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Related Music Theory Alchemy

The given chord progression is from the song “Every Day Is Exactly The Same” by Nine Inch Nails. The overall structure of the song consists of verses, choruses, and a bridge, each with distinct chord progressions that contribute to the song’s moody, melancholic atmosphere. The song is mostly in the key of E minor, with some borrowed chords from the parallel major key.

“Right Where It Belongs” by Nine Inch Nails features a non-diatonic chord progression that creates a sense of tension and resolution. The progression makes use of borrowed chords from parallel keys, contributing to its distinctive sound. The overall key of the song is D minor.

“Landslide” by The Smashing Pumpkins is a cover of a popular folk-rock song by Fleetwood Mac. In this song, The Smashing Pumpkins show their alternative rock style, while also paying homage to the folk-rock genre and especially to the founder of Folk-Rock “Fleetwood Mac”. The chords used throughout the song are predominantly composed in the key of G major, with the occasional use of a common borrowed chord (Am) from the G minor key.

The chord progression in verse 2 of Stephen Sanchez’s “Until I Found You” is tonal and grounded in the key of G major throughout. The progression follows a strong, clearly structured pattern with repeated use of the G, Bm, C chords and a concluding D chord used to transition to the following sections. Stephen Sanchez makes significant use of the I-iii-IV chord progression in G major (G-Bm-C), which gives the song its flowing, harmonically stable character.

“Lost Cause” by Beck from the album “Sea Change” showcases a melancholic and heartfelt mood with a slow tempo, exuding a sense of introspection and vulnerability. The song can be described as a folk-rock ballad with subtle touches of country and indie rock.

Nine Inch Nails – Every Day Is Exactly The Same – Verse 2

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Chord Progression

E, C, E, C, E, C, G, F, E, C, E, C, E, C, G, F, E, C, E, C, E, C, G, F, E

Chord Progression Analysis

The verse sections utilize a common alternation between tonic (i) and submediant (VI) chords, creating a sense of tension and resolution, which is typical for the music of Nine Inch Nails. The G major and F major chords in the verse sections introduce variety and give a unique character to the song. The chorus and bridge sections maintain the tension of the verses while expanding the harmonic palette with chords like A major (IV) and G major (III).

Similar Chord Progressions

Musical Analysis

“Every Day Is Exactly The Same” reflects the signature Nine Inch Nails sound, which is characterized by a blending of rock, electronic, and industrial music elements. The repeated use of i-VI chord alternation contributes to an overall sense of melancholy and resignation, and the distinctive use of the borrowed F major chord contributes to the song’s dark, moody atmosphere.

Overall Analysis

“Every Day Is Exactly The Same” by Nine Inch Nails is primarily composed in the key of E minor. The song consists of four sections: Verse 1, Chorus, Verse 2, and Bridge. The chord progressions in the song are relatively simple, with a distinct alternation between E and C chords in the verses, while the chorus and bridge sections feature a broader range of chords such as A, C, and G.

Chord Progression Analysis (Verse 2):
E minor (i), C major (VI), E minor (i), C major (VI), E minor (i), C major (VI), G major (III), F major (♭VII; borrowed chord from E Phrygian), E minor (i)

*G major (III) and F major (♭VII) are both non-diatonic chords in E minor, with the F major chord being borrowed from the E Phrygian mode.

Style Analysis

1) Radiohead – “Karma Police”
Verse: A minor (i), A minor7/G (i7/♭VII), E minor (iv), D major (♭III)

2) Linkin Park – “Numb”
Verse: E minor (i), C major (VI), G major (III), D major (VII)

3) The Smashing Pumpkins – “1979”
Verse: E flat major (I), G minor (iii), C minor (vi), B flat major (V)

Chords in the Verse 2 section of Every Day Is Exactly The Same by Nine Inch Nails are:

E, C, E, C, E, C, G, F, E, C, E, C, E, C, G, F, E, C, E, C, E, C, G, F, E