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Related Music Theory Alchemy

The progression for the song is tuned to a standard E Standard (E A D G B E) and it is in the key of G.

“Viva la Vida” by Coldplay is predominantly in the key of G Major, and the main chord progression is a four-chord loop: C, D, G, Em, which repeats throughout the song. The chord progression creates a highly emotional, triumphant atmosphere which reflects the lyrics and overall theme of the song. The use of the B minor chord, the flattened third, later in the song adds some depth and complexity to the harmonic structure and provides a relief from the repetition of the main progression.

“1979” by The Smashing Pumpkins is written in the A major key and showcases various examples of modal interchange, also known as borrowed chords. The song switches often between the major and minor modes, providing a dynamic interplay of moods. The outro particularly stands out due to its use of both major and maj7th chords, a somewhat unusual combination. Emaj7 adds color and complexity to the progression, as a borrowed chord from the E major scale.

The outro of George Benson’s “Give Me The Night” features a smooth, soulful chord progression that is common to jazz, R&B, and pop music. The progression has a descending movement with alternating minor 7th and major 7th chords. This repetition creates a sense of ambience and resolution, making it an ideal conclusion to the song.

“Someone to Love” by Queen exhibits a blend of rock and gospel music, showcasing their musical brilliance and theatrical elements. The chord progression forms a classic example of a departure from the typical I-IV-V root progression seen in much of popular western music, demonstrating Queen’s ingenious writing style.

Coldplay – Yellow – Outro

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Chord Progression

[‘G’, ‘Dm7’, ‘Cmaj7’]

Chord Progression Analysis

The outro of “Yellow” comprises the chords:
– G Major (‘I’)
– D minor 7 (‘vø7’)
– C Major 7 (‘IV7’)

Here we have a I-vø7-IV7 progression.

“`Chord Borrowing:
Borrowed Chord: D minor 7 (‘vø7’) is a borrowed chord from G minor scale.“`

Similar Chord Progressions

Similar to “Yellow”, Radiohead’s “High and Dry” uses a similar chord progression in its verse:
– E Major (‘I’)
– C# minor 7 (‘vi7’)
– A Major 7 (‘IV7’)

This progression also begins on the tonic, employs a minor seventh chord, and finishes on a major seventh chord for a similar emotional effect. Despite the different chords used, the essence of the chord progression is quite similar to that of “Yellow” by Coldplay.

Musical Analysis

The chord progression begins on G Major, the tonic of the key, providing stability and a starting point. It then moves to D minor 7, a borrowed chord from the parallel minor (G minor). This adds a layer of surprise or tension as it deviates from the expected D Major in a typical G Major key progression. Finally, it resolves to C Major 7, a major seventh chord that adds a layer of richness and sweetness to the end of the progression.

Overall Analysis

“Yellow” by Coldplay is in the key of G major and employs a mix of diatonic chords, extended chords such as the seventh chords, and the occasional borrowed chord from G minor. The progression presents variations of a common IV-V-I pattern seen in pop and rock music.

Style Analysis

“Yellow” features characteristics of pop and rock ballad styles. The use of the simple chord progression with an unexpected borrowed chord contributes to the song’s memorable and emotive nature. Additionally, the utilization of major seventh chords, such as the Cmaj7, injects a jazzy, sophisticated flavor into the song, differentiating it from other pop and rock songs.

Chords in the Outro section of Yellow by Coldplay are:

[‘G’, ‘Dm7’, ‘Cmaj7’]