed chords and surprising harmonic movements such as the ii7 – V – IV instead of a V – I cadence contributed to their unique sound and keeps the listener engaged as traditional harmonic expectations are thwarted.

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Chords in the Bridge section of I Want To Hold Your Hand by The Beatles are:

[‘Dm7’, ‘G’, ‘C’, ‘Am’, ‘Dm7’, ‘G’, ‘C’, ‘C’, ‘C’, ‘D’, ‘C’, ‘C’, ‘D’, ‘C’, ‘C’, ‘D’]