Music Theory Alchemy

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“Exit Music (For a Film)” by Radiohead features a unique and somewhat complex chord progression, particularly in the second verse. The song can be viewed as being in A minor, with various borrowed chords and non-diatonic chords. The chord progression reflects Radiohead’s experimental and innovative approach to harmony and songwriting.

The verse of “All I Need” by Radiohead features a simple chord progression consisting of three main chords: C, Em, and G. It alternates between these three chords for most of the progression, with some occasional repetition of the C chord. This progression provides a consistent harmonic foundation for the vocal melody and sets a mostly stable and melancholic mood.

The chord progression in Tyler, The Creator’s “See You Again” can be characterized as a mixture of jazz harmonies and pop sensibilities. The verse progression features major and minor seventh chords, a few borrowed chords, and a prominent chromatic movement.

Chord progression analysis (including borrowed chords)
1. F#maj7 (I)
2. F#maj7/B (I6)
3. Fmaj7 (bImaj7 – borrowed chord)
4. G#m7 (iii7)
5. D7#5 (VI7#5 – borrowed chord)
6. F#maj7 (I)
7. F#maj7/B (I6)
8. Fmaj7 (bImaj7 – borrowed chord)
9. G#m7 (iii7)
10. D7#5 (VI7#5 – borrowed chord)

The chord progression starts with the tonic F#maj7 and moves through a first inversion of the same chord (F#maj7/B) before introducing borrowed chords (Fmaj7 and D7#5) from the parallel minor key, creating tension and color. The G#m7 is a diatonic iii7 chord, adding to the jazzy feel of the song.

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“Riptide,” by Vance Joy has a classic, highly repetitive chord progression that creates the folk/pop character of the song. It is written in the key of C Major and uses the simplified I-IV-vi progression, which is also widely used in pop music. In addition, it has a common modulated transition via V chord (G) to the vi chord (Am). There are no borrowed chords in this progression. This repetitive structure can be appealing due to its simplicity and familiarity.

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“Hey You” by Pink Floyd is a prog-rock song featured on their iconic album, “The Wall.” Its chord progression showcases a unique blend of chords that creates a sense of yearning and emotional intensity. The use of borrowed chords from parallel keys enhances the song’s emotive quality, and the overall structure shows a level of harmonic sophistication typical of Pink Floyd’s work.

Radiohead – Exit Music For A Film – Verse 1

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Chord Progression

Am, E, C/G, Dadd9/F#, Am, E, Asus4, A, Am, E, C/G, Dadd9/F#, Dadd9/F, Am, E, Asus4, A

Chord Progression Analysis

“`
Am (i),
E (V),
C/G (VI),
Dadd9/F# (VIIadd9/1st inv),
Am (i),
E (V),
Asus4 (IVsus),
A (IV),
Am (i),
E (V),
C/G (VI),
Dadd9/F# (VIIadd9/1st inv),
Dadd9/F (VIIadd9),
Am (i),
E (V),
Asus4 (IVsus),
A (IV)
“`

Borrowed Chords:
“`
Dadd9/F# (VIIadd9/1st inv),
Dadd9/F (VIIadd9)
“`

Similar Chord Progressions

1. The Beatles – “Strawberry Fields Forever”:
“`
C (I),
G (V),
A (VI),
Am (vi),
Gm (iv),
A7 (VI7),
F (IV),
Dm (ii),
G7 (V7),
Bb7 (V7/iv),
E (III)
“`
2. Jeff Buckley – “Hallelujah”:
“`
C (I),
Am (vi),
C (I),
Am (vi),
F (IV),
G/E (V/1st inv),
C (I),
G (V),
C (I)
“`
3. Pink Floyd – “Wish You Were Here”:
“`
Em (i),
G (III),
Am (v),
Em (i),
G (III),
D (VII),
Cadd9 (♪),
G (III),
Am (v),
G (III),
D (VII),
Cadd9 (♪)
“`

These examples illustrate songs with progressions that share a similar sense of melancholy and tension release. While not identical to the progression in “Exit Music (For a Film),” they provide a context to the style and mood of the music.

Musical Analysis

The verse begins with an Am (i) chord, establishing the tonal center of the piece. It moves to E (V), creating tension through the dominant chord, and then resolves to C/G (VI), a borrowed major chord from the relative major key. The progression moves to Dadd9/F# (VIIadd9/1st inv), a non-diatonic chord that adds tension with the F# bass note. The piece returns to Am (i) before going back to E (V), and then transitions to Asus4 (IVsus) and A (IV), which provides a sense of release from the tension. The progression continues to oscillate between the original set of chords and the second set of chords, adding a Dadd9/F (VIIadd9) as a variation. The verse ends with the movement between Asus4 (IVsus) and A (IV), providing a sense of closure by resolving back to Am (i) at the start of the next section.

Overall Analysis

“Exit Music (For a Film)” by Radiohead is a song characterized by a strong sense of melancholy and dark ambiance. The harmonic movement creates tension through the use of chromaticism, borrowed chords, and non-diatonic notes. In the verse progression, there is a mixture of minor and major chords, along with added tones that enhance the complexity and mood of the music.

Style Analysis

Radiohead’s “Exit Music (For a Film)” features an experimental and alternative rock style. The chord progression, melody, and instrumentation are somewhat reminiscent of the Beatles’ later work, specifically songs like “Strawberry Fields Forever” and “I Want You (She’s So Heavy).” The use of chromaticism, non-diatonic chords, and added tones are all hallmarks of Radiohead’s style, which often pushes the boundaries of conventional tonality and chord progressions.

Chords in the Verse 1 section of Exit Music For A Film by Radiohead are:

Am, E, C/G, Dadd9/F#, Am, E, Asus4, A, Am, E, C/G, Dadd9/F#, Dadd9/F, Am, E, Asus4, A