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“Good Vibrations” by The Beach Boys is highly complex and represents an exceptional use of harmonic structuring. The richness of the piece lies in Brian Wilson’s innovative and unpredictable songwriting, who was making significant use of modulation at the time, constantly shifting keys, in this case especially during the transition bridge.

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“Good Vibrations” by The Beach Boys employs a series of chord progressions that echo the rising tension and resolution in the song’s narrative. The song is primarily in the key of D minor, with moments of temporary modulation, which allows for colorful and unexpected harmonies to emerge. This harmonic and melodic complexity is one of the defining characteristics of Brian Wilson’s writing style, highlighting his ability to push the boundaries of pop music.

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The chord progression in the chorus of Beck’s “Lord Only Knows” is in the key of B Major and features some chromaticism and borrowed chords that give it a unique and somewhat unexpected sound. The chords move predominantly in fourths and fifths. The nature of the progression is reminiscent of rock and folk music, but Beck’s quirky and stylistic approach also evokes an alternative feel.

The chord progression in the chorus of “Lost Cause” by Beck showcases a simple yet effective pattern utilizing major chords and a dominant seventh chord, which creates tension and resolution throughout the progression. The song is in C major, and the chords predominantly follow the diatonic harmony of the key. The style is reminiscent of folk and alternative rock, with the harmony playing a significant role in evoking a sense of melancholy in the listener.

The modality of the song “Yet Again” by Grizzly Bear is primarily in A minor, which makes it a piece in the minor modality. This song uses several traditional progression elements, but intermixes them with unexpected changes, especially the shift from E minor to F major, and the chromatic shift from G major to B flat major.

The Beach Boys – Good Vibrations – Chorus

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Chord Progression

[‘F’, ‘Bb’, ‘F’, ‘Bb’, ‘F’, ‘Bb’, ‘F’, ‘Bb’, ‘F’, ‘Bb’, ‘F’, ‘Bb’, ‘F’, ‘Bb’, ‘F’, ‘Bb’, ‘G’, ‘C’, ‘G’, ‘C’, ‘G’, ‘C’, ‘G’, ‘C’, ‘A’, ‘D’, ‘A’, ‘D’, ‘A’, ‘D’, ‘A’, ‘D’]

Chord Progression Analysis

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F Major (IV), Bb Major (bVII), F Major (IV), Bb Major (bVII),
F Major (IV), Bb Major (bVII), F Major (IV), Bb Major (bVII),
F Major (IV), Bb Major (bVII), F Major (IV), Bb Major (bVII),
F Major (IV), Bb Major (bVII),
G Major (V), C Major (I), G Major (V), C Major (I),
G Major (V), C Major (I), G Major (V), C Major (I),
A Major (IV), D Major (VII), A Major (IV), D Major (VII),
A Major (IV), D Major (VII), A Major (IV), D Major (VII).
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In the listed progression, Bb Major and D Major are borrowed chords from the parallel minor (A minor).

Similar Chord Progressions

John Lennon’s “Imagine” shares a similar use of the IV and bVII chords found in “Good Vibrations.” Here’s the chord progression –

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C Major (I), Cmaj7 (I7), F Major (IV), F Major (IV),
Dm (ii), Dm (ii), F Major (IV), F Major (IV),
C Major (I), Cmaj7 (I7), F Major (IV), F Major (IV),
Dm (ii), Dm (ii), F Major (IV), F Major (IV),
E7 (V), Am/E (vi/I), E7 (V), Am/E (vi/I),
E7 (V), Am/E (vi/I), E7 (VII/bIII), Am (vi).
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Note the Lennon song’s use of the IV chord as well as the bVII just like “Good Vibrations”. In “Imagine”, John Lennon uses these chords to create a dreamy, thoughtful atmosphere.

Musical Analysis

“Good Vibrations” is a great example of the Beach Boys’ harmonically adventurous style. The progression begins regularly, but the use of borrowed chords Bb major and D Major creates noticeable color. Using these borrowed chords, Brian Wilson achieves a modal mixture, borrowing from the parallel minor. The key modulation seen when shifting from F Major to G Major to A Major is an unexpected twist, adding to the song’s complexities.

Overall Analysis

The Beach Boys’ “Good Vibrations” presents an interesting mix of major and minor chords with excellent use of chord inversions and borrowings. The song is harmonically adventurous, showcasing the band’s pop mastery with Brian Wilson’s unmatched compositional skills. This song is primarily in the key of A Major, with many borrowed chords and modulation that creates its unique feel.

Style Analysis

The Beach Boys favor intricate harmonies and complex compositional structure, reflective of their primary songwriter, Brian Wilson’s, background in jazz and classical music. Their music features extensive use of extended harmony, borrowed chords, and modulations.

Chords in the Chorus section of Good Vibrations by The Beach Boys are:

[‘F’, ‘Bb’, ‘F’, ‘Bb’, ‘F’, ‘Bb’, ‘F’, ‘Bb’, ‘F’, ‘Bb’, ‘F’, ‘Bb’, ‘F’, ‘Bb’, ‘F’, ‘Bb’, ‘G’, ‘C’, ‘G’, ‘C’, ‘G’, ‘C’, ‘G’, ‘C’, ‘A’, ‘D’, ‘A’, ‘D’, ‘A’, ‘D’, ‘A’, ‘D’]