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Related Music Theory Alchemy

“Paint It Black” by The Rolling Stones is a masterful example of the band’s ability to incorporate a variety of musical elements into a rock setting. This song, in particular, unites a classic rock ‘n roll backbone with an exotic influence, likely derived from Eastern music, especially with the use of the sitar.

The chord progression can be divided into three main sections (please see the details below). The first section is based around the I chord (C), the second section introduces the IV chord (F), then it returns to the I chord. The third section introduces a borrowed chord (bVII – Bb from C Mixolydian), a V chord (G), then returns to the I chord with a brief excursion back to the V chord. There is repetition in this section with the return to the I chord.

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The given chord progression is from the fourth verse of “Megalomania” by Muse. It reflects a mix of classical and rock influences and showcases Muse’s signature harmonic choices, featuring borrowed chords and non-diatonic elements.

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“House of the Rising Sun” by The Animals is a traditional folk song arranged by the British rock band in 1964. The song is known for its distinct and haunting minor sound, which has become one of the most famous examples of a minor key in popular music. The chord progression features a mix of diatonic and non-diatonic chords that add variety and interest to the music.

The chord progression in verse 4 of “Since I’ve Been Loving You” has a striking mix of diatonic chords and chromatic chords that borrow from different modes, creating a unique and expressive progression found in the blues rock style. The progression features a predominantly minor tonality, with some tension points provided by the dominant seventh and major seventh chords.

The Rolling Stones – Paint It Black – Verse 4

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Chord Progression

[‘Em’, ‘B’, ‘Em’, ‘B’, ‘Em’, ‘D’, ‘G’, ‘D’, ‘Em’, ‘Em’, ‘D’, ‘G’, ‘D’, ‘A’, ‘B’]

Chord Progression Analysis

Here is the roman numerals notation for each chord in the progression:
“`
E minor (‘i’)
B Major (‘V’)
E minor (‘i’)
B Major (‘V’)
E minor (‘i’)
D Major (‘VII’)
G Major (‘III’)
D Major (‘VII’)
E minor (‘i’)
E minor (‘i’)
D Major (‘VII’)
G Major (‘III’)
D Major (‘VII’)
A Major (‘IV’)
B Major (‘V’)
“`

Similar Chord Progressions

1. “House of the Rising Sun” by The Animals shares a similar progression.
“`
A minor (‘i’)
C Major (‘III’)
D Major (‘IV’)
F Major (‘VI’)
A minor (‘i’)
E Major (‘V’)
D Major (‘IV’)
E Major (‘V’)
“`
2. “Bittersweet Symphony” by The Verve also employs similar chord patterns.
“`
E Major (‘I’)
D# minor (‘vii’)
B Major (‘V’)
C# minor (‘vi’)
A Major (‘IV’)
B Major (‘V’)
C# minor (‘vi’)
C# minor (‘vi’)
“`
Remember these are not identically same progressions but they share similar structures, shifts, modulations or harmonic resolutions.

Musical Analysis

The primary chords in this song are from the key of E minor, but there are borrowed chords as well. D Major, G Major, and A Major serve as the borrowed chords. D major and G major are borrowed from the Dorian mode of E minor and A Major is borrowed from the parallel major. The frequent movement between the tonic minor (Em), the major V (B Major), the seventh scale degree (D Major), and the mediant (G Major) creates tension and resolves in the progression, offering a sense of exploration and deviation from simple diatonic rules.

Overall Analysis

“Paint It Black” by The Rolling Stones is a famous Rock song heavily influenced by the Indian classical form of music called Raga rock. The song is written in E minor and it has a very distinctively descending minor key tonality. The chords progression in the verse sequence doesn’t follow the conventional rules of western tonal harmony as it navigates through various key centers, showcasing the bands exploration of exotic and unconventional songwriting.

Style Analysis

The song features a fusion of Rock and Roll and Indian classical music, featuring distinctive use of the sitar. The recurring minor key tonality, the descending bass line and the instrument choices colour the song with a dark and melancholic yet aggressive mood, which aligns with the lyrical theme of the song. Frequent vacillation between the dominant (B major) and the tonic (Em) also creates a feeling of unresolved tension.

Chords in the Verse 4 section of Paint It Black by The Rolling Stones are:

[‘Em’, ‘B’, ‘Em’, ‘B’, ‘Em’, ‘D’, ‘G’, ‘D’, ‘Em’, ‘Em’, ‘D’, ‘G’, ‘D’, ‘A’, ‘B’]