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“Paint It Black” plays with minor tonality, which isn’t extremely common in rock and roll music of the era. The song is in the key of E minor and uses the chords Em, B, D, G, and A. The verse has an interesting use of harmonies, incorporating the minor i, major V, minor iv, major bIII, and major IV chords.

“Start Me Up” by The Rolling Stones is structured in a key of D Major, and the song largely follows a I-IV-V chord progression, which is a staple in many genres, especially in blues and rock music. The progression is known for its simple, catchy, and resolved sounds.

The Wind Cries Mary by Jimi Hendrix is a rock ballad with elements of blues, featuring a unique and expressive chord progression. The song is in the key of F major and the verse progression consists of 25 chords. The progression is largely diatonic, but includes chromatic lines and borrowed chords, which give the piece a rather unpredictable yet emotive quality.

The song “Eight Days a Week” by The Beatles is an interesting example of pop music songwriting from the mid 1960’s. It showcases Paul McCartney and John Lennon’s ability to use common chord progressions and tweak them in a unique and recognizable way. It utilizes a simple progression in the verse but what makes it different is their use of 7th and borrowed chords. The key of the song is D major.

“Love of My Life” by Queen exhibits a very romantic and classical style, resonant of popular ballads primarily from the classical and romantic periods. The song beautifully plays with complex harmonies, frequent key changes and borrowings from parallel keys (modal mixture), which together yield a dramatic and emotional expression. Many of the chords used, including diminished chords, fully diminished seventh, major-minor seventh chords, and usage of secondary dominants are reminiscent of 19th-century Romantic music.

The Rolling Stones – Paint It Black – Verse 4

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Chord Progression

[‘Em’, ‘B’, ‘Em’, ‘B’, ‘Em’, ‘D’, ‘G’, ‘D’, ‘Em’, ‘Em’, ‘D’, ‘G’, ‘D’, ‘A’, ‘B’]

Chord Progression Analysis

Here is the roman numerals notation for each chord in the progression:
“`
E minor (‘i’)
B Major (‘V’)
E minor (‘i’)
B Major (‘V’)
E minor (‘i’)
D Major (‘VII’)
G Major (‘III’)
D Major (‘VII’)
E minor (‘i’)
E minor (‘i’)
D Major (‘VII’)
G Major (‘III’)
D Major (‘VII’)
A Major (‘IV’)
B Major (‘V’)
“`

Similar Chord Progressions

1. “House of the Rising Sun” by The Animals shares a similar progression.
“`
A minor (‘i’)
C Major (‘III’)
D Major (‘IV’)
F Major (‘VI’)
A minor (‘i’)
E Major (‘V’)
D Major (‘IV’)
E Major (‘V’)
“`
2. “Bittersweet Symphony” by The Verve also employs similar chord patterns.
“`
E Major (‘I’)
D# minor (‘vii’)
B Major (‘V’)
C# minor (‘vi’)
A Major (‘IV’)
B Major (‘V’)
C# minor (‘vi’)
C# minor (‘vi’)
“`
Remember these are not identically same progressions but they share similar structures, shifts, modulations or harmonic resolutions.

Musical Analysis

The primary chords in this song are from the key of E minor, but there are borrowed chords as well. D Major, G Major, and A Major serve as the borrowed chords. D major and G major are borrowed from the Dorian mode of E minor and A Major is borrowed from the parallel major. The frequent movement between the tonic minor (Em), the major V (B Major), the seventh scale degree (D Major), and the mediant (G Major) creates tension and resolves in the progression, offering a sense of exploration and deviation from simple diatonic rules.

Overall Analysis

“Paint It Black” by The Rolling Stones is a famous Rock song heavily influenced by the Indian classical form of music called Raga rock. The song is written in E minor and it has a very distinctively descending minor key tonality. The chords progression in the verse sequence doesn’t follow the conventional rules of western tonal harmony as it navigates through various key centers, showcasing the bands exploration of exotic and unconventional songwriting.

Style Analysis

The song features a fusion of Rock and Roll and Indian classical music, featuring distinctive use of the sitar. The recurring minor key tonality, the descending bass line and the instrument choices colour the song with a dark and melancholic yet aggressive mood, which aligns with the lyrical theme of the song. Frequent vacillation between the dominant (B major) and the tonic (Em) also creates a feeling of unresolved tension.

Chords in the Verse 4 section of Paint It Black by The Rolling Stones are:

[‘Em’, ‘B’, ‘Em’, ‘B’, ‘Em’, ‘D’, ‘G’, ‘D’, ‘Em’, ‘Em’, ‘D’, ‘G’, ‘D’, ‘A’, ‘B’]