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Related Music Theory Alchemy

“Good Vibrations” by The Beach Boys is highly complex and represents an exceptional use of harmonic structuring. The richness of the piece lies in Brian Wilson’s innovative and unpredictable songwriting, who was making significant use of modulation at the time, constantly shifting keys, in this case especially during the transition bridge.

“God Only Knows” by The Beach Boys is one of their most well-known pieces and a primary example of the sophisticated harmonic writing characteristic of the group’s 1966 “Pet Sounds” record. This piece is particularly designed in the key of A major. The Outro of the song includes the following chords: ‘A’, ‘E/G#’, ‘F#m7’, ‘E/G#’ and many other chords throughout the song with complex chord changes that might not be typical in a pop song, but are characteristic of the band’s sound.

The chord progression in the verse of “Apocalypse Please” by Muse is mostly based on the F#m and C# chords, with a strong emphasis on the i and V7 relationship. The progression moves back and forth between these two chords without straying far from the Tonality of F# minor while maintaining a tension and release structure.

“Goodbye Yellow Brick Road” is a song written by Elton John that features a complex chord progression that effectively complements the haunting and nostalgic quality of the song’s lyrics. The primary key of the song is D major, while parts of the progression borrow from both the parallel minor (D minor) and the relative minor (B minor). The use of these borrowed chords adds harmonic interest and enhances the song’s evocative, wistful mood.

The chord progression in the verse of Tyler, The Creator’s “Earfquake” is primarily based on a simple alternation between two chords, Bbmaj7 and Am7, with a brief excursion to Gm7 before returning to Am7. The simplicity and repetition of the progression creates a feeling of comfort and stability, while the use of major 7th and minor 7th chords adds a touch of sophistication and smoothness. The progression doesn’t follow a traditional functional harmony, but it effectively supports the melody and the overall vibe of the song.

The Beach Boys – Good Vibrations – Verse 1

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Chord Progression

[‘Dm’, ‘C’, ‘Bb’, ‘A’, ‘Dm’, ‘C’, ‘Bb’, ‘A’, ‘Dm’, ‘C’, ‘Bb’, ‘A’, ‘Dm’, ‘C’, ‘Bb’, ‘A’, ‘C’]

Chord Progression Analysis

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Here is a simplified version for Verse 1:

Dm – I
C – VII
Bb – VI
A – V

This progression repeats four times in the verse. The verse starts in D minor, and the chord progression descends by step, from Dm (I) to C (VII) to Bb (VI) and then to A (V). This sequence of chords is quite common in pop music.

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Similar Chord Progressions

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1) “Don’t Stop Believin” by Journey:

E – I
B – V
C#m – VI
A – IV

2) “Let It Be” by The Beatles:

C – I
G – V
Am – VI
F – IV
3) “Can You Feel The Love Tonight” by Elton John:

C – I
G – V
Am – VI
F – IV

Note that while these songs do not feature the exact same chord progression as “Good Vibrations,” they nonetheless follow a similar descending pattern, moving from the I chord to IV in their respective keys, illustrating how common this progression is in popular music.

Musical Analysis

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The descending chord progression provides a sense of melancholy along with settling tension. The dissonant tension of the minor chord “Dm” starts off the progression where it resolves to the more consonant major chord “C”. This process repeats as we move from “Bb” to the “A”. The repetition of this four chord sequence creates anticipation which is satisfied each time the sequence repeat again.

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Overall Analysis

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“Good Vibrations” by The Beach Boys employs a series of chord progressions that echo the rising tension and resolution in the song’s narrative. The song is primarily in the key of D minor, with moments of temporary modulation, which allows for colorful and unexpected harmonies to emerge. This harmonic and melodic complexity is one of the defining characteristics of Brian Wilson’s writing style, highlighting his ability to push the boundaries of pop music.

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Style Analysis

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This chord progression is a testament to The Beach Boys’ unique style of combining complex harmonic structures with the catchy, upbeat tempos typical of pop music. Wilson’s innovative and gifted arrangement skills are portrayed in his incorporation of unconventional instruments (i.e., theremin) and experimental studio techniques.

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Chords in the Verse 1 section of Good Vibrations by The Beach Boys are:

[‘Dm’, ‘C’, ‘Bb’, ‘A’, ‘Dm’, ‘C’, ‘Bb’, ‘A’, ‘Dm’, ‘C’, ‘Bb’, ‘A’, ‘Dm’, ‘C’, ‘Bb’, ‘A’, ‘C’]