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“Rocket Man” by Elton John is primarily in the key of Bb minor (the verses and chorus), but its outro transposes to the key of C Major, which gives a sensation of resolution. The chord progression in the Outro is a simple two-chord progression (I – V), which is extremely common in all styles of music and impacts the listener with its familiarity and stability.

“I Guess That’s Why They Call it the Blues” is a well-known hit by Elton John from the album “Too Low for Zero” released in 1983. The song is a blend of pop, rock and blues styles and showcases Elton John’s proficiency in blending different music genres. The verse uses a straightforward I-V-vi-IV progression which is a common progression in pop music.

The Chorus’s

The song “It’s A Fire” by Portishead features complex harmonic structures, distinguished by a fusion of pop, rock, and elements of jazz harmonies. The band, known for their trip-hop style, employ chromatically richer harmony and non-diatonic chord progressions in this piece. The chord progression of ‘It’s A Fire’ is consistent with this approach as we see the frequent use of suspended and minor chords alongside major ones, which creates a sense of unresolved tension. Borrowed chords, usually taken from the parallel minor or major key, are also used frequently to add stylistic color to the harmony.

The song “Get You” by Daniel Caesar features a smooth and soulful chord progression that reflects the style of contemporary R&B and neo-soul. The chords provide a sense of warmth and sincerity that complements the song’s intimate lyrics. The progression is primarily diatonic, but with some borrowed chords, which adds an interesting color to the music.

“Right Where It Belongs” by Nine Inch Nails features a non-diatonic chord progression that creates a sense of tension and resolution. The progression makes use of borrowed chords from parallel keys, contributing to its distinctive sound. The overall key of the song is D minor.

Elton John – Rocket Man – Verse 1

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Chord Progression

[‘Em7’, ‘A’, ‘A’, ‘Asus4’, ‘Em7’, ‘A’, ‘A’, ‘G/B’, ‘C’, ‘G/B’, ‘Am’, ‘C/G’, ‘D/F#’, ‘Dsus2’, ‘D’, ‘Em7’, ‘A’, ‘Asus4’, ‘Em7’, ‘Asus4’, ‘G/B’, ‘C’, ‘G/B’, ‘Am’, ‘C/G’, ‘D/F#’, ‘D/A’, ‘D’, ‘C/D’]

Chord Progression Analysis

Formatted like “Full Chord Name (‘Roman Numeral’)”:

“`plaintext
Em7 (‘ii7’),
A (‘IV’),
A (‘IV’),
Asus4 (‘IVsus4’),
Em7 (‘ii7’),
A (‘IV’),
A (‘IV’),
G/B (‘I6’),
C (‘vi’),
G/B (‘I6’),
Am (‘ii’),
C/G (‘V6’),
D/F# (‘V64’),
Dsus2 (‘V’),
D (‘V’),
Em7 (‘ii7’),
A (‘IV’),
Asus4 (‘IVsus4’),
Em7 (‘ii7’),
Asus4 (‘IVsus4’),
G/B (‘I6’),
C (‘vi’),
G/B (‘I6’),
Am (‘ii’),
C/G (‘V6’),
D/F# (‘V64’),
D/A (‘V43’),
D (‘V’),
C/D (‘VII7/IV’).
“`

In this code block ‘I6’, ‘V64’ and ‘V43’ denote different inversions of the tonic and dominant chords (G and D respectively in this context), ‘VII7/IV’ indicates a secondary dominant chord. ‘ii7’, ‘IV’ and ‘Vi’ are standard numerals for minor and major chords. ‘IVsus4’ indicates a suspended 4th chord.

Similar Chord Progressions

Interestingly, the 1975 song “I’m Not in Love” by 10cc uses quite a similar harmonic progression. The verse of “Wonderful Tonight” by Eric Clapton also features a number of chordal similarities. Also, some harmonic moments can be found in The Beatles’s atmospheric “Across the Universe”. In all these pieces you can find a similar use of complex chords, including sus and secondary dominants that give the sound its “floating” and varying feeling.

Musical Analysis

The chord progression features varied inversions for truelly outlining the harmonic motion. The use of suspended chords (Asus4, Dsus2) gives the song its light, floating atmosphere — somewhat matching the lyrical theme of space travel.

Overall Analysis

“Rocket Man” by Elton John and his long-time lyricist Bernie Taupin is a standout song in Elton John’s discography, well known for its memorable melody line and masterful chord progression that was very innovative for its time (1972). It showcases his trademark style of combining rock with various other genres such as folk.

Overall, the harmony in this song is quite rich and a clear example of Elton John’s ’70s songwriting style: using complex chords and a lot of borrowed chords from other keys that add extra color to the harmonic progression.

Style Analysis

Elton John’s writing style is renowned for its unpredictability, striking a balance between the rock and pop genres while leaning heavily into more complex songwriting strategies typically found in classical music. In ‘Rocket Man,’ he uses this to create an atmospheric, ethereal sound that perfectly complements the song’s space-bound subject matter.

Chords in the Verse 1 section of Rocket Man by Elton John are:

[‘Em7’, ‘A’, ‘A’, ‘Asus4’, ‘Em7’, ‘A’, ‘A’, ‘G/B’, ‘C’, ‘G/B’, ‘Am’, ‘C/G’, ‘D/F#’, ‘Dsus2’, ‘D’, ‘Em7’, ‘A’, ‘Asus4’, ‘Em7’, ‘Asus4’, ‘G/B’, ‘C’, ‘G/B’, ‘Am’, ‘C/G’, ‘D/F#’, ‘D/A’, ‘D’, ‘C/D’]