Music Theory Alchemy

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“Here Comes The Sun” is written by George Harrison from The Beatles and it is a key example of the band’s flirtation with what is commonly referred to as Mixolydian mode. The piece showcases their skillful blending of folk idioms with contemporary pop sensibilities.

The Beatles’ “Strawberry Fields Forever” is composed in the key of A Major, but utilizes a number of chord extensions and non-diatonic chords to create a dreamy, nostalgic soundscape fitting the song’s theme of reminiscing about childhood.

The chord progression in the bridge of “Hey You” by Pink Floyd is a relatively simple progression that revolves around the C Major and G Major chords, with brief appearances of D Major and E minor add9 chords. The piece showcases Pink Floyd’s signature progressive rock style, with steady changes between chords and a sense of tension and release.

“In My Head” by Queens of the Stone Age shows a variety of complex chord progressions that are often seen in alternative rock and other sub-genres of rock music. The chord progressions seem to use a combination of modal and chromatic harmony which gives it an edgy and intriguing sound quality.

The given chord progression is from the song “Every Day Is Exactly The Same” by Nine Inch Nails. The overall structure of the song consists of verses, choruses, and a bridge, each with distinct chord progressions that contribute to the song’s moody, melancholic atmosphere. The song is mostly in the key of E minor, with some borrowed chords from the parallel major key.

The Beatles – Here Comes The Sun – Bridge

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Chord Progression

[‘F’, ‘C’, ‘G/B’, ‘G’, ‘D’, ‘A7’]

Chord Progression Analysis

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For the bridge, the chords are: F (IV of C), C (I in C), G/B (V/V in C), G (V in C), D (V of G), A7 (V7 in D).

This progression goes: IV – I – second degree secondary dominant – V – dominant of the dominant or V/V – V7 in the original key.

In the song as a whole, it’s notable that the piece is in the key of D major, and yet the bridge starts in the key of C major. This is done through a pivot chord, the G chord (V in C), which is common to both keys (as V in the home key D major and IV in C major).

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Borrowed Chord: G (V of C)
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It’s being used as a pivot to facilitate a smooth transition from D major back to C major. This shows a great use of modal interchange, also known as borrowed chords.

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Similar Chord Progressions

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As with any successful and famous song, this chord progression influenced and was implemented by numerous artists.

1. “Good Vibrations” by The Beach Boys
The progression in the bridge of “Good Vibrations” goes G – B – D – F – A – C which is a IV – vi – I – iii – V – vii^o progression in G.

2. “Tiny Dancer” by Elton John
In the pre-chorus of “Tiny Dancer,” John uses similar movement with D – G – B – E, which is a I – IV – vi – ii progression in D.

3. “Sweet Child o’ Mine” by Guns N’ Roses
Guns N’ Roses uses a somewhat similar progression with D – C – G as I – ♭VII – IV in D for the intro of “Sweet Child o’ Mine.”

While these are not exactly the same progressions, they illustrate the influence and pervasiveness of the unique modal interchange found in “Here Comes The Sun.”

Musical Analysis

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The bridge modulates briefly to C from the original key of D major via a pivot on the G chord. The chords give a sense of resolution with IV – I, but build tension again with the usage of secondary dominants, leading back to the original key of D major.

The overall song also frequently uses suspensions, which resolves to create a sense of relief and happiness. The A7sus4 to A7 in the verses is a great example of this, where it creates tension and then resolves.

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Overall Analysis

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“Here Comes the Sun” written by The Beatles is a seminal work from the Beatles’ output in pop music. The piece is composed in a modified strophic form with a circular pattern augmented with a repetitive and distinct bridge that modulates in key. The use of major chords and open voicings gives the song a sunny and positive feel, hence its title. It’s also notable for its mixed use of diatonic and borrowed chords, contributing to its unique sound.

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Style Analysis

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George Harrison’s distinctive style is notable throughout this song, as seen through the usage of unique chord progressions and suspensions to create shifts in mood and tension within the song. Harrison also had a distinct preference for major keys, contributing to the positive and sunny disposition of the song.

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Chords in the Bridge section of Here Comes The Sun by The Beatles are:

[‘F’, ‘C’, ‘G/B’, ‘G’, ‘D’, ‘A7’]