Search

Related Music Theory Alchemy

“Tonight, Tonight” by The Smashing Pumpkins draws from the band’s unique style of alternative rock influenced by a distinct palette of harmonic choices. Particularly in the songwriting of Billy Corgan (the band’s primary songwriter), the band tends to use a mix of common and uncommon chords, together with a tendency of exploring different tonalities. Often, the chord changes are driven by guitar inversions, suspensions, or additions.

“Disarm” by The Smashing Pumpkins is a piece that showcases a rather common chord progression structure in pop music, but with added embellishments and variations. The featured chords include Dsus, Em7, Cadd9, G, and Dsus/F# with a key signature suggesting that the song is in the key of G major or E minor. The prominent chord in the outro is Dsus which suggests that the song might be interpreted in the D Mixolydian mode. The use of the slash chord (D/F#) diversifies the sound of the progression and adds harmonic richness. This chord progression uses both diatonic and borrowed chords creating a familiar but interesting sound.

The chord progression in “Breathe” by Pink Floyd is relatively simple, mostly alternating between two chords – Em and A7. However, this simplicity is quite effective in creating a relaxed, dreamy feel which is consistent with the overall theme of the song. This is a characteristic feature of Pink Floyd’s music, using simple chords and progressions to create a powerful emotional impact.

The chord progression of “Because” by The Beatles demonstrates the band’s profound exploration of harmony. The song starts in the key of C# minor, revolves around this key, and includes various modulations and tonicizations to explore chords beyond the key. It heavily employs secondary dominants and borrowed chords, particularly the diminished 7th chords, which is not uncommon in Beatles’s songs. The chord progression has a dreamy and fluid flow due to these harmonic explorations.

**

“Riptide,” by Vance Joy has a classic, highly repetitive chord progression that creates the folk/pop character of the song. It is written in the key of C Major and uses the simplified I-IV-vi progression, which is also widely used in pop music. In addition, it has a common modulated transition via V chord (G) to the vi chord (Am). There are no borrowed chords in this progression. This repetitive structure can be appealing due to its simplicity and familiarity.

**

The Smashing Pumpkins – Tonight Tonight – Verse 1

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

[‘Am’, ‘C’, ‘G’, ‘D/F#’, ‘Em’, ‘Am’, ‘C’, ‘Cadd9’, ‘G/B’, ‘D’, ‘Cadd9’, ‘G/B’, ‘D’]

Chord Progression Analysis

The key of the song seems to oscillate between C major and G major, which provides a fresh and somewhat unpredictable sound to the ears. The chords of Verse 1 proceed as follows:

“`
A minor (vi)
C Major (I)
G Major (V)
D Major/F# (V/vi)
E minor (iii)
A minor (vi)
C Major (I)
C add9 (Isus2)
G Major/B (V6)
D Major (V/V)
C add9 (Isus2)
G Major/B (V6)
D Major (V/V)
“`
The use of slash chords like ‘D/F#’ and ‘G/B’ add further color and complexity to the harmonic vision of the song. The D Major (which would not typically fit in a C Major key) and its inversions (D/F#) can be considered borrowed from the parallel minor.

Similar Chord Progressions

A similar chord progression can be found in U2’s “With or Without You” which has a constant IV-I-V-vi progression. This creates a similar sense of anticipation and grandeur as “Tonight, Tonight.” Another example includes “Let it Be” by The Beatles, which follows the progression I-V-vi-IV, similar in ways but a reflection of “Tonight, Tonight”‘s development and diversity.

Musical Analysis

The chord progression creates a sense of anticipation and suspense, always pushing the listener forward. The Em-Am-C progression is a typical i-VI-III progression often found in pop and rock music. In contrast, the D Major chord creates a feeling of departure, or a slight tension due to its role as a secondary dominant. Finally, the progression often resolves back to a G Major chord, giving a certain satisfaction to the listener.

Overall Analysis

“Tonight, Tonight” by The Smashing Pumpkins is a rock song happy to embrace classical music tropes. An orchestral, string-heavy arrangement propels the song, surrounding the listener with a rich tapestry of sound. The grandiose sound of the full orchestra is bolstered by the band’s dual guitars and Billy Corgan’s characteristic singing.

Style Analysis

The style of the song blend grunge rock, pop, and symphonic elements. The frequent use of add9 chords bring a degree of sophistication and elevation that is frequently associated with orchestral music. Additionally, the passing tones and borrowed chords add to the complexity of the song, ensuring that the song remains interesting throughout its entirety.

Chords in the Verse 1 section of Tonight Tonight by The Smashing Pumpkins are:

[‘Am’, ‘C’, ‘G’, ‘D/F#’, ‘Em’, ‘Am’, ‘C’, ‘Cadd9’, ‘G/B’, ‘D’, ‘Cadd9’, ‘G/B’, ‘D’]