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“Cant Buy Me Love” by The Beatles, is a song in the key of C Major, but it has an interesting harmonic structure, especially in the chorus. The song features a number of borrowed and secondary dominant chords to create tension that resolves into the tonic chord. The chorus’s progression can be seen as a series of descending minor thirds, with an unexpected shift to a ii-V-I progression which is quite popular in jazz music.

“Strawberry Fields Forever” by The Beatles is one of the excellent examples of the unique and complex style popular in the late 1960’s. It is in the key of E and further progresses to F# minor. The progression utilizes modal interchange, chromaticism, and unusual chord progressions to create a dreamlike and psychedelic landscape that perfectly suits the lyrical theme of the song.

“Something” written by George Harrison from The Beatles majorly follows the key of C major and includes a few borrowed chords. There is a usage of secondary dominants and seventh chords which lend a harmonic complexity to the song. During the course of the song, the chords shift from the major scale to the parallel minor scale.

“Feeling Good” by Muse is a cover of the original song written by English composers Leslie Bricusse and Anthony Newley in 1964. The Muse version was released in 2001 and is featured on their second studio album, “Origin of Symmetry.” The song is heavily influenced by the genres of jazz, soul, and R&B, while the Muse rendition adds a more modern rock sound to the mix.

The Wind Cries Mary by Jimi Hendrix is a rock ballad with elements of blues, featuring a unique and expressive chord progression. The song is in the key of F major and the verse progression consists of 25 chords. The progression is largely diatonic, but includes chromatic lines and borrowed chords, which give the piece a rather unpredictable yet emotive quality.

The Beatles – Cant Buy Me Love – Verse 4

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Chord Progression

[‘C7’, ‘F7’, ‘C’]

Chord Progression Analysis

Given the progression is ‘C7’, ‘F7’, ‘C’, and the key being C Major:

C7 – C Dominant Seventh (‘V7/IV’)
F7 – F Dominant Seventh (‘IV7’)
C – C Major (‘I’)

Note that C7 in the Key of C (Imaj7) would usually be a Major 7th, so the Dominant 7th (V7/IV) is borrowed from the key of F.

“`Chord progression: ‘C Dominant Seventh (V7/IV)’, ‘F Dominant Seventh (IV7)’, ‘C Major (I)’. Borrowed chord: ‘C Dominant Seventh (V7/IV)’“`

Similar Chord Progressions

1. “Twist and Shout” by The Beatles also uses the V7/IV in the transition from D7 to G. Chord progression: ‘D Dominant Seventh (V7/IV)’, ‘G Major (I)’.
2. “Sweet Home Alabama” by Lynyrd Skynyrd uses a similar dominant 7th sequence. Chord progression: ‘D Major (I)’, ‘C Dominant Seventh (V7/IV)’, ‘G Major (IV)’.
3. “Learn to Fly” by Foo Fighters uses a similar technique, though transposed to a different key. Chord progression: ‘B Major (I)’, ‘A Dominant Seventh (V7/IV)’, ‘E Major (IV)’.

Note: The borrowed dominant-seventh is often utilized to ‘prepare’ the listener for the IV chord, which then typically resolves back to I, creating a cycle of tension and resolution that is pleasing to our ears.

Musical Analysis

This progression, generally known as a plagal cadence, characterized by a IV to I progression, but with 7th chords, is common in many types of music, especially pop, due to its natural tension and resolution. The inclusion of the dominant 7ths adds a smooth, bluesy quality that is typical of The Beatles’ early style. C7 ‘prepares’ the listener for an incoming F in baroque terms, whereas F7 “prepares” for the home key C. As a result, the C7 is borrowed from the F Major scale.

Overall Analysis

“Can’t Buy Me Love,” a song by The Beatles, exhibits a style that’s emblematic of their earlier work, with a clear, upbeat tonality and an elegant yet straightforward chord progression. The tune is predominantly centred in the key of C major, but it utilizes both major and dominant 7th chords to create tension and resolution, modulating away from the home key. The particular progression you’ve given, ‘C7’, ‘F7’, ‘C’, isn’t rare and demonstrates the Beatles’ precision and understanding of pop and rock music’s creative possibilities.

Style Analysis

The Beatles, particularly in their early career, were well-known for their combination of multiple genres, including rock, pop, and blues. The progression seen here is no exception. C7 to F7 in particular adds slightly bluesy flavor. Their introduction of borrowed chords and 7th harmonies were also a unique innovation that contributes to their characteristic sound.

Chords in the Verse 4 section of Cant Buy Me Love by The Beatles are:

[‘C7’, ‘F7’, ‘C’]