Search

Related Music Theory Alchemy

The song “Let It Happen” by Tame Impala, which is in the key of A Major, uses a simple yet effective chord progression during its outro. The common pattern of I-vi-IIIIV (Major-minor-Suspended 4) recurs throughout. The G#sus4 chord provides a moment of tension before resolving back to the tonic and restarting the pattern. The progression concludes with an Emaj7 chord, which is a borrowed chord from the parallel minor.

**

Feels Like We Only Go Backwards by Tame Impala uses very interesting chord progressions that convey a feeling of constant motion. The song is primarily in the key of F Major, as revealed by the majority of the chords (F, C, Gm). However, the chord progression in the verse introduces Dm and Cmaj7/G, showing some clever use of modal interchange, also known as borrowed chords.

**

The verse 2 chord progression in “Can’t Take My Eyes Off You” by Muse follows a typical jazz/pop style with the use of extended and altered chords such as Major 7th and minor 7th ♭5 chords. It also features a variation in line with the different sections of the piece.

“Lord Only Knows” by Beck showcases a simple yet effective chord progression in its Verse 2. The harmonic foundation of this progression is based on the I – V – IV – I pattern, repeated four times. This pattern is common in many popular music genres, with the verse featuring a strong tonic-dominant relationship. The progression also displays an interesting mix of major and minor chords, adding a certain level of spice to the harmonic atmosphere present in the verse.

The piece “3’s and 7’s” by Queens of The Stone Age illustrates a fascinating blend of minor and major tonality, accented dissonances, and unexpected harmonic turns, which is characteristic of the band’s stoner rock and alternative metal style. The verse 2 chord progression is in A# minor and it sticks to a fairly repetitive three-chord progression of A#m – G# – F.

Tame Impala – Let It Happen – Verse 2

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

[‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’]

Chord Progression Analysis

The primary chord progression for Verse 2 is: A Major (‘I’), F#m (‘vi’), G#sus4 (‘bii sus4’). Looking at all the chords in the song, we see some more variations and borrowed chords in later parts of the song. Here’s the primary progression’s chord analysis in full on one line:

“`
A Major (‘I’), F#m (‘vi’), G#sus4 (‘#vii sus4’)
“`

In this case, we are working in the key of A Major. This ‘bii sus4’ is a borrowed chord from the parallel minor of A, which is a common technique used for achieving color and tension.

Similar Chord Progressions

A similar chord progression is used by the Eagles in their song “Hotel California” which has a progression of Bm (‘vi’), F# (‘III’), and A (‘V’). The song employs a similar technique to “Let It Happen” where the progression doesn’t conclusively resolve, creating an ambiguous and somewhat insatiable feeling to the listener.

“`Bm (‘vi’), F# (‘III’), A (‘V’)“`

Musical Analysis

Tame Impala’s chord progression technique in “Let It Happen” is interesting because it does not strictly follow conventional theory rules. The A Major and F#m chords prolong the tonality of A Major, but then we have the ‘bii sus4’ chord that becomes an unexpected surprise.

The Mannish Boys “Everything’s Alright” uses a similar I-vi-II progression as the one in “Let It Happen.” The II is the ‘bII’ borrowed chord from “Let It Happen”. In both songs, these chords provide a feeling of ambiguity and tension that is released when the progression repeats.

Overall Analysis

“Let It Happen” by Tame Impala is characterized by its psychedelic and experimental nuances. It features an overall bright and uplifting tone despite its use of some more complex chords. The song ska common in pop music. The chord progression in question has a strong melodic sensibility demonstrating Kevin Parker’s ability to incorporate complex musical ideas into a pop format.

Style Analysis

The dominance of the psychedelic sound in “Let It Happen” is highlighted by the chord progression. Tame Impala manipulates these chords in a way that reflects the psychedelic rock, space rock, and neo-psychedelia genres that the band is known for. This manipulation of tension and release throughout the chord progression can be seen as one of the building blocks for the song’s trippy and expansive soundscape.

Chords in the Verse 2 section of Let It Happen by Tame Impala are:

[‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’]