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Related Music Theory Alchemy

“Rocket Man” by Elton John and his long-time lyricist Bernie Taupin is a standout song in Elton John’s discography, well known for its memorable melody line and masterful chord progression that was very innovative for its time (1972). It showcases his trademark style of combining rock with various other genres such as folk.

Overall, the harmony in this song is quite rich and a clear example of Elton John’s ’70s songwriting style: using complex chords and a lot of borrowed chords from other keys that add extra color to the harmonic progression.

The verse of “Tiny Dancer” by Elton John is generally in the key of C major (with some temporary modulations) and features a varied and interesting chord progression that is indicative of Elton John’s complex, piano-driven musical style.

The song “3 Libras Acoustic Live” by A Perfect Circle oscillates between an A major and a C# minor structure, with a D major introduced at the end of the progression. The dominant chords are A (represented as Asus2) and C# (represented as C#m). The final D chord can be seen as a modulation, adding a somewhat unexpected resolution that doesn’t adhere to the traditional rules of tonic-dominant resolution in either major or minor keys.

The given chord progression is in the key of C Major and follows a simple, yet effective structure. It features a blend of consonance and dissonance, which creates a sense of resolution and tension simultaneously. This progression is characteristic of Radiohead’s unique sound and their ability to create emotive landscapes through their music.

Kali Uchis’ “Telepatia” features a relatively simple two-chord progression in the outro, consisting of a major seventh chord followed by a dominant seventh chord. The harmonic texture is sparse yet effective, with a unique, ethereal atmosphere created by the interplay between the two chords.

Elton John – Rocket Man – Outro

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Chord Progression

[‘C’, ‘G’, ‘C’, ‘G’]

Chord Progression Analysis

The outro progression: ‘C’ – ‘G’ interpreted with roman numerals in the key of C Major is:
– C Major (I)
– G Major (V)
“`
C Major (‘I’) – G Major (‘V’)
“`

Similar Chord Progressions

The I – V (C – G) progression is commonly found in countless songs across different genres. Some notable examples would be:
– “Let It Be” by The Beatles – Here, the progression is often C – G – Am – F, but the C – G movement is still strongly apparent.
– “Wonderwall” by Oasis – The main progression is Em – G – D – A, but the G – D movement (which is I – V in the key of G Major) is an essential part of the progression.
– “Three Little Birds” by Bob Marley – This song uses the same chords (C – G) but in the progression A – D – E – A, which in A major can be seen as IV – I, similar in concept to the I – V.

These progressions provide the same tonal stability and resolution seen in the Outro of “Rocket Man”.

Musical Analysis

This chord pattern creates a tonal center around the C Major, relying on the strong dominant relationship with G Major (V) to create tension and resolution, which provides a sense of finality to the number. While the earlier sections of the song play upon more complex emotional tones, this coda brings the song to a comfortable and familiar close.

Overall Analysis

“Rocket Man” by Elton John is primarily in the key of Bb minor (the verses and chorus), but its outro transposes to the key of C Major, which gives a sensation of resolution. The chord progression in the Outro is a simple two-chord progression (I – V), which is extremely common in all styles of music and impacts the listener with its familiarity and stability.

Style Analysis

Elton John is known for his sophisticated harmonic language that often involves modulations to different keys and the use of complex, jazzy chords. However, this outro shows a stripped-down, basic approach that relies on the time-tested I-V progression. It keeps the listener grounded after the intricate harmonic journey of the rest of the song.

Chords in the Outro section of Rocket Man by Elton John are:

[‘C’, ‘G’, ‘C’, ‘G’]