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Related Music Theory Alchemy

The progression for the song is tuned to a standard E Standard (E A D G B E) and it is in the key of G.

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“Viva la Vida” mostly utilizes a four-chord progression thorough the song which is fairly common in popular music. The verse we are focusing on replicating the verse goes like this: C – D – G – Em. The chord progressions are pretty simple, catchy and give the song an uplifting feel.

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Queen’s ‘Don’t Stop Me Now’ contains a rich mixture of chord progressions, which is typical of the band’s complex songwriting. The outro of the song makes use of the F, F7, Bb, and Gm7 chords. This progression is in the key of F Major, with F being the tonic (I), F7 being the dominant 7th (V7), Bb being the subdominant (IV) and Gm7 being the submediant 7th (vi7). The Bb chord is a borrowed chord from the parallel minor key (F Minor) and the usage of F7 serves to add a level of tension before resolving to the Bb.

The song “Hurt” by Nine Inch Nails has a tonal center around the key of B minor, as it is the most prominently featured chord in both the verse and chorus sections. The verse features a simple three-chord progression (Bm-D-E), and the chorus introduces additional chords (G, A). The outro mainly repeats the chords from the verse. The style of the piece can be characterized as haunting, melancholic, and somewhat minimalistic with only a few chords creating the harmonic landscape.

“Someone to Love” by Queen exhibits a blend of rock and gospel music, showcasing their musical brilliance and theatrical elements. The chord progression forms a classic example of a departure from the typical I-IV-V root progression seen in much of popular western music, demonstrating Queen’s ingenious writing style.

Coldplay – Yellow – Outro

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Chord Progression

[‘G’, ‘Dm7’, ‘Cmaj7’]

Chord Progression Analysis

The outro of “Yellow” comprises the chords:
– G Major (‘I’)
– D minor 7 (‘vø7’)
– C Major 7 (‘IV7’)

Here we have a I-vø7-IV7 progression.

“`Chord Borrowing:
Borrowed Chord: D minor 7 (‘vø7’) is a borrowed chord from G minor scale.“`

Similar Chord Progressions

Similar to “Yellow”, Radiohead’s “High and Dry” uses a similar chord progression in its verse:
– E Major (‘I’)
– C# minor 7 (‘vi7’)
– A Major 7 (‘IV7’)

This progression also begins on the tonic, employs a minor seventh chord, and finishes on a major seventh chord for a similar emotional effect. Despite the different chords used, the essence of the chord progression is quite similar to that of “Yellow” by Coldplay.

Musical Analysis

The chord progression begins on G Major, the tonic of the key, providing stability and a starting point. It then moves to D minor 7, a borrowed chord from the parallel minor (G minor). This adds a layer of surprise or tension as it deviates from the expected D Major in a typical G Major key progression. Finally, it resolves to C Major 7, a major seventh chord that adds a layer of richness and sweetness to the end of the progression.

Overall Analysis

“Yellow” by Coldplay is in the key of G major and employs a mix of diatonic chords, extended chords such as the seventh chords, and the occasional borrowed chord from G minor. The progression presents variations of a common IV-V-I pattern seen in pop and rock music.

Style Analysis

“Yellow” features characteristics of pop and rock ballad styles. The use of the simple chord progression with an unexpected borrowed chord contributes to the song’s memorable and emotive nature. Additionally, the utilization of major seventh chords, such as the Cmaj7, injects a jazzy, sophisticated flavor into the song, differentiating it from other pop and rock songs.

Chords in the Outro section of Yellow by Coldplay are:

[‘G’, ‘Dm7’, ‘Cmaj7’]