The chord progression in the chorus of “Give Me The Night” by George Benson demonstrates the use of extended and borrowed chords. The progression consists of a mix of diatonic chords and chords borrowed from the parallel minor, which is a characteristic of jazz and R&B music. The use of the Db/Eb also adds a layer of harmonic ambiguity that creates tension, enriching the overall sound of the piece.
“Give Me The Night” by George Benson is a jazz-fusion piece with a strong R&B and pop influence. The pre-chorus utilizes a smooth harmonic progression, involving the use of common jazz chords and inversions. The progression is primarily diatonic, with a few chromatic alterations, allowing for a sense of tension and resolution that contributes to the overall groove and smooth melody.
“Give Me The Night” is a jazz-funk composition with a rich harmonic texture and a catchy melody. It was produced by Quincy Jones and released in 1980. The verse chord progression of this piece features a series of diatonic seventh chords, with one borrowed chord from a parallel minor key, which are common to the jazz and R&B styles.
The chord progression in the intro of “Loner” by Kali Uchis is a mixture of simple diatonic harmony and some more complex non-diatonic chords, which creates a jazzy and ethereal atmosphere. It is a 4-chord progression that resolves on F#m, making it a loop. The style of this progression is reminiscent of the Neo-Soul genre, and it can be found in some other songs across various musical styles.
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“Sorry Seems To Be The Hardest Word” is a song by Elton John written in the key of G major. However, the tonal center of this song fluctuates between G major and its relative minor, Em. Sensitive to the modality of the melody, Elton incorporates “color” via his diverse chord selections. The harmonic movement in this song is richly chromatic, creating a sense of tension and release that intensifies the melancholic aura of the lyrics.
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“This Masquerade” by George Benson is a jazz/R&B fusion piece with a smooth and laid-back feel. It features a slightly chromatic and sophisticated chord progression, complete with altered extensions and slash chords, resulting in a rich harmonic texture that is both soulful and intricate. The progression has some similarities to other jazz and R&B chord progressions used by artists such as Stevie Wonder, Donald Fagen (of Steely Dan), and Antonio Carlos Jobim.
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