Music Theory Alchemy

Search

Related Music Theory Alchemy

The song “Let It Happen” by Tame Impala, which is in the key of A Major, uses a simple yet effective chord progression during its outro. The common pattern of I-vi-IIIIV (Major-minor-Suspended 4) recurs throughout. The G#sus4 chord provides a moment of tension before resolving back to the tonic and restarting the pattern. The progression concludes with an Emaj7 chord, which is a borrowed chord from the parallel minor.

This chord progression from the verse of Tame Impala’s “Alter Ego” suggests a key of C major due to the recurring instances of Cmaj7. However, the presence of certain chords like Bm7 and Dm suggests that Kevin Parker is creatively “borrowing” chords from the parallel and associated keys (C minor, D minor) to create colorful departures from the primary tonality. The use of extended chords (7ths) and suspended chords (Bsus4) adds a sense of complexity and sophistication to the harmony. As can be seen, the chord progression mostly oscillates between Cmaj7, Bsus4, Bm7 before moving to Dm and Gm towards the end of the verse.

The given chord progression is found in Verse 2 of Tyler, The Creator’s song “Are We Still Friends.” The song is in the key of E major, and the progression features a mix of major, minor, and dominant seventh chords. The distinctive chromatic movement and the use of borrowed chords make for a memorable and unique progression. The combination of these elements results in a lush and emotionally charged progression which contributes greatly to the overall feel of the song.

“Feeling Good” by Muse is a cover of the song originally written by Anthony Newley and Leslie Bricusse for the 1964 musical “The Roar of the Greasepaint – The Smell of the Crowd”. Muse’s version is characterized by its distinct blend of jazz, rock, and pop influences, with strong orchestration and stylistically unique elements that give the song a modern edge while still paying homage to its classic roots.

The song “Every Day Is Exactly The Same” by Nine Inch Nails has a dark and moody atmosphere, characterized by the repetitive chord progression that sets the gloomy tone. This prolific use of chords throughout snippets of the song creates a musical portrait of monotony and disillusion which is reflective of the song’s title and lyrics. Looking at the chords provided from the second verse, this mood is accomplished through the consistent use of minor tonalities and alternation between two power chords – E and C.

Tame Impala – Let It Happen – Verse 2

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

[‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’]

Chord Progression Analysis

The primary chord progression for Verse 2 is: A Major (‘I’), F#m (‘vi’), G#sus4 (‘bii sus4’). Looking at all the chords in the song, we see some more variations and borrowed chords in later parts of the song. Here’s the primary progression’s chord analysis in full on one line:

“`
A Major (‘I’), F#m (‘vi’), G#sus4 (‘#vii sus4’)
“`

In this case, we are working in the key of A Major. This ‘bii sus4’ is a borrowed chord from the parallel minor of A, which is a common technique used for achieving color and tension.

Similar Chord Progressions

A similar chord progression is used by the Eagles in their song “Hotel California” which has a progression of Bm (‘vi’), F# (‘III’), and A (‘V’). The song employs a similar technique to “Let It Happen” where the progression doesn’t conclusively resolve, creating an ambiguous and somewhat insatiable feeling to the listener.

“`Bm (‘vi’), F# (‘III’), A (‘V’)“`

Musical Analysis

Tame Impala’s chord progression technique in “Let It Happen” is interesting because it does not strictly follow conventional theory rules. The A Major and F#m chords prolong the tonality of A Major, but then we have the ‘bii sus4’ chord that becomes an unexpected surprise.

The Mannish Boys “Everything’s Alright” uses a similar I-vi-II progression as the one in “Let It Happen.” The II is the ‘bII’ borrowed chord from “Let It Happen”. In both songs, these chords provide a feeling of ambiguity and tension that is released when the progression repeats.

Overall Analysis

“Let It Happen” by Tame Impala is characterized by its psychedelic and experimental nuances. It features an overall bright and uplifting tone despite its use of some more complex chords. The song ska common in pop music. The chord progression in question has a strong melodic sensibility demonstrating Kevin Parker’s ability to incorporate complex musical ideas into a pop format.

Style Analysis

The dominance of the psychedelic sound in “Let It Happen” is highlighted by the chord progression. Tame Impala manipulates these chords in a way that reflects the psychedelic rock, space rock, and neo-psychedelia genres that the band is known for. This manipulation of tension and release throughout the chord progression can be seen as one of the building blocks for the song’s trippy and expansive soundscape.

Chords in the Verse 2 section of Let It Happen by Tame Impala are:

[‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’]