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Related Music Theory Alchemy

“Today” by The Smashing Pumpkins is composed in the key of E minor. The song has quite a simple structure and harmony with a strong emphasis on the I-IV-V (D-G-A in E minor key) chord progression which is one of the most common patterns in popular music. This I-IV-V progression vests the song with its harmonic backbone and creates a strong, wide-open sonic canvas.

“The Bullet With Butterfly Wings” by The Smashing Pumpkins essentially revolves around the use of power chords, or 5th chords, to project a raw, grungy intensity. The chord progression (B5, Em, G5), extracted from the second verse of the song, is prominent throughout. The use of power chords results in a composition that doesn’t transpose to a traditional major or minor key, but fits within a modal framework.

“Good Vibrations” by The Beach Boys is highly complex and represents an exceptional use of harmonic structuring. The richness of the piece lies in Brian Wilson’s innovative and unpredictable songwriting, who was making significant use of modulation at the time, constantly shifting keys, in this case especially during the transition bridge.

The given chord progression consists of five unique chords: Am, D, G, Em, and D repeated in a structured pattern. The progression is in the key of G major, with one borrowed chord. This chord progression is a good example of Weezer’s mix of rock and pop styles, displaying a strong use of diatonic harmony with a touch of chromaticism.

“When I Was Your Man” is a pop power ballad with a chord progression that tends to lean towards traditional pop and soul structures. It’s set in the key of C Major. However, the song has a few interesting deviations from the standard pop song structure.

The Smashing Pumpkins – Today – Bridge

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Chord Progression

[‘Em’, ‘G’, ‘B’, ‘Em’, ‘G’, ‘B’, ‘Em’, ‘G’, ‘B’, ‘Em’, ‘G’]

Chord Progression Analysis

The bridge of the song goes as follows:

“`E Minor (i), G Major (III), B Major (V), repeated.“`

The use of the B Major chord can be considered a “borrowed chord.” It is not typically part of the E minor scale, but it is borrowed from the E Major scale. In traditional music theory, this is called mode mixture or modal interchange.

Similar Chord Progressions

1. Nirvana’s “Smells Like Teen Spirit” makes use of a similar shifting between major and minor tonalities in its iconic progression: F minor (i), Bb Major (IV), Ab Major (bIII), Db Major (bVI).

2. Radiohead’s “Paranoid Android” also features a progression with borrowed chords: G minor (i), Bb (III), D (V), Gm (i), A (bII), D (V).

Chord progressions for the aforementioned songs:

Nirvana’s “Smells Like Teen Spirit”:
“`F Minor (i), Bb Major (IV), Ab Major (bIII), Db Major (bVI)“`

Radiohead’s “Paranoid Android”:
“`G minor (i), Bb (III), D (V), Gm (i), A (bII), D (V)“`

Unfortunately, without the exact chord progression for the entire song ‘Today’, we can’t provide a granular breakdown for all of the chords or identify possible key changes throughout the song.

Musical Analysis

The chorus in ‘Today’ does not adhere strictly to the rules of classical harmony – it shifts back and forth between the relative major (G) and minor (E Minor) tonalities without anchoring solidly in one or the other. However, these shifts help to increase the emotional intensity of the song, reflecting the angst and turbulence of the lyrics.

Overall Analysis

The song ‘Today’ by The Smashing Pumpkins is a classic example of mixing major and minor modes in rock music. The majority of the song is modal, centered around D major and B minor. However, the bridge section changes gears and revolves around E minor.

Style Analysis

The Smashing Pumpkins, particularly in the 1990s, are known for their blending of heavy rock with gentler, melodic elements—an approach that ‘Today’ provides a clear example of. The use of the borrowed chord (B Major) in the bridge creates an unexpected, somewhat jarring effect, which adds to the overall intensity of the song.

Chords in the Bridge section of Today by The Smashing Pumpkins are:

[‘Em’, ‘G’, ‘B’, ‘Em’, ‘G’, ‘B’, ‘Em’, ‘G’, ‘B’, ‘Em’, ‘G’]