Music Theory Alchemy

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“Rocket Man” by Elton John, released in 1972, is a melodic and harmonically sophisticated example of his pop/rock style. The piece is in the key of G, and the chord progression of Verse 2 introduces some harmonies that exploit john’s expertise in using extended and altered chords, which lend colorfulness and a feel of departure and return. The use of slash chords like G/B and D/F# creates a descending bass line that is very characteristic of pop and rock music, creating a sense of melodic movement within the chords themselves. Verse 2 is navigated skillfully between simplistic and complex harmonies.

The verse of “Tiny Dancer” by Elton John is generally in the key of C major (with some temporary modulations) and features a varied and interesting chord progression that is indicative of Elton John’s complex, piano-driven musical style.

The outro of Jeff Buckley’s “Hallelujah” features a chord progression in the key of C Major. It includes common chords from the key, as well as some borrowed chords from the parallel minor key (C minor), which adds a level of tension and emotion to the progression. The outro has a cyclical nature, with the chords leading smoothly back into the beginning and building a sense of conclusion.

“The Less I Know The Better” by Tame Impala is in the key of E Major. The track has a unique blending of psych pop and synthrock, combining a funky bass line with Tame Impala’s signature synth timbre. Its harmonic structure is moderately complex and features some compelling chord progressions, with a few borrowed chords.

The outro of George Benson’s “Give Me The Night” features a smooth, soulful chord progression that is common to jazz, R&B, and pop music. The progression has a descending movement with alternating minor 7th and major 7th chords. This repetition creates a sense of ambience and resolution, making it an ideal conclusion to the song.

Elton John – Rocket Man – Outro

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Chord Progression

[‘C’, ‘G’, ‘C’, ‘G’]

Chord Progression Analysis

The outro progression: ‘C’ – ‘G’ interpreted with roman numerals in the key of C Major is:
– C Major (I)
– G Major (V)
“`
C Major (‘I’) – G Major (‘V’)
“`

Similar Chord Progressions

The I – V (C – G) progression is commonly found in countless songs across different genres. Some notable examples would be:
– “Let It Be” by The Beatles – Here, the progression is often C – G – Am – F, but the C – G movement is still strongly apparent.
– “Wonderwall” by Oasis – The main progression is Em – G – D – A, but the G – D movement (which is I – V in the key of G Major) is an essential part of the progression.
– “Three Little Birds” by Bob Marley – This song uses the same chords (C – G) but in the progression A – D – E – A, which in A major can be seen as IV – I, similar in concept to the I – V.

These progressions provide the same tonal stability and resolution seen in the Outro of “Rocket Man”.

Musical Analysis

This chord pattern creates a tonal center around the C Major, relying on the strong dominant relationship with G Major (V) to create tension and resolution, which provides a sense of finality to the number. While the earlier sections of the song play upon more complex emotional tones, this coda brings the song to a comfortable and familiar close.

Overall Analysis

“Rocket Man” by Elton John is primarily in the key of Bb minor (the verses and chorus), but its outro transposes to the key of C Major, which gives a sensation of resolution. The chord progression in the Outro is a simple two-chord progression (I – V), which is extremely common in all styles of music and impacts the listener with its familiarity and stability.

Style Analysis

Elton John is known for his sophisticated harmonic language that often involves modulations to different keys and the use of complex, jazzy chords. However, this outro shows a stripped-down, basic approach that relies on the time-tested I-V progression. It keeps the listener grounded after the intricate harmonic journey of the rest of the song.

Chords in the Outro section of Rocket Man by Elton John are:

[‘C’, ‘G’, ‘C’, ‘G’]