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“All My Loving” by the Beatles is a great example of their early ’60s pop style. This song’s verse chord progression is in the key of D Major with a mix of minor chords and 7th chords that add to the emotional intensity of the song. The composition blends pop simplicity with complex harmony, encapsulating the Beatles’ innovative songwriting.

“Viva La Vida” by Coldplay is a pop song that sits primarily in the key of G major, featuring four common chords: C Major, D Major, G Major, and E minor. The song’s simplicity lies in the consistent use of these chords, which creates a consistent harmony throughout the song.

“Goodbye Yellow Brick Road” is a song written by Elton John that features a complex chord progression that effectively complements the haunting and nostalgic quality of the song’s lyrics. The primary key of the song is D major, while parts of the progression borrow from both the parallel minor (D minor) and the relative minor (B minor). The use of these borrowed chords adds harmonic interest and enhances the song’s evocative, wistful mood.

The chord progression in the verse of Radiohead’s “Nude” sets a contemplative and emotive atmosphere. It features a mix of diatonic and borrowed chords, which creates unexpected harmonic shifts that evoke feelings of melancholy. This distinctive harmonic language can be associated with the band’s signature moody sound and has been influential in the indie and alternative rock genres.

The Beatles – I Will – Verse 1

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Chord Progression

[‘C’, ‘Am’, ‘Dm7’, ‘G7’, ‘C’, ‘Am’, ‘Em’, ‘C7’, ‘F’, ‘G’, ‘Am’, ‘C7’, ‘F’, ‘G’, ‘C’, ‘Am’, ‘Dm7’, ‘G(sus4)’]

Chord Progression Analysis

C (I)’, ‘Am (vi)’, ‘Dm7 (ii7)’, ‘G7 (V7)’, ‘C (I)’, ‘Am (vi)’, ‘Em (iii)’, ‘C7 (I7)’, ‘F (IV)’, ‘G (V)’, ‘Am (vi)’, ‘C7 (I7)’, ‘F (IV)’, ‘G (V)’, ‘C (I)’, ‘Am (vi)’, ‘Dm7 (ii7)’, ‘G(sus4) (Vsus4)’

Borrowed Chords:
“`
‘C7 (I7)’
“`

Similar Chord Progressions

One common progression that shares some similarities with “I Will” is the progression used in “Earth Angel” by The Penguins:

‘Eb (I)’, ‘Bb/D (V/iii)’, ‘Cm7 (ii7)’, ‘F7 (V7)’, ‘Bb (IV)’, ‘Eb (I)’, ‘Bb/D (V/iii)’, ‘Ab (bVII)’, ‘Eb (I)’

The key difference here is a bVII (Ab) chord, which acts as a borrowed chord from the key of Eb minor. It sidesteps the expected V chord and leads back to the I chord for the next repetition of the progression. This chord, similar to the borrowed chords in ‘I Will’, gives the progression an added color and complexity.

Musical Analysis

The underlying structure of ‘I Will’ showcases an interesting use of several common progressions and cadences within the key of C major. The use of a I-vi-ii-V cycle provides a strong forward momentum to the progression, propelling it towards the repetition. The I7 (C7) chord is a secondary dominant, specifically a V/IV that serves as a pivot chord to introduce the IV (F) chord. This adds an unexpected twist that enhances the harmonic interest of the song.

Overall Analysis

The song “I Will” by The Beatles is an example of their unique and sophisticated approach to pop songwriting, demonstrating their comprehensive mastery of harmony within the pop idiom. The majority of the harmonies used in the song are diatonic to the key of C major, however there are several instances of borrowed chords that add color and complexity to the song’s overall harmonic structure.

Style Analysis

The Beatles’ “I Will” is marked by its simplicity and economy. Its chord progression echoes a familiar rock/pop tradition but does so with an inventiveness that betrays the group’s strong understanding of harmonic function. The occasional unexpected modulations and heavily syncopated vocal melodies give the song a unique twist within the pop genre.

Chords in the Verse 1 section of I Will by The Beatles are:

[‘C’, ‘Am’, ‘Dm7’, ‘G7’, ‘C’, ‘Am’, ‘Em’, ‘C7’, ‘F’, ‘G’, ‘Am’, ‘C7’, ‘F’, ‘G’, ‘C’, ‘Am’, ‘Dm7’, ‘G(sus4)’]