Search

Related Music Theory Alchemy

The chord progression can be divided into three main sections (please see the details below). The first section is based around the I chord (C), the second section introduces the IV chord (F), then it returns to the I chord. The third section introduces a borrowed chord (bVII – Bb from C Mixolydian), a V chord (G), then returns to the I chord with a brief excursion back to the V chord. There is repetition in this section with the return to the I chord.

**

“Paint It, Black” by The Rolling Stones is arranged in a minor key, specifically E minor. The verse chord progression of the song exhibits a fairly common pattern in 60’s rock and pop music, incorporating the use of both diatonic chords and borrowed chords from the parallel major key.

**

The chord progression in Verse 2 of Beck’s “Say Goodbye” showcases a unique blend of chords that are not commonly heard together in popular music. The mix of major, minor, and borrowed chords creates an interesting and engaging sound. Its distinctive quality can be found in the use of the A# major chord, which is not diatonic to the key of G major.

**
“Viva la Vida” mostly utilizes a four-chord progression thorough the song which is fairly common in popular music. The verse we are focusing on replicating the verse goes like this: C – D – G – Em. The chord progressions are pretty simple, catchy and give the song an uplifting feel.

**

The given chord progression is from the verse of Pink Floyd’s “Breathe,” a song from their 1973 album, “The Dark Side of the Moon.” The progression consists of alternating Em and A7 chords throughout the entire verse. This creates a sense of movement and tension between the chords while also being relatively simple and repetitive. The harmonic back-and-forth between these two chords gives the song a dreamy and immersive quality that is a signature sound of Pink Floyd’s style.

The Rolling Stones – Brown Sugar – Verse 2

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

[‘C’, ‘C’, ‘C’, ‘C’, ‘C’, ‘C’, ‘C’, ‘F’, ‘F’, ‘F’, ‘F’, ‘F’, ‘F’, ‘F’, ‘C’, ‘C’, ‘C’, ‘C’, ‘C’, ‘C’, ‘C’, ‘Bb’, ‘C’, ‘Bb’, ‘G’, ‘G’, ‘C’, ‘C’, ‘C’, ‘C’, ‘C’, ‘G’, ‘C’, ‘C’, ‘C’, ‘C’, ‘C’]

Chord Progression Analysis

Verse 2 proceeds as follows:
C Major (I)
C Major (I)
C Major (I)
C Major (I)
C Major (I)
C Major (I)
C Major (I)
F Major (IV)
F Major (IV)
F Major (IV)
F Major (IV)
F Major (IV)
F Major (IV)
F Major (IV)
C Major (I)
C Major (I)
C Major (I)
C Major (I)
C Major (I)
C Major (I)
C Major (I)
Bb Major (bVII) – borrowed chord
C Major (I)
Bb Major (bVII) – borrowed chord
G Major (V)
G Major (V)
C Major (I)
C Major (I)
C Major (I)
C Major (I)
C Major (I)
G Major (V)
C Major (I)
C Major (I)
C Major (I)
C Major (I)
C Major (I)

Similar Chord Progressions

Several artists have used similar chord progressions. Tom Petty’s “Mary Jane’s Last Dance” uses a similar progression with chords in key of A minor, and a borrowed D Major chord: [‘Am’, ‘Am’, ‘Am’, ‘Am’, ‘Am’, ‘Am’, ‘Am’, ‘D’, ‘D’, ‘D’, ‘D’, ‘D’, ‘D’, ‘D’, ‘Am’, ‘Am’, ‘Am’, ‘Am’, ‘Am’, ‘Am’, ‘Am’, ‘G’, ‘Am’, ‘G’, ‘E’, ‘E’, ‘Am’, ‘Am’, ‘Am’, ‘Am’, ‘Am’, ‘E’, ‘Am’, ‘Am’, ‘Am’, ‘Am’, ‘Am’]. Likewise, Neil Young’s “Powderfinger” uses a similar progression with chords in key of D Major and a borrowed C Major chord.

Musical Analysis

The song revolves around a recurring major pentatonic riff. The Stones use heavy repetition of the I chord (C major) which creates a hypnotic, driving groove. The IV chord (F major) then provides a brief change. Borrowed bVII chord (Bb Major) adds color to the progression, and the use of V chord (G Major) adds tension and release, and allows for the transition back to the I chord (C major) to resolve the progression.

Overall Analysis

“Brown Sugar” by The Rolling Stones, off their 1971 album Sticky Fingers, is in the key of C major, and primarily uses the chords C, F, G and Bb. This song showcases the band’s blues rock influences, built on a repetitive, riff-driven chord progression. The use of I, IV, V, and a borrowed bVII (Bb), which is common in the blues, creates an appealing and familiar sound, helping the song resonate with listeners.

Style Analysis

“Brown Sugar” embodies elements of blues, rock’n’roll, and classic rock genres. Known for their blues-influenced rock sound, Rolling Stones make good use of the borrowed bVII chord. By incorporating this borrowed chord, which is frequently used in blues, the band creates an authentic ‘bluesy’ feeling, and adds color to their music.

Chords in the Verse 2 section of Brown Sugar by The Rolling Stones are:

[‘C’, ‘C’, ‘C’, ‘C’, ‘C’, ‘C’, ‘C’, ‘F’, ‘F’, ‘F’, ‘F’, ‘F’, ‘F’, ‘F’, ‘C’, ‘C’, ‘C’, ‘C’, ‘C’, ‘C’, ‘C’, ‘Bb’, ‘C’, ‘Bb’, ‘G’, ‘G’, ‘C’, ‘C’, ‘C’, ‘C’, ‘C’, ‘G’, ‘C’, ‘C’, ‘C’, ‘C’, ‘C’]