The chord progression in the outro of MGMT’s “Weekend Wars” is a fairly simple one in terms of harmony, but it showcases some interesting movements between the chords. The progression has a major feeling and centers around the C major key. It sees a modulation to the key of F major during the Bb/F and Bb chords, and then returns to its original key. There are no borrowed chords present in this particular progression.
“Weekend Wars” by MGMT features a distinctive and slightly unconventional chord progression. The verse is in D minor and consists of 22 chords, providing a unique and somewhat complex harmonic landscape. The majority of the chords used are diatonic, but there are also borrowed chords and other non-diatonic chords which contribute to the song’s unique character.
Chord Progression:
Dm (i), C (VII), G (IV), C (VII), G (IV), F (III), Dm (i), C (VII), F (III), Am (v), F (III), Dm (i), C (VII), G (IV), C (VII), G (IV), F (III), Dm (i), C (VII), F (III), Am (v), F (III)
Dm – D minor
C – C major
G – G major (borrowed chord)
F – F major
Am – A minor
The chord progression in the chorus of “Kids” by MGMT is a repetitive and catchy sequence that features four chords, showcasing MGMT’s characteristic electronic pop and psychedelic rock sound. The progression is in the key of A Major, and the chords follow a vi-IV-I-V pattern.
The chord progression in the outro of MGMT’s “Weekend Wars” is a fairly simple one in terms of harmony, but it showcases some interesting movements between the chords. The progression has a major feeling and centers around the C major key. It sees a modulation to the key of F major during the Bb/F and Bb chords, and then returns to its original key. There are no borrowed chords present in this particular progression.
The chord progression in the outro of MGMT’s “Weekend Wars” is a fairly simple one in terms of harmony, but it showcases some interesting movements between the chords. The progression has a major feeling and centers around the C major key. It sees a modulation to the key of F major during the Bb/F and Bb chords, and then returns to its original key. There are no borrowed chords present in this particular progression.
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