“Give Me The Night” is a jazz-funk composition with a rich harmonic texture and a catchy melody. It was produced by Quincy Jones and released in 1980. The verse chord progression of this piece features a series of diatonic seventh chords, with one borrowed chord from a parallel minor key, which are common to the jazz and R&B styles.
The chord progression in the pre-chorus of George Benson’s “Give Me The Night” can be described as a smooth, jazzy, and mellow progression influenced by R&B and jazz-funk styles. It features a combination of diatonic chords and extensions, which create a sense of sophistication and complexity.
“Give Me The Night” is a classic R&B and jazz-infused song by George Benson, released in 1980. The song was written by Rod Temperton and produced by Quincy Jones. It features a smooth, soulful groove, lush harmonies, and a sophisticated chord progression that is characteristic of the late 70s and early 80s R&B and jazz fusion style. The verse of the song makes use of diatonic chords with a few borrowed chords, giving the progression a rich and interesting harmonic content.
“Yes I’m Changing” by Tame Impala uses a repetitive chord progression throughout the majority of the song, alternating primarily between the chords C, Csus2, Cadd9, Am, F, and G. This pattern is characterized by constant resolution with the tonic of the key, C Major. However, the progression occasionally diverges from the typical diatonic pattern by introducing a G Major chord, which is a V chord in the C Major scale.
The Beatles’ “Something” is a soulful ballad from their 1969 album “Abbey Road.” It’s primarily composed in the key of C major, but features modulations to other keys throughout its duration. The harmony of this song is somewhat complicated, but still rooted in traditional practices. “Something” effectively uses borrowed chords—chords from parallel keys—to create a fresh and memorable sound.
“This Masquerade” by George Benson is a jazz/R&B fusion piece with a smooth and laid-back feel. It features a slightly chromatic and sophisticated chord progression, complete with altered extensions and slash chords, resulting in a rich harmonic texture that is both soulful and intricate. The progression has some similarities to other jazz and R&B chord progressions used by artists such as Stevie Wonder, Donald Fagen (of Steely Dan), and Antonio Carlos Jobim.
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