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Related Music Theory Alchemy

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“Paint It, Black” by The Rolling Stones is arranged in a minor key, specifically E minor. The verse chord progression of the song exhibits a fairly common pattern in 60’s rock and pop music, incorporating the use of both diatonic chords and borrowed chords from the parallel major key.

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“Beast of Burden,” by The Rolling Stones, a song characterized by a typical rock-pop structure, primarily uses a IV-chord loop in the key of E major. The chord progression in the outro follows a specific sequence: E, to B, to C#m, to A. The return to the E at the end of the progression gives it a circular feel that encourages cohesion.

“Let It Happen” by Tame Impala is characterized by its psychedelic and experimental nuances. It features an overall bright and uplifting tone despite its use of some more complex chords. The song ska common in pop music. The chord progression in question has a strong melodic sensibility demonstrating Kevin Parker’s ability to incorporate complex musical ideas into a pop format.

“Perfect Situation” by Weezer is a pop-rock song that follows a standard verse-chorus format, with a strong focus on melody and harmony. The song is in the key of G major, and the chord progression provided is for the second verse. It features a simple, yet effective progression that creates a sense of movement and tension before resolving back to the tonic chord. This gives the song a very engaging, classic pop/rock feel.

The verse 2 chord progression in Tyler, The Creator’s “Earfquake” is a mixture of diatonic and non-diatonic chords. The progression mainly features chords from the Bb Major key, with the D7 acting as a secondary dominant chord (V7/III). The progression has a smooth, jazzy feel that is typical of Tyler’s signature style.

The Rolling Stones – Paint It Black – Verse 2

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Chord Progression

[‘Em’, ‘B’, ‘Em’, ‘B’, ‘Em’, ‘D’, ‘G’, ‘D’, ‘Em’, ‘Em’, ‘D’, ‘G’, ‘D’, ‘A’, ‘B’]

Chord Progression Analysis

Em (i),
B (V),
Em (i),
B (V),
Em (i),
D (vii),
G (III),
D (vii),
Em (i),
Em (i),
D (vii),
G (III),
D (vii),
A (IV),
B (V).

Similar Chord Progressions

Stylistically, the chord progression recalls “House of the Rising Sun” by The Animals, another song that plays heavily with minor tonality. The song “All Along the Watchtower” by Jimi Hendrix also exhibits a similar chord progression in the key of C minor (with the chords being Cm, G, Ab and Bb).

– The Animals – House of The Rising Sun:

Am (i), C (III), D (IV), F (VI), Am (i), E (V), Am (i).

– Jimi Hendrix – All Along the Watchtower:

Cm (i), G (V), Ab (bVI), Bb (bVII).

Musical Analysis

The music of “Paint It Black” is characterized by its minor tonality and the use of syncopated rhythms. The chords are strummed in a steady eighth-note rhythm, giving the track its driving feel. The melody of the song is centered around the E minor pentatonic scale, which gives it its haunting and heartfelt quality. The instrumentation includes a wide array of textures, including electric guitar and drums with the sitar, a traditional Indian instrument, as the primary lead instrument. This instrumentation gives the song an exotic and slightly psychedelic feel, further emphasizing the minor tonality of the piece.

Overall Analysis

“Paint It Black” plays with minor tonality, which isn’t extremely common in rock and roll music of the era. The song is in the key of E minor and uses the chords Em, B, D, G, and A. The verse has an interesting use of harmonies, incorporating the minor i, major V, minor iv, major bIII, and major IV chords.

Style Analysis

The song exhibits an unconventional approach to rock and roll, playing with minor tonality and uncommon instrumentation. There is a significant influence of Indian classical music, not just in the use of sitar but also in the melody, which is based on the E minor pentatonic scale, a tuning commonly used in Indian classical music. However, the song stays grounded in its rock roots through its use of typical rock instruments and song structure.

Chords in the Verse 2 section of Paint It Black by The Rolling Stones are:

[‘Em’, ‘B’, ‘Em’, ‘B’, ‘Em’, ‘D’, ‘G’, ‘D’, ‘Em’, ‘Em’, ‘D’, ‘G’, ‘D’, ‘A’, ‘B’]