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“Rocket Man” by Elton John and his long-time lyricist Bernie Taupin is a standout song in Elton John’s discography, well known for its memorable melody line and masterful chord progression that was very innovative for its time (1972). It showcases his trademark style of combining rock with various other genres such as folk.

Overall, the harmony in this song is quite rich and a clear example of Elton John’s ’70s songwriting style: using complex chords and a lot of borrowed chords from other keys that add extra color to the harmonic progression.

“Can You Feel The Love Tonight” is a pop ballad written in the key of G major. The progression makes traditional use of the G major chord scale with a notable exception of a borrowed chord A/C#.

** The Beatles are well known for their creative and unusual use of chords and harmonies. In “Lucy in The Sky With Diamonds”, there is a clear example of their innovative harmonic vocabulary. They employ a variety of common, borrowed, and chromatic mediant chords to create a remarkable soundscape that complements the psychedelic theme of the song.

**

“Feeling Good” by Muse is a cover of the song originally written by Anthony Newley and Leslie Bricusse for the 1964 musical “The Roar of the Greasepaint – The Smell of the Crowd”. Muse’s version is characterized by its distinct blend of jazz, rock, and pop influences, with strong orchestration and stylistically unique elements that give the song a modern edge while still paying homage to its classic roots.

The given chord progression is from Beck’s song “Sexx Laws” and runs as follows: B, G#, B, G#, B, G#, A, F#. This progression features chords mainly from the B Major key, but includes borrowed chords from the parallel minor key as well. The harmonic movement showcases Beck’s interesting approach to songwriting and shows some influence from the soul and funk genres.

Elton John – Rocket Man – Verse 2

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Chord Progression

[‘Em7’, ‘A’, ‘Asus2’, ‘Em7’, ‘A’, ‘A’, ‘G/B’, ‘C’, ‘G/B’, ‘Am’, ‘C/G’, ‘D/F#’, ‘D/A’, ‘D’, ‘Em7’, ‘A’, ‘Em7’, ‘A’, ‘A7sus4’, ‘C’, ‘G/B’, ‘Am’, ‘C/G’, ‘D/F#’, ‘D/A’, ‘D’, ‘C/D’]

Chord Progression Analysis

“`plain
Em7 (‘vi7’), A (‘II’), Asus2 (‘IIsus2’), Em7 (‘vi7’), A (‘II’), A (‘II’), G/B (‘I/III’), C (‘IV’), G/B (‘I/III’), Am (‘ii’),
C/G (‘IV/V’), D/F# (‘V/III’), D/A (‘V/V’), D (‘V’), Em7 (‘vi7’), A (‘II’), Em7 (‘vi7’), A (‘II’), A7sus4 (‘IIsus4’), C (‘IV’),
G/B (‘I/III’), Am (‘ii’), C/G (‘IV/V’), D/F# (‘V/III’), D/A (‘V/V’), D (‘V’), C/D (‘IV/V’),.

Note: ‘II’ indicates a borrowed chord from the parallel key which in this case is G minor.
“`

Similar Chord Progressions

1. Billy Joel – “She’s Got A Way”
Chord Progression: [‘C’, ‘Cmaj7’, ‘C7’, ‘F’, ‘Fm’, ‘C’, ‘G’, ‘Am’, ‘D’, ‘G’, ‘G7’]
Joel’s composition shares the use of dominant and major seventh chords like “Rocket Man”. The movement from F to Fm creates a parallel to John’s frequent use of borrowed chords.

2. The Beatles – “Here Comes The Sun”
Chord Progression: [‘D’, ‘G’, ‘A7’, ‘D’, ‘G’, ‘D’, ‘A7’, ‘D’, ‘G’, ‘D’, ‘A7’, ‘D’, ‘G’]
This Beatles classic shares similarities in its use of seventh and suspended chords, creating a similar harmonic color.

3. Eric Clapton – “Wonderful Tonight”
Chord Progression: [‘G’, ‘D/F#’, ‘C’, ‘D’, ‘G’, ‘D/F#’, ‘C’, ‘D’]
Clapton makes use of descending bass lines, similar to “Rocket Man”.

Musical Analysis

Elton John uses a lot of chromaticism and tension-release through the use of seventh chords (Em7), suspensions (Asus2, A7sus4), and borrowed chords (A – borrowed from the parallel minor key). The constant alternations between the tonic and the dominant seventh chord add ambiguity to the progression, reflecting the theme of the song. The bass line movement, particularly the use of slash chords (G/B, D/F#), creates an interesting countermelody to the tune and emulates the feeling of traveling to the cosmos.

Overall Analysis

“Rocket Man” by Elton John, released in 1972, is a melodic and harmonically sophisticated example of his pop/rock style. The piece is in the key of G, and the chord progression of Verse 2 introduces some harmonies that exploit john’s expertise in using extended and altered chords, which lend colorfulness and a feel of departure and return. The use of slash chords like G/B and D/F# creates a descending bass line that is very characteristic of pop and rock music, creating a sense of melodic movement within the chords themselves. Verse 2 is navigated skillfully between simplistic and complex harmonies.

Style Analysis

Elton’s style is largely influenced by gospel, blues, and early rock ‘n’ roll, which is evident in the usage of the dominant seventh and suspended chords throughout the verse. He also incorporates a lot of rhythmic changes and syncopations into the chord progression, creating a rich harmonic texture. The repeated riff helps to ground the song in the folk-rock style, while the use of borrowed chords adds a jazzy touch.

Chords in the Verse 2 section of Rocket Man by Elton John are:

[‘Em7’, ‘A’, ‘Asus2’, ‘Em7’, ‘A’, ‘A’, ‘G/B’, ‘C’, ‘G/B’, ‘Am’, ‘C/G’, ‘D/F#’, ‘D/A’, ‘D’, ‘Em7’, ‘A’, ‘Em7’, ‘A’, ‘A7sus4’, ‘C’, ‘G/B’, ‘Am’, ‘C/G’, ‘D/F#’, ‘D/A’, ‘D’, ‘C/D’]