The outro of Muse’s “Apocalypse Please” features a mix of power chords and triadic chords, with predominant iim7 and IV triads along with some embellishing chords. The piece has a rock-based style, with the emphasis on power chords, a driving rhythm, and intense dynamics. The chord progression borrows elements from different genres, such as pop and classical, with some interesting chromatic movement.
The chord progression in the chorus of Muse’s “Megalomania” features a blend of major and minor chords, as well as the use of the dominant 7th chord (B7) to create tension and resolution. This progression provides a harmonic foundation for the powerful and emotional vocals, giving it an intense and memorable feel.
Muse’s “New Born” is a rock composition with progressive and alternative elements. The harmonic structure is simple, making use of common chords and progressions. In the given chord progression from Verse 3, there is a sense of tension and release between the major and minor chords, creating a sense of dynamics and urgency. The chord progression itself is repetitive, with subtle variations added to keep interest.
“Let It Be” by The Beatles utilizes a very accessible and effective chord progression throughout the song. This progression is designed to create tension and release as it progresses, as well as establish the root key of the song, which is C Major.
The chords used throughout the song show a strong use of borrowed chords, inversions, and extensions, adding to the depth and complexity of the song despite the relatively uncomplicated chord progression.
The balance between the root key, dissonance, resolution, and overall harmony creates an emotive and engaging song that maintains listener interest and displays the songwriting abilities of The Beatles.
The verse of “Megalomania” by Muse is characterized by distinctive harmonic progressions, dynamic contrasts, and notable melodic lines that are typical of the band’s alternative rock style. Throughout this verse, Muse uses common harmonic devices such as secondary dominants, diatonic and chromatic mediants, borrowed chords from parallel keys, and deceptive cadences to create a sense of tension and forward momentum.
“Hysteria” by Muse is a song with a heavy rock style, featuring a powerful bassline and distorted guitars. The chord progression mentioned is present in the first verse of the song. This progression is characterized by the use of standard tonal harmony and minor key tonality, with some slight variations that are typical in rock music.
The chorus of Muse’s “Hysteria” displays a mix of chords from the key of C Major and borrowed chords from the parallel minor key (C minor). The chord progression uses a combination of functional harmony mixed with chromatic elements, embodying characteristics of both rock and classical genres.
The chord progression in Muse’s Hysteria (verse 2) is a fairly unique progression that revolves around a minor tonality with some hints of E7 acting as a secondary dominant. It seems to have an ambiguous key center, fluctuating between E minor and A minor. The progression is repeated, providing a sense of tension and familiarity throughout the verse.
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