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“And I Love Her” by The Beatles is predominantly set within the key of F# minor. Apart from the chorus that momentarily modulates to the key of D minor, the verses embrace a darker, melancholic atmosphere portrayed by the minor keys. The tonal structure and chord progressions in the song are reflective of the band’s exploration of intricate harmonies, going beyond the simple three-chord structures of many contemporary pop songs of the time.

“I Am The Walrus” is a composition by The Beatles that showcases a variety of chord progressions, rhythmic sensibilities, and melodic explorations that are representative of their signature sound. The song’s structure presents a complex and unorthodox harmonic design that is characteristic of The Beatles’ later experimental phase.

The pre-chorus 1 [‘A’, ‘A/G’, ‘Dadd9/F#’, ‘F’, ‘G’, ‘A’, ‘A/G’, ‘F’, ‘B7’] presents a series of descending bass notes provided by the root movement of these chords- from A to G (in ‘A/G’) to F# (in ‘Dadd9/F#’) and then repeated. This technique significantly enhances the melodic content of this progression. From a stylistic perspective, the song’s chord progression is enriched by the functional interplay of diatonic and non-diatonic elements over a changing tonal landscape.

“Let It Be” by The Beatles utilizes a very accessible and effective chord progression throughout the song. This progression is designed to create tension and release as it progresses, as well as establish the root key of the song, which is C Major.

The chords used throughout the song show a strong use of borrowed chords, inversions, and extensions, adding to the depth and complexity of the song despite the relatively uncomplicated chord progression.

The balance between the root key, dissonance, resolution, and overall harmony creates an emotive and engaging song that maintains listener interest and displays the songwriting abilities of The Beatles.

The chord progression in the chorus of Muse’s “Apocalypse Please” consists of a mix of diatonic chords and borrowed chords from the parallel major and minor keys. The progression features strong harmonic movement with a pivot modulation. Muse is known for their dramatic, often symphonic rock sound, and this progression is no exception in showing off their signature style. The progression also shares some similarities with other artists’ works in both structure and harmonic content.

The song “Hurt” by Nine Inch Nails mainly consists of a six-chord progression (Bm, G, D, A, Bm, G), repeating four times in the chorus. The sixth repetition alters the ending (Bm, G, A, B), and the key of the song is B Minor.

The Continuing Story Of Bungalow Bill

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This chorus from The Beatles’ “The Continuing Story Of Bungalow Bill” is an example of clever use of common chord transitions with several shifts in tonality. The chord progression uses the tonic key of C Major and F minor, showing complex modulation derived from modal interchange and secondary dominant techniques.

“The Continuing Story of Bungalow Bill” features a verse in A minor with a brief but significant shift to F minor, due to the use of borrowed chords or modal mixture. Notably, it showcases The Beatles’ sophisticated approach to harmonization, utilizing unconventional chord progressions & modulations that are cyclical.