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Related Music Theory Alchemy

The song “Let It Happen” by Tame Impala, which is in the key of A Major, uses a simple yet effective chord progression during its outro. The common pattern of I-vi-IIIIV (Major-minor-Suspended 4) recurs throughout. The G#sus4 chord provides a moment of tension before resolving back to the tonic and restarting the pattern. The progression concludes with an Emaj7 chord, which is a borrowed chord from the parallel minor.

“Yes I’m Changing” by Tame Impala uses a repetitive chord progression throughout the majority of the song, alternating primarily between the chords C, Csus2, Cadd9, Am, F, and G. This pattern is characterized by constant resolution with the tonic of the key, C Major. However, the progression occasionally diverges from the typical diatonic pattern by introducing a G Major chord, which is a V chord in the C Major scale.

The verse of “Tiny Dancer” by Elton John is generally in the key of C major (with some temporary modulations) and features a varied and interesting chord progression that is indicative of Elton John’s complex, piano-driven musical style.

“Creep” by Radiohead is a song in the key of G major that features a four-chord progression in its verse 2, which is distinctive for its use of a borrowed chord from the parallel minor (G minor). Although the song’s simple harmonic structure is quite common in pop music, its use of a borrowed chord adds an element of surprise and emotional depth, establishing Radiohead’s unique sound.

“Strawberry Fields Forever” by The Beatles is one of the excellent examples of the unique and complex style popular in the late 1960’s. It is in the key of E and further progresses to F# minor. The progression utilizes modal interchange, chromaticism, and unusual chord progressions to create a dreamlike and psychedelic landscape that perfectly suits the lyrical theme of the song.

Tame Impala – Let It Happen – Verse 2

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Chord Progression

[‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’]

Chord Progression Analysis

The primary chord progression for Verse 2 is: A Major (‘I’), F#m (‘vi’), G#sus4 (‘bii sus4’). Looking at all the chords in the song, we see some more variations and borrowed chords in later parts of the song. Here’s the primary progression’s chord analysis in full on one line:

“`
A Major (‘I’), F#m (‘vi’), G#sus4 (‘#vii sus4’)
“`

In this case, we are working in the key of A Major. This ‘bii sus4’ is a borrowed chord from the parallel minor of A, which is a common technique used for achieving color and tension.

Similar Chord Progressions

A similar chord progression is used by the Eagles in their song “Hotel California” which has a progression of Bm (‘vi’), F# (‘III’), and A (‘V’). The song employs a similar technique to “Let It Happen” where the progression doesn’t conclusively resolve, creating an ambiguous and somewhat insatiable feeling to the listener.

“`Bm (‘vi’), F# (‘III’), A (‘V’)“`

Musical Analysis

Tame Impala’s chord progression technique in “Let It Happen” is interesting because it does not strictly follow conventional theory rules. The A Major and F#m chords prolong the tonality of A Major, but then we have the ‘bii sus4’ chord that becomes an unexpected surprise.

The Mannish Boys “Everything’s Alright” uses a similar I-vi-II progression as the one in “Let It Happen.” The II is the ‘bII’ borrowed chord from “Let It Happen”. In both songs, these chords provide a feeling of ambiguity and tension that is released when the progression repeats.

Overall Analysis

“Let It Happen” by Tame Impala is characterized by its psychedelic and experimental nuances. It features an overall bright and uplifting tone despite its use of some more complex chords. The song ska common in pop music. The chord progression in question has a strong melodic sensibility demonstrating Kevin Parker’s ability to incorporate complex musical ideas into a pop format.

Style Analysis

The dominance of the psychedelic sound in “Let It Happen” is highlighted by the chord progression. Tame Impala manipulates these chords in a way that reflects the psychedelic rock, space rock, and neo-psychedelia genres that the band is known for. This manipulation of tension and release throughout the chord progression can be seen as one of the building blocks for the song’s trippy and expansive soundscape.

Chords in the Verse 2 section of Let It Happen by Tame Impala are:

[‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’]