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“Riptide,” by Vance Joy has a classic, highly repetitive chord progression that creates the folk/pop character of the song. It is written in the key of C Major and uses the simplified I-IV-vi progression, which is also widely used in pop music. In addition, it has a common modulated transition via V chord (G) to the vi chord (Am). There are no borrowed chords in this progression. This repetitive structure can be appealing due to its simplicity and familiarity.

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Vance Joy’s “Riptide” is a folk-pop song that presents a unique coupling of simplicity and depth on the musical landscape. The chord progression, in particular the pre-chorus, is relatively straightforward, but it introduces a flavor of complexity thanks to the inclusion of the borrowed chord. The song operates primarily within the key of C major, and maintains a predominantly folk-like, easy listening aesthetic throughout. Its chord progression, while simple, is nonetheless powerful in conveying the song’s desired emotional ambiance.

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“Girl” by The Beatles is a classic example of their use of chromatic harmony and modal interchange. The chord progression shows complexity in both its chord choices and structure, a distinguishing feature in much of their music. By closely examining this piece, we can better understand The Beatles’ harmonic technique where they blend the techniques of classical music (like chromaticism and harmonic diversity) with pop songwriting.

“Good Vibrations” by The Beach Boys is highly complex and represents an exceptional use of harmonic structuring. The richness of the piece lies in Brian Wilson’s innovative and unpredictable songwriting, who was making significant use of modulation at the time, constantly shifting keys, in this case especially during the transition bridge.

“Bullet With Butterfly Wings” by The Smashing Pumpkins is a rock song that alternates between heavy distortion and calm sections. Interestingly, the song is mostly in E minor, but uses a lot of power chords (5th chords) and sus2 chords which give the song a distinctively undecided, floating feeling, as these chords don’t have a clear major or minor character. The song uses a rather straightforward progression with a few deviations and embellishments which provide tension and release.

Vance Joy – Riptide – Bridge

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Chord Progression

[‘Am’, ‘G’, ‘C’, ‘Fmaj7’, ‘Am’, ‘G’, ‘C’, ‘Fmaj7’]

Chord Progression Analysis

– A minor (‘vi’)
– G major (‘V’)
– C major (‘I’)
– F major 7 (‘IV7’)

Borrowed Chord:

– There are no borrowed chords in the bridge, the Fmaj7 is a diatonic chord in the key of C major.

Similar Chord Progressions

1. “Let it Be” by The Beatles – The song utilizes the same chord progression: C, G, Am, F (I, V, vi, IV).

2. “No Woman, No Cry” by Bob Marley – The song utilizes a similar chord progression in the key of C Major: C, G/B, Am, F (I, V/vi, vi, IV).

3. “Someone Like You” by Adele. The song is in the key of A Major but has the exact same progression: A, E, F#m, D (I, V, vi, IV).

Musical Analysis

The song begins with the A minor chord, which acts as a predominant chord leading to the dominant G major, then resolving to the tonic C major. This use of vi-V-I is a common cadence found in many popular and classical music. The Fmaj7 beside its major key diatonic use is often introducing and resolving tension. It is also worth noting that this vi-V-I-IV sequence found in ‘Riptide,’ is one of the most popular four-chord progressions in pop music.

Overall Analysis

“Riptide” by Vance Joy is in the key of C major. The chord progression is a repeated sequence of Am, G, C and Fmaj7, with the Fmaj7 being a borrowed chord from the parallel minor, C minor. Given that the majority of the song follows this pattern, it’s simple yet effective, providing a catchy and persistent structure to the song.

Style Analysis

“Riptide” is a song that falls under the indie folk-pop genre. The song’s simplicity in terms of its chord structure, rhythm, and melody are a reflection of this – it stays true to the genre’s often uplifting, yet raw and organic sound. The song uses mainly open chords which gives it a very open, clear timbre, contributing to its ‘folk’ feel.

Chords in the Bridge section of Riptide by Vance Joy are:

[‘Am’, ‘G’, ‘C’, ‘Fmaj7’, ‘Am’, ‘G’, ‘C’, ‘Fmaj7’]