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Related Music Theory Alchemy

“Rocket Man” by Elton John is primarily in the key of Bb minor (the verses and chorus), but its outro transposes to the key of C Major, which gives a sensation of resolution. The chord progression in the Outro is a simple two-chord progression (I – V), which is extremely common in all styles of music and impacts the listener with its familiarity and stability.

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“Im Still Standing” by Elton John is a classic rock/pop song composed in E Major. You can see that this is a complex composition with frequent chord changes, giving it a rich musical texture. The chord progression is not diatonic, which means that it includes chords from outside of its home key of E Major.

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“Time” by Pink Floyd is a progressive rock song that features an uncommon chord progression with some unique harmonic choices. The Verse 2 progression has a strong sense of tonal ambiguity and the chords often fluctuate between major and minor tonalities. This contributes to the emotional depth and complexity of the song, which is characteristic of Pink Floyd’s music.

“Say It Ain’t So” by Weezer is an alternative rock song with a sense of melancholy in the verse and a catchy, anthemic chorus. The verse chords, which you provided, create a strong sense of movement and harmonic interest by using borrowed chords and a combination of diatonic and chromatic chord progressions.

“The Bullet With Butterfly Wings” by The Smashing Pumpkins essentially revolves around the use of power chords, or 5th chords, to project a raw, grungy intensity. The chord progression (B5, Em, G5), extracted from the second verse of the song, is prominent throughout. The use of power chords results in a composition that doesn’t transpose to a traditional major or minor key, but fits within a modal framework.

Elton John – Rocket Man – Verse 2

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Chord Progression

[‘Em7’, ‘A’, ‘Asus2’, ‘Em7’, ‘A’, ‘A’, ‘G/B’, ‘C’, ‘G/B’, ‘Am’, ‘C/G’, ‘D/F#’, ‘D/A’, ‘D’, ‘Em7’, ‘A’, ‘Em7’, ‘A’, ‘A7sus4’, ‘C’, ‘G/B’, ‘Am’, ‘C/G’, ‘D/F#’, ‘D/A’, ‘D’, ‘C/D’]

Chord Progression Analysis

“`plain
Em7 (‘vi7’), A (‘II’), Asus2 (‘IIsus2’), Em7 (‘vi7’), A (‘II’), A (‘II’), G/B (‘I/III’), C (‘IV’), G/B (‘I/III’), Am (‘ii’),
C/G (‘IV/V’), D/F# (‘V/III’), D/A (‘V/V’), D (‘V’), Em7 (‘vi7’), A (‘II’), Em7 (‘vi7’), A (‘II’), A7sus4 (‘IIsus4’), C (‘IV’),
G/B (‘I/III’), Am (‘ii’), C/G (‘IV/V’), D/F# (‘V/III’), D/A (‘V/V’), D (‘V’), C/D (‘IV/V’),.

Note: ‘II’ indicates a borrowed chord from the parallel key which in this case is G minor.
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Similar Chord Progressions

1. Billy Joel – “She’s Got A Way”
Chord Progression: [‘C’, ‘Cmaj7’, ‘C7’, ‘F’, ‘Fm’, ‘C’, ‘G’, ‘Am’, ‘D’, ‘G’, ‘G7’]
Joel’s composition shares the use of dominant and major seventh chords like “Rocket Man”. The movement from F to Fm creates a parallel to John’s frequent use of borrowed chords.

2. The Beatles – “Here Comes The Sun”
Chord Progression: [‘D’, ‘G’, ‘A7’, ‘D’, ‘G’, ‘D’, ‘A7’, ‘D’, ‘G’, ‘D’, ‘A7’, ‘D’, ‘G’]
This Beatles classic shares similarities in its use of seventh and suspended chords, creating a similar harmonic color.

3. Eric Clapton – “Wonderful Tonight”
Chord Progression: [‘G’, ‘D/F#’, ‘C’, ‘D’, ‘G’, ‘D/F#’, ‘C’, ‘D’]
Clapton makes use of descending bass lines, similar to “Rocket Man”.

Musical Analysis

Elton John uses a lot of chromaticism and tension-release through the use of seventh chords (Em7), suspensions (Asus2, A7sus4), and borrowed chords (A – borrowed from the parallel minor key). The constant alternations between the tonic and the dominant seventh chord add ambiguity to the progression, reflecting the theme of the song. The bass line movement, particularly the use of slash chords (G/B, D/F#), creates an interesting countermelody to the tune and emulates the feeling of traveling to the cosmos.

Overall Analysis

“Rocket Man” by Elton John, released in 1972, is a melodic and harmonically sophisticated example of his pop/rock style. The piece is in the key of G, and the chord progression of Verse 2 introduces some harmonies that exploit john’s expertise in using extended and altered chords, which lend colorfulness and a feel of departure and return. The use of slash chords like G/B and D/F# creates a descending bass line that is very characteristic of pop and rock music, creating a sense of melodic movement within the chords themselves. Verse 2 is navigated skillfully between simplistic and complex harmonies.

Style Analysis

Elton’s style is largely influenced by gospel, blues, and early rock ‘n’ roll, which is evident in the usage of the dominant seventh and suspended chords throughout the verse. He also incorporates a lot of rhythmic changes and syncopations into the chord progression, creating a rich harmonic texture. The repeated riff helps to ground the song in the folk-rock style, while the use of borrowed chords adds a jazzy touch.

Chords in the Verse 2 section of Rocket Man by Elton John are:

[‘Em7’, ‘A’, ‘Asus2’, ‘Em7’, ‘A’, ‘A’, ‘G/B’, ‘C’, ‘G/B’, ‘Am’, ‘C/G’, ‘D/F#’, ‘D/A’, ‘D’, ‘Em7’, ‘A’, ‘Em7’, ‘A’, ‘A7sus4’, ‘C’, ‘G/B’, ‘Am’, ‘C/G’, ‘D/F#’, ‘D/A’, ‘D’, ‘C/D’]