The verse 2 chord progression from Muse’s “New Born” reflects their signature harmonic daring and interesting relationships, which provides this piece with a fresh and captivating sound. The progression features a blend of diatonic and non-diatonic chords, as well as key shifts and chromaticism. It utilizes major-minor modal interchange and emphasizes the Em – B relationship throughout.
The chord progression in the riff from Muse’s “New Born” is intriguing and creative, employing chromaticism and non-diatonic chords to create a unique and dramatic sound. The progression consists of four chords: C, A#dim7, Bsus4, and B. This progression doesn’t adhere to a single key, making it difficult to analyze in terms of functional harmony. However, it showcases Muse’s experimental tendencies, a quintessential aspect of their music style.
Muse’s “Can’t Take My Eyes Off You” is a rock interpretation of the classic 1967 pop song “Can’t Take My Eyes Off You” by Frankie Valli, which has been covered by various artists in different styles. The chord progression of the chorus is characterized by a series of diatonic chords, predominant in Western pop music. This progression follows a typical 1950’s “doowop” pattern present in countless pop and rock songs, utilizing the familiar circle of fourths movement (Dm-G-C) and establishing a straightforward harmonic rhythm.
Chord Progression Analysis with Roman Numerals (borrowed chords in code block):
D minor (iv) – G major (VII) – C major (I) – A minor (vi) – D minor (iv) – G major (VII) – C major (I) – A major (V/vi) – D minor (iv) – G major (VII) – C major (I) – A minor (vi) – D minor (iv) – G major (VII) – C major 7 (Imaj7) – C7 (I7) – C6 (I6) – C major (I) – Ab major (*bVI) – C major (I)
`* Ab major (bVI) is a borrowed chord from the parallel minor key (C minor).`
“I Am The Walrus” is a distinctive composition by the Beatles from their 1967 album “Magical Mystery Tour”. Known for its surreal lyrics and creative chord progression, the song displays the Beatles’ mastery of composition and their innovative use of harmony. The song features elements from psychedelic rock, a genre that the Beatles helped popularize during the mid-1960s.
The Wind Cries Mary by Jimi Hendrix is a classic rock ballad written in the key of F major, based around a somewhat simple, yet effective, chord progression. There are a few borrowed chords and modulations that add to the harmonic complexity and characteristic guitar work by Hendrix. The song’s structure consists of a verse, followed by a brief pre-chorus, and a chorus before repeating.
The song in question, “Endlessly” by Muse, is a reflective and emotional piece, featuring a fairly unique chord progression. The verse’s chord progression is not commonly heard in popular music, giving it a distinct sound that sets it apart from other songs. The use of suspended chords, the shift from Am to Bm, and the resolution to the E7 chord give the piece a floating, ethereal feel.
The chord progression in the chorus of “Endlessly” by Muse is an interesting mix of chords from related keys and chromatic alterations. The overall key of the piece is D minor, but there are some unexpected twists and turns that keep the harmonic journey unique and engaging.
The chord progression in Muse’s “Endlessly” from Verse 2 is a mix of diatonic chords and a borrowed chord from the parallel major key. The progression has a melancholic feel, utilizing suspended chords to create tension and release. The use of both minor and major chords provides a balanced sound, giving the piece its unique character.
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