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“Paint It Black” by The Rolling Stones is a famous Rock song heavily influenced by the Indian classical form of music called Raga rock. The song is written in E minor and it has a very distinctively descending minor key tonality. The chords progression in the verse sequence doesn’t follow the conventional rules of western tonal harmony as it navigates through various key centers, showcasing the bands exploration of exotic and unconventional songwriting.

“Dead Flowers” by The Rolling Stones, from their album “Sticky Fingers” (1971), features a fairly straightforward repetitive chord progression of D, A, G, D in the verse. The key here is D Major. This common progression falls into a I-V-IV-I pattern known as a “plagal cadence”. It’s a progression which consists of a major key followed by its dominant (V), then its subdominant (IV), taking us back to the tonic (I).

“Dont Stop Me Now” by Queen has a key of F major. The song takes you on a journey of a unique blend of chords and progression. Freddie Mercury and the entire band are known for their diverse songwriting abilities, apparent in ‘Don’t Stop Me Now’. The chord progression in Verse 2 hints a story-telling stalwart of pop music production – the major-to-relative-minor movement (I to vi), with some interesting additions of minor seven, major seven and diminished seventh chords, giving it a more sophisticated feel.

“Wild Horses” by the Rolling Stones is performed in the key of G major. However, the initial chord progression beginning on B minor gives it a modal feel, specifically borrowing chords from G Lydian mode (IV of D Major). It’s an interesting mixture of folky rock with a touch of the blues, and the chord progression is largely based around the typical I-IV-V progression found in many rock songs, but with many deviations and additions.

Key: G Major

“Since I’ve Been Loving You” by Led Zeppelin is a slow blues ballad with a rich harmonic palette, featuring expressive guitar solos and a passionate, longing vocal performance. The song is characterized by its use of chromaticism, borrowed chords, and seventh chords, which contribute to its intense, bluesy atmosphere. The chord progression for Verse 2 displays a moody and introspective tone, which serves as the perfect backdrop for the plaintive lyrics and the emotional solos throughout the piece.

The Rolling Stones – Paint It Black – Verse 2

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Chord Progression

[‘Em’, ‘B’, ‘Em’, ‘B’, ‘Em’, ‘D’, ‘G’, ‘D’, ‘Em’, ‘Em’, ‘D’, ‘G’, ‘D’, ‘A’, ‘B’]

Chord Progression Analysis

Em (i),
B (V),
Em (i),
B (V),
Em (i),
D (vii),
G (III),
D (vii),
Em (i),
Em (i),
D (vii),
G (III),
D (vii),
A (IV),
B (V).

Similar Chord Progressions

Stylistically, the chord progression recalls “House of the Rising Sun” by The Animals, another song that plays heavily with minor tonality. The song “All Along the Watchtower” by Jimi Hendrix also exhibits a similar chord progression in the key of C minor (with the chords being Cm, G, Ab and Bb).

– The Animals – House of The Rising Sun:

Am (i), C (III), D (IV), F (VI), Am (i), E (V), Am (i).

– Jimi Hendrix – All Along the Watchtower:

Cm (i), G (V), Ab (bVI), Bb (bVII).

Musical Analysis

The music of “Paint It Black” is characterized by its minor tonality and the use of syncopated rhythms. The chords are strummed in a steady eighth-note rhythm, giving the track its driving feel. The melody of the song is centered around the E minor pentatonic scale, which gives it its haunting and heartfelt quality. The instrumentation includes a wide array of textures, including electric guitar and drums with the sitar, a traditional Indian instrument, as the primary lead instrument. This instrumentation gives the song an exotic and slightly psychedelic feel, further emphasizing the minor tonality of the piece.

Overall Analysis

“Paint It Black” plays with minor tonality, which isn’t extremely common in rock and roll music of the era. The song is in the key of E minor and uses the chords Em, B, D, G, and A. The verse has an interesting use of harmonies, incorporating the minor i, major V, minor iv, major bIII, and major IV chords.

Style Analysis

The song exhibits an unconventional approach to rock and roll, playing with minor tonality and uncommon instrumentation. There is a significant influence of Indian classical music, not just in the use of sitar but also in the melody, which is based on the E minor pentatonic scale, a tuning commonly used in Indian classical music. However, the song stays grounded in its rock roots through its use of typical rock instruments and song structure.

Chords in the Verse 2 section of Paint It Black by The Rolling Stones are:

[‘Em’, ‘B’, ‘Em’, ‘B’, ‘Em’, ‘D’, ‘G’, ‘D’, ‘Em’, ‘Em’, ‘D’, ‘G’, ‘D’, ‘A’, ‘B’]