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Related Music Theory Alchemy

“Paint It Black” plays with minor tonality, which isn’t extremely common in rock and roll music of the era. The song is in the key of E minor and uses the chords Em, B, D, G, and A. The verse has an interesting use of harmonies, incorporating the minor i, major V, minor iv, major bIII, and major IV chords.

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“Honky Tonk Women” by the Rolling Stones is a classic rock track steeped in the blues tradition. The song is played in the key of G Major and primarily uses chords G, C, A, and D.

**Chorus

The chord progression in Verse 3 of Beck’s “Say Goodbye” features an interesting mixture of diatonic and chromatic chords with noticeable tonal shifts. The progression is G – A# – Am – C – G – A# – Am – C, with an emphasis on the G major key. This progression conveys an expressive and slightly unstable mood, creating tension and release with the inclusion of borrowed and non-diatonic chords.

The chord progression of “Beast Of Burden” by The Rolling Stones from verse 3 appears to be a standard pop/rock progression with a bit of melodic flavor. It features the chords of E major, B major, C# minor, and A major.

The song is in the key of E Major as that’s the chord the progression starts and ends with, and most of the chords are from the E major scale. There are no borrowed chords, and the progression is repetitive, maintaining a loop throughout most of the song.

Let’s move on to the detailed chord progression analysis, chord names, and their roman numerals.

The chord progression in Verse 3 of Daniel Caesar’s “Get You” consists of a mix of diatonic chords and borrowed chords from the parallel minor. The overall tonality is in the B minor key. The smooth, soulful sound of the progression is achieved through the use of minor chords, mixed with major seventh chords, and the cycle of fifths progression in some measures.

The Rolling Stones – Paint It Black – Verse 3

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Chord Progression

[‘Em’, ‘B’, ‘Em’, ‘B’, ‘Em’, ‘D’, ‘G’, ‘D’, ‘Em’, ‘Em’, ‘D’, ‘G’, ‘D’, ‘A’, ‘B’]

Chord Progression Analysis

“`
E minor (‘i’)
B Major (‘V’)
E minor (‘i’)
B Major (‘V’)
E minor (‘i’)
D Major (‘VII’ – borrowed from E Dorian)
G Major (‘III’)
D Major (‘VII’ – borrowed from E Dorian)
E minor (‘i’)
E minor (‘i’)
D Major (‘VII’ – borrowed from E Dorian)
G Major (‘III’)
D Major (‘VII’ – borrowed from E Dorian)
A Major (‘IV’ – borrowed from E Mixolydian)
B Major (‘V’)
“`

Similar Chord Progressions

1. “Bitter Sweet Symphony” by The Verve:
“`
E Major (‘I’)
B minor (‘iv’)
D Major (‘VI’)
A Major (‘IV’)

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2. “Let It Be” by The Beatles:
“`
C Major (‘I’)
G Major (‘V’)
A minor (‘vi’ – borrowed from C minor)
F Major (‘IV’)
“`

Musical Analysis

This progression is interesting because it embodies the principles of modal interchange, where chords from different scales or modes with the same root note are used interchangeably. Here the D Major and G Major are borrowed from E Dorian, and The A Major is borrowed from E Mixolydian.

Overall Analysis

“Paint It, Black” is in E minor key, with verse 3 having an exciting harmonic progression: Em – B – Em – B – Em – D – G – D – Em – Em – D – G – D – A – B. The chord progression suggests that the Rolling Stones utilise borrowed chords to impose an air of ambiguity that reflects the song’s lyrical themes. Additionally, this song is a blend of rock and raga rock style and exemplifies the Stones’ 1960s exploration into psychedelia and Eastern musical styles.

Style Analysis

“Paint It, Black” carries elements of raga rock, which fuses Indian classical raga music with rock music. The minor tonality and modal interchange in the progression contribute to the somewhat ambiguous and melancholy mood of the piece.

Chords in the Verse 3 section of Paint It Black by The Rolling Stones are:

[‘Em’, ‘B’, ‘Em’, ‘B’, ‘Em’, ‘D’, ‘G’, ‘D’, ‘Em’, ‘Em’, ‘D’, ‘G’, ‘D’, ‘A’, ‘B’]